標(biāo)題: Titlebook: Burial Plots in British Detective Fiction; Lisa Hopkins Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license [打印本頁(yè)] 作者: 小費(fèi) 時(shí)間: 2025-3-21 17:50
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作者: FATAL 時(shí)間: 2025-3-21 22:49
The Deep Dead: Detective Fiction and Archaeology,odies or possessions resurface in a way that affects or comments on the present. Any act of digging the ground in crime fiction is also a digging into someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archa作者: CANT 時(shí)間: 2025-3-22 00:51
,The Tongue Is a Fire: Patricia Wentworth’s Miss Silver Novels,, but never really changes: she continues to uphold Victorian values and to quote Tennyson at all opportunities. This is not only from nostalgia, however: the books consistently present talk—and especially women’s talk—as a terrifying force which poisons people’s lives and distorts their sense of wh作者: Countermand 時(shí)間: 2025-3-22 07:09
The Body in the Library: Georgette Heyer, Dorothy Dunnett and Sarah Caudwell,ays already in the library. It opens with the detective stories of Georgette Heyer, moves on to Dorothy Dunnett’s Johnson Johnson books and finally looks at the slim but delicious . of Sarah Caudwell. Each of these authors has a distinctive voice, and yet all (including Heyer herself) are influenced作者: 爆炸 時(shí)間: 2025-3-22 09:12
Cover Her Face: Elizabethan and Jacobean Drama,bscure dramatists of the period are referred to. On one level, quotations from Peele, Webster, Ben Jonson or Ford allow anyone who identifies them to feel clever. More subtly, the image of Jacobean drama as decadent means that reference to it might invite readers to speculate on what kind of society作者: 壟斷 時(shí)間: 2025-3-22 14:40 作者: Basal-Ganglia 時(shí)間: 2025-3-22 18:37
Crime at Christmas, the fact that the more enthusiasm a character displays for the season, the more likely they are to be murdered. The chapter suggests that as part of the inversion and suspension of normality associated with the twelve days of Christmas, the usual moral imperatives are relaxed and killing can become作者: 美色花錢 時(shí)間: 2025-3-22 22:53 作者: enhance 時(shí)間: 2025-3-23 04:27 作者: CANT 時(shí)間: 2025-3-23 07:49 作者: 憤慨一下 時(shí)間: 2025-3-23 10:57
https://doi.org/10.1007/BFb0072264odies or possessions resurface in a way that affects or comments on the present. Any act of digging the ground in crime fiction is also a digging into someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archa作者: cartilage 時(shí)間: 2025-3-23 14:08
The Uniform Boundedness Principle,, but never really changes: she continues to uphold Victorian values and to quote Tennyson at all opportunities. This is not only from nostalgia, however: the books consistently present talk—and especially women’s talk—as a terrifying force which poisons people’s lives and distorts their sense of wh作者: Evocative 時(shí)間: 2025-3-23 21:32 作者: 無(wú)脊椎 時(shí)間: 2025-3-23 23:42 作者: 枯萎將要 時(shí)間: 2025-3-24 02:47 作者: HEPA-filter 時(shí)間: 2025-3-24 07:59
An Introduction to Vector Spaces, the fact that the more enthusiasm a character displays for the season, the more likely they are to be murdered. The chapter suggests that as part of the inversion and suspension of normality associated with the twelve days of Christmas, the usual moral imperatives are relaxed and killing can become作者: Addictive 時(shí)間: 2025-3-24 13:15 作者: 我不明白 時(shí)間: 2025-3-24 17:45
Katerina Karavasili,Pieter Koolwijkthe systematic uncovering of the layers of the past. Patricia Wentworth’s Miss Silver books show stories being shaped by ‘talk’, while the detective novels of Georgette Heyer, Dorothy Dunnett and Sarah Caudwell explore crime fiction as a genre, whose cultural status of the form is also a concern for作者: 蘑菇 時(shí)間: 2025-3-24 22:31 作者: 債務(wù) 時(shí)間: 2025-3-25 01:55 作者: 去世 時(shí)間: 2025-3-25 05:00 作者: 安定 時(shí)間: 2025-3-25 07:45
Crime Fileshttp://image.papertrans.cn/b/image/191972.jpg作者: 橡子 時(shí)間: 2025-3-25 14:26
