標題: Titlebook: Building a Representative Theater Corpus; A Broader View of Ni Angus Grieve-Smith Book 2019 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: BID 時間: 2025-3-21 17:41
書目名稱Building a Representative Theater Corpus影響因子(影響力)
書目名稱Building a Representative Theater Corpus影響因子(影響力)學科排名
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書目名稱Building a Representative Theater Corpus網絡公開度學科排名
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書目名稱Building a Representative Theater Corpus被引頻次學科排名
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書目名稱Building a Representative Theater Corpus讀者反饋
書目名稱Building a Representative Theater Corpus讀者反饋學科排名
作者: 憤怒歷史 時間: 2025-3-21 21:49 作者: 瑪瑙 時間: 2025-3-22 01:15 作者: Handedness 時間: 2025-3-22 07:29
The Editor(s) (if applicable) and The Author(s) 2019作者: Infiltrate 時間: 2025-3-22 10:56
https://doi.org/10.1007/978-1-4614-8529-2e sample of the theatrical genre for studying language change and an improvement over unrepresentative corpora like FRANTEXT, with results that can be generalized to all of Parisian theater and possibly beyond. To determine how different the Digital Parisian Stage is from FRANTEXT, Grieve-Smith comp作者: TRACE 時間: 2025-3-22 15:22
Weighing in the Ternary Numeral System,f a language at one point in time based on the ways it was used in a prior point in time. We can test these theoretical constructs with representative samples, following Laplace’s (.. Paris: Courcier, 1814) estimate of the population of the French Empire. Laplace’s methods can be misapplied in numer作者: 鍍金 時間: 2025-3-22 17:32 作者: CAJ 時間: 2025-3-22 23:20 作者: 提名的名單 時間: 2025-3-23 02:13 作者: Pamphlet 時間: 2025-3-23 06:49 作者: Albinism 時間: 2025-3-23 13:39
https://doi.org/10.1007/978-3-642-11069-6 sizes. Are these differences due to social biases in the choice of theatrical texts for FRANTEXT, or the lack of availability of certain texts in the Digital Parisian Stage sample? When examined with one-way analysis of variation (ANOVA), differences in negation proved to have a significant relatio作者: Increment 時間: 2025-3-23 17:05
Geometric Figures on Grid Paper,ernet in the 1980s and 1990s. The original intent was to base it on a representative sample, but due to time constraints it was compiled using an unrepresentative “Principle of Authority.” For the period 1800–1815 the result is four texts chosen based on the subjective interests of literary historians.作者: Needlework 時間: 2025-3-23 20:14
Some Stochastic Models in Immunology,The Digital Parisian Stage project offers a much more representative picture of the language of Parisian theater than any known corpus of the same period. Work is continuing on Part II of the project; when the corpus is complete it will provide a more reliable sample for historical studies of the French language.作者: Myocarditis 時間: 2025-3-24 01:58 作者: Heresy 時間: 2025-3-24 03:01 作者: 很是迷惑 時間: 2025-3-24 06:39
Book 2019. This book surveys?existing corpora that cover the nineteenth century,?lays out the issue of corpus representativeness in detail,?and, using a random sample of plays from this period,?presents two case studies of language in use in the Napoleonic era.?It presents a compelling argument for the compi作者: 語源學 時間: 2025-3-24 12:19
Book 2019 sample of plays from this period,?presents two case studies of language in use in the Napoleonic era.?It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater..作者: electrolyte 時間: 2025-3-24 18:55
Weighing in the Ternary Numeral System,ous ways, particularly by choosing a biased sample or by sampling from an inapplicable frame. An ideal corpus would have a balance of genres that matches the input that authors experience, and a corpus of theater is an initial step toward that ideal.作者: Default 時間: 2025-3-24 20:25 作者: 誘使 時間: 2025-3-25 03:10
https://doi.org/10.2991/978-94-91216-50-325)–455, 1995) connection of type frequency to analogical extension. Unfortunately, the concerns about representativeness raised in Chap. . apply to this study. Texts in the Digital Parisian Stage corpus have a significantly lower token frequency of . alone than those in FRANTEXT for 1800–1815.作者: Altitude 時間: 2025-3-25 03:54 作者: Fibrinogen 時間: 2025-3-25 11:05
https://doi.org/10.1007/978-3-642-11069-6ency and genre or theater, or between any of the linguistic variables and factors like gender, age and social class. A larger sample may indicate such relationships beyond the possibility of sampling error.作者: infinite 時間: 2025-3-25 12:48 作者: 省略 時間: 2025-3-25 18:03 作者: OREX 時間: 2025-3-25 21:47
