標(biāo)題: Titlebook: By Its Cover; Modern American Book Ned Drew,Paul Sternberger Book 2005Latest edition Princeton Architectural Press 2005 Book covers.Design. [打印本頁] 作者: 小費(fèi) 時(shí)間: 2025-3-21 18:35
書目名稱By Its Cover影響因子(影響力)
書目名稱By Its Cover影響因子(影響力)學(xué)科排名
書目名稱By Its Cover網(wǎng)絡(luò)公開度
書目名稱By Its Cover網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱By Its Cover被引頻次
書目名稱By Its Cover被引頻次學(xué)科排名
書目名稱By Its Cover年度引用
書目名稱By Its Cover年度引用學(xué)科排名
書目名稱By Its Cover讀者反饋
書目名稱By Its Cover讀者反饋學(xué)科排名
作者: Inexorable 時(shí)間: 2025-3-21 23:17 作者: Awning 時(shí)間: 2025-3-22 02:34 作者: AMITY 時(shí)間: 2025-3-22 05:11 作者: CULP 時(shí)間: 2025-3-22 12:05 作者: Innovative 時(shí)間: 2025-3-22 14:02 作者: ear-canal 時(shí)間: 2025-3-22 20:21
Introduction,rvival. The book as an object is comfortingly substantial in its content and its material presence. At a time when so much information is dispersed in virtual form, it is especially important to examine the book as a distinctive object reflecting a marriage of authors’ words and designers’ vision.作者: 親屬 時(shí)間: 2025-3-23 00:50
Americanizing Utopia, as more progressive work by Paul Rand and Alvin Lustig. The mélange of styles was fully intended by the committee of guild members, who chose works for the exhibition that transcended the highly popular style of bawdy pulp fiction of the day.作者: Ruptured-Disk 時(shí)間: 2025-3-23 04:31
Modernism and Beyond,tic approach to design. The Push Pin group embraced traditional illustration and historical typefaces, and they were willing to create mélanges of styles that would have been virtually unthinkable to their modernist colleagues.作者: Induction 時(shí)間: 2025-3-23 08:43
The Bland Breeding the Bland,1960s, the publishers perceived their task as a privilege to present the work of their authors and a duty to present their audience with important literature. On the other hand, the larger presses that dominated the 1970s seem more authoritative, almost dictatorial in their pursuit of commercial success.作者: 澄清 時(shí)間: 2025-3-23 11:40
The Pillaged, Parodied, and Profound,. Those who attempted to apply these theories tried to tear apart grand historical narratives through the juxtaposition of purposefully discordant historical styles in nonhierarchical, interwoven compositions. They broke modernism’s rules of logic and legibility with dizzying layered images, fragments of type, and indecipherable signs.作者: 負(fù)擔(dān) 時(shí)間: 2025-3-23 15:52
Redefine and Redesign,n constant flux. In the wake of what some saw as the “urbane and defeated irony”1 of 1980s postmodernism, observers in the 1990s began to look for ways to reinsert meaning and expression into design while at the same time applying a juxtaposition of styles and layering of images.作者: CHAR 時(shí)間: 2025-3-23 21:33
M. T. Tyree,C. Caldwell,J. Dainty of the twentieth century, the book jacket began to take root as a promotional tool, and its design received more attention.. By mid-century in America, what had begun as prosaic illustration and straightforward lettering grew, through the adaptation of European modernism, into a sophisticated integration of type and image.作者: Increment 時(shí)間: 2025-3-24 01:33
A Union of Function and form, of the twentieth century, the book jacket began to take root as a promotional tool, and its design received more attention.. By mid-century in America, what had begun as prosaic illustration and straightforward lettering grew, through the adaptation of European modernism, into a sophisticated integration of type and image.作者: Tempor 時(shí)間: 2025-3-24 03:04
On the Problem of Nonstationary Ion Fluxes. Those who attempted to apply these theories tried to tear apart grand historical narratives through the juxtaposition of purposefully discordant historical styles in nonhierarchical, interwoven compositions. They broke modernism’s rules of logic and legibility with dizzying layered images, fragments of type, and indecipherable signs.作者: JUST 時(shí)間: 2025-3-24 08:31 作者: Water-Brash 時(shí)間: 2025-3-24 12:24 作者: incisive 時(shí)間: 2025-3-24 17:15 作者: Ptosis 時(shí)間: 2025-3-24 19:10
https://doi.org/10.1007/1-56898-633-5Book covers; Design; Graphic design; american book cover design; book cover; cover design作者: MORT 時(shí)間: 2025-3-25 02:19 作者: Fabric 時(shí)間: 2025-3-25 06:38 作者: HAVOC 時(shí)間: 2025-3-25 09:03
M. T. Tyree,C. Caldwell,J. Daintydate to the 1820s, until late in the century they had only been used as protective packaging and tended to be nonpictorial, labeled wrappers with little focus on design. Book jackets began to gain importance in the 1890s with the recognition that they could be a way to attract the attention of poten作者: JOG 時(shí)間: 2025-3-25 11:41 作者: 跳動(dòng) 時(shí)間: 2025-3-25 18:45 作者: 說笑 時(shí)間: 2025-3-25 21:35
On the Problem of Nonstationary Ion Fluxese of war, racial tension, and political scandal. The volume of truly innovative work in book cover design dropped, the result of a number of factors within the world of publishing, most notably an increasing corporatization of commercial publishers. Small presses like New Directions and Grove, press作者: Ischemia 時(shí)間: 2025-3-26 03:17
On the Problem of Nonstationary Ion Fluxest a slippage and contingency of meaning that exists in a society barraged by images that seem farther and farther from the real. They sensed that the universal truth and personal expression that modernism seemed to promise were romantic delusions that had been co-opted and defiled by corporate power作者: 重力 時(shí)間: 2025-3-26 05:24
On the Problem of Nonstationary Ion Fluxesy the 1970s, corporate adaptation of the idiom in America had embraced its clarity and cleanliness, but quashed its attempts at meaningful expression. Academic postmodernism attempted to present the world not as a series of essential truths, but as a contradictory array of decentered contingencies i作者: MOAN 時(shí)間: 2025-3-26 10:55 作者: Meditate 時(shí)間: 2025-3-26 15:38
Introduction, indeed increased, and print-on-demand technology will likely change the way books are marketed and purchased. But there is something special about the mass-produced book as an object— it is more than just a presentation of the ideas of an author. When a text is published and the book is designed an作者: 符合你規(guī)定 時(shí)間: 2025-3-26 19:19
A Union of Function and form,date to the 1820s, until late in the century they had only been used as protective packaging and tended to be nonpictorial, labeled wrappers with little focus on design. Book jackets began to gain importance in the 1890s with the recognition that they could be a way to attract the attention of poten作者: 新陳代謝 時(shí)間: 2025-3-26 21:54 作者: 多骨 時(shí)間: 2025-3-27 04:30 作者: Jogging 時(shí)間: 2025-3-27 07:39 作者: SKIFF 時(shí)間: 2025-3-27 11:49 作者: 陰郁 時(shí)間: 2025-3-27 16:32
Redefine and Redesign,y the 1970s, corporate adaptation of the idiom in America had embraced its clarity and cleanliness, but quashed its attempts at meaningful expression. Academic postmodernism attempted to present the world not as a series of essential truths, but as a contradictory array of decentered contingencies i作者: BARB 時(shí)間: 2025-3-27 19:34
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