Burial Plots in British Detective Fiction978-3-030-65760-4Series ISSN 2947-8340 Series E-ISSN 2947-8359 作者: intricacy 時(shí)間: 2025-3-25 17:00
Yvan Gasche,Jean-Christophe Copinindividual crime is also an uncovering of a more general connection between the present and the past, and that the underlying message is that you cannot understand the present unless you understand the past.作者: dura-mater 時(shí)間: 2025-3-25 23:10 作者: Trypsin 時(shí)間: 2025-3-26 00:28
Spectral Properties of Contractions, by Heyer’s historical novels, in ways which mean that for all the ostentatious contemporaneity of these three series of books, they are always anchored in the past. The chapter argues that the uses to which the three authors put that engagement with the past are, however, different, particularly in relation to gender roles.作者: 聯(lián)想記憶 時(shí)間: 2025-3-26 08:01
G. R. Belitskii,Yurii I. Lyubich is being depicted, what kind of things might happen in it, and whether the novel will offer a full and satisfying conclusion or whether it might be left open-ended. Particular attention is paid to allusions to Webster’s ., which are offered by several writers of detective fiction.作者: hair-bulb 時(shí)間: 2025-3-26 11:51 作者: 逗它小傻瓜 時(shí)間: 2025-3-26 16:08
An Introduction to Vector Spaces, not only entertaining but therapeutic, and that this is especially the case when the murder victim is a father, who comes to seem almost like a winter king, ritually sacrificed so that everyone else can feel released and renewed.作者: 表狀態(tài) 時(shí)間: 2025-3-26 20:06 作者: 半球 時(shí)間: 2025-3-27 00:13
Katerina Karavasili,Pieter Koolwijk texts which allude to Jacobean drama. Val McDermid’s Karen Pirie books showcase questions of the narrative forms needed to recount the past. Crime stories set at Christmas connect the past to the present through ritual, and supernatural crime fiction asked what difference death makes.作者: 擁護(hù) 時(shí)間: 2025-3-27 04:40
Introduction,individual crime is also an uncovering of a more general connection between the present and the past, and that the underlying message is that you cannot understand the present unless you understand the past.作者: hermetic 時(shí)間: 2025-3-27 07:18
,The Tongue Is a Fire: Patricia Wentworth’s Miss Silver Novels,at has actually happened. Even silence is portrayed as portentous and fraught with the possibility of suggestions which are unspoken but nevertheless wordlessly conveyed. In the Miss Silver books, quotation is the only safe way to communicate.作者: 礦石 時(shí)間: 2025-3-27 12:19 作者: 滲入 時(shí)間: 2025-3-27 14:32
Cover Her Face: Elizabethan and Jacobean Drama, is being depicted, what kind of things might happen in it, and whether the novel will offer a full and satisfying conclusion or whether it might be left open-ended. Particular attention is paid to allusions to Webster’s ., which are offered by several writers of detective fiction.作者: 兩棲動(dòng)物 時(shí)間: 2025-3-27 19:48
,Historic Scotland: Val McDermid’s Cold Cases,ts are served, and what crime tells us about both the past and the present. The chapter also observes that Karen Pirie’s insistence of speaking for the dead informs the books’ narrative techniques, particularly in the use of flashback.作者: 南極 時(shí)間: 2025-3-27 22:41 作者: genesis 時(shí)間: 2025-3-28 05:55 作者: 失誤 時(shí)間: 2025-3-28 06:46 作者: 商業(yè)上 時(shí)間: 2025-3-28 10:51 作者: 有幫助 時(shí)間: 2025-3-28 17:27 作者: chemoprevention 時(shí)間: 2025-3-28 22:23
https://doi.org/10.1007/BFb0072264 someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archaeological crime fiction and what it offers and enables; the second half focuses on Agatha Christie, whose second marriage to an archaeologist allowed her to produce the supreme examples of the genre.作者: affinity 時(shí)間: 2025-3-29 01:49
The Deep Dead: Detective Fiction and Archaeology, someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archaeological crime fiction and what it offers and enables; the second half focuses on Agatha Christie, whose second marriage to an archaeologist allowed her to produce the supreme examples of the genre.作者: homocysteine 時(shí)間: 2025-3-29 03:05