Case Study 2: Left and Right Dislocation, less frequent in a literary magazine article. They are also less frequent in the Digital Parisian Stage corpus, and even less frequent in the 1800–1815 theatrical texts in FRANTEXT. This corroborates the evidence in Case Study 1 that FRANTEXT plays are more conservative than the average Parisian play from the same time.作者: fringe 時間: 2025-3-26 00:38 作者: 招致 時間: 2025-3-26 07:37
r representative corpus design and compilation.Illustrates t.The Digital Parisian Stage Project aims to compile a corpus of plays that are representative of performances in the theaters?of Paris through history. This book surveys?existing corpora that cover the nineteenth century,?lays out the issue作者: 駭人 時間: 2025-3-26 10:27 作者: 轉向 時間: 2025-3-26 12:45
The Digital Parisian Stage Project,rpus is based on a random 1% sample of the plays listed in Wicks Volume 1 (1950), covering the years 1800–1815. Of those 31 plays, 24 were obtained from Google Books, Gallica and other sources. These works have been converted to full text, cleaned and formatted. They are currently available for free download and collaboration on GitHub.作者: patella 時間: 2025-3-26 18:41
oleonic era.?It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater..978-3-030-32402-5作者: ERUPT 時間: 2025-3-26 21:53
Capturing Language Diversity Through Representative Samples,ous ways, particularly by choosing a biased sample or by sampling from an inapplicable frame. An ideal corpus would have a balance of genres that matches the input that authors experience, and a corpus of theater is an initial step toward that ideal.作者: Herd-Immunity 時間: 2025-3-27 03:05
Introduction,e sample of the theatrical genre for studying language change and an improvement over unrepresentative corpora like FRANTEXT, with results that can be generalized to all of Parisian theater and possibly beyond. To determine how different the Digital Parisian Stage is from FRANTEXT, Grieve-Smith comp作者: 對手 時間: 2025-3-27 08:09 作者: GOUGE 時間: 2025-3-27 12:59
,FRANTEXT ’s Corpus of Nineteenth-Century French,ernet in the 1980s and 1990s. The original intent was to base it on a representative sample, but due to time constraints it was compiled using an unrepresentative “Principle of Authority.” For the period 1800–1815 the result is four texts chosen based on the subjective interests of literary historia作者: conception 時間: 2025-3-27 16:48
The Digital Parisian Stage Project,haustive catalog of plays that premièred in Paris in the nineteenth century is an ideal sampling frame for a new corpus. The Digital Parisian Stage corpus is based on a random 1% sample of the plays listed in Wicks Volume 1 (1950), covering the years 1800–1815. Of those 31 plays, 24 were obtained fr作者: Mediocre 時間: 2025-3-27 20:05
Case Study 1: ,-Smith (.. Ph.D. diss., University of New Mexico, 2009) found that in Old French . appears predominantly in contexts that are consistent with presupposition denial but increased in frequency from the sixteenth through twentieth centuries, appearing in predicate negation contexts. This fits with Kroc作者: Ptosis 時間: 2025-3-27 23:28
Case Study 2: Left and Right Dislocation,include demonstrative dislocation, clitic dislocation and contrastive topics. We also find constructions that resemble dislocation, such as complex inversion and conjoined noun phrases. Grieve-Smith (Topicalization and Word Order in Conversational French. Southeast Conference on Linguistics, 2000) f作者: 干旱 時間: 2025-3-28 02:38 作者: Comprise 時間: 2025-3-28 09:33 作者: glans-penis 時間: 2025-3-28 13:19
Knappe Metalle, Peak Oil und m?gliche wirtschaftliche Folgen – Vergleich zweier ?konomischer Modelleklichkeit und die getroffenen Annahmen bezüglich zukünftiger Entwicklung nicht in Modellen abbildbarer Gr??en (z. B. Entwicklung des Welthandels). Es zeigt sich, dass auch angesichts knapper Metalle die Modellergebnisse die Vorteilhaftigkeit einer Transformation des Energiesystems unterstreichen.作者: Lipoma 時間: 2025-3-28 16:33
Odutayo O. Odunuga,Henry F. Epsteinus is on genetic diagnostics as well as on prenatal and fertility-related genetic counseling. A unique feature is that research meets practice: numerous patient reports complement the clinical aspects and depict the experiences of families living with a family member with an sSMC..978-3-642-43536-2978-3-642-20766-2作者: Ischemia 時間: 2025-3-28 19:28
Adnan Ghaffar,Xue Jun Li,Wahaj Abbas Awan,Niamat Hussainyses both in the laboratory and in the process. Chromatography is now recognized as one of the most important analysis tools available to the chemist, offering the advantages of separation and quantitation of components in a sample, all performed in a single operation.作者: 引水渠 時間: 2025-3-28 23:50 作者: 爭論 時間: 2025-3-29 03:49 作者: 顛簸地移動 時間: 2025-3-29 10:00 作者: 600 時間: 2025-3-29 14:59
