標(biāo)題: Titlebook: Browning the Revisionary; John Woolford Book 1988 John Woolford 1988 Britain.history of literature.literature.nineteenth century.British a [打印本頁] 作者: industrious 時間: 2025-3-21 19:57
書目名稱Browning the Revisionary影響因子(影響力)
書目名稱Browning the Revisionary影響因子(影響力)學(xué)科排名
書目名稱Browning the Revisionary網(wǎng)絡(luò)公開度
書目名稱Browning the Revisionary網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Browning the Revisionary被引頻次
書目名稱Browning the Revisionary被引頻次學(xué)科排名
書目名稱Browning the Revisionary年度引用
書目名稱Browning the Revisionary年度引用學(xué)科排名
書目名稱Browning the Revisionary讀者反饋
書目名稱Browning the Revisionary讀者反饋學(xué)科排名
作者: Costume 時間: 2025-3-21 22:12 作者: 輕率的你 時間: 2025-3-22 02:59
Marx, Berkeley and Bad Abstractionsudiates this willingness to revise. In reissuing ., Browning noted that his attempts to revise it in the spirit of 1849 had proved unsuccessful, if not misguided: ‘a(chǎn)fter all, I imagined another thing at first, and therefore leave as I fmd it’. And other poems too were left as found, even, in many instances, reverting to a pre–. reading.作者: 輕觸 時間: 2025-3-22 04:42
The Structure of the Revised ,udiates this willingness to revise. In reissuing ., Browning noted that his attempts to revise it in the spirit of 1849 had proved unsuccessful, if not misguided: ‘a(chǎn)fter all, I imagined another thing at first, and therefore leave as I fmd it’. And other poems too were left as found, even, in many instances, reverting to a pre–. reading.作者: HAUNT 時間: 2025-3-22 12:36
The Division of Labour and Its Overcoming,third not named but clearly presaging the dramatic monologue.. The grounds on which Sordello distinguishes these, and mounts them into an ascending series, is their sensitivity to the morality of the reader-writer relation. In epic, the earliest form, the poet controls the reader’s response by telling him what to think about the action:作者: Admonish 時間: 2025-3-22 15:33 作者: 浸軟 時間: 2025-3-22 18:50 作者: STENT 時間: 2025-3-23 01:06 作者: Minatory 時間: 2025-3-23 05:02
The Division of Labour and Its Overcoming,areful ‘to supply [them] with no other materials than [they] can combine into an intelligible whole’.. This definition both typifies Browning’s commitment to his public, and foreshadows its central problem. The poet will write only what his audience will find ‘intelligible’. The audience will take r作者: judiciousness 時間: 2025-3-23 06:54 作者: 預(yù)定 時間: 2025-3-23 13:10
Method and Value: Engels Through Sohn-Rethelirection, writing a poem of direct vision and personal statement, and as far as popular success was concerned, had failed completely. It is evident that the example of his wife’s work, with its spontaneous subjectivity and widespread popular appeal, had moved him to emulation: this is suggested very作者: HEDGE 時間: 2025-3-23 14:55
Marx, Berkeley and Bad Abstractionsems to date, the first since 1849. Several important changes of editorial policy become apparent when the two collections are compared. In many ways, . was the more radical: its exclusion of . announces Browning’s intention of propitiating an unsympathetic public, and the same conciliatory spirit di作者: Spongy-Bone 時間: 2025-3-23 21:41
Antonio Oliva,ángel Oliva,Iván Novaracollection appeared, so his choice of the first of these topics is hardly a surprise. Death, whether of a woman (.), a man or men (.) is all-pervasive, and even poems which appear not involve it invoke its counterpart, the death-inlife to which existential failure consigns lovers who have failed to 作者: machination 時間: 2025-3-24 01:55
Antonio Oliva,ángel Oliva,Iván Novaras precedent for its use of multiple narration of the same sequence of events by a variety of speakers. Opinion as to the effectiveness of the method has always varied: aesthetic critics such as Henry James and George Santayana deprecated the sacrifice, as they saw it, of the classical shaping of poe作者: 繼承人 時間: 2025-3-24 04:58
Overview: 978-1-349-19495-7978-1-349-19493-3作者: FLASK 時間: 2025-3-24 09:40
https://doi.org/10.1007/978-1-349-19493-3Britain; history of literature; literature; nineteenth century; British and Irish Literature作者: ODIUM 時間: 2025-3-24 13:22
The Problem of Power, Browning shared. ‘Do you know,’ he wrote to his future wife, Elizabeth Barrett,.His early work (1835–45) accordingly centres, almost invariably, on the resistance to despotism, whether that of the eighteenth-century . (.), or of the feuding aristocratic dynasties of fourteenth-century Italy (.). .,作者: 天氣 時間: 2025-3-24 18:33 作者: 發(fā)誓放棄 時間: 2025-3-24 20:15
The Problem of Form,istorical evolution of poetry. As the 1863 running-titles make clear, this evolution falls into three stages: the first, epic; the second, drama; the third not named but clearly presaging the dramatic monologue.. The grounds on which Sordello distinguishes these, and mounts them into an ascending se作者: Ige326 時間: 2025-3-25 01:21
The Structured Collection,irection, writing a poem of direct vision and personal statement, and as far as popular success was concerned, had failed completely. It is evident that the example of his wife’s work, with its spontaneous subjectivity and widespread popular appeal, had moved him to emulation: this is suggested very作者: exquisite 時間: 2025-3-25 04:20
The Structure of the Revised ,ems to date, the first since 1849. Several important changes of editorial policy become apparent when the two collections are compared. In many ways, . was the more radical: its exclusion of . announces Browning’s intention of propitiating an unsympathetic public, and the same conciliatory spirit di作者: INCH 時間: 2025-3-25 10:57
The Unity of ,collection appeared, so his choice of the first of these topics is hardly a surprise. Death, whether of a woman (.), a man or men (.) is all-pervasive, and even poems which appear not involve it invoke its counterpart, the death-inlife to which existential failure consigns lovers who have failed to 作者: 帶子 時間: 2025-3-25 12:25 作者: vertebrate 時間: 2025-3-25 16:32 作者: 荒唐 時間: 2025-3-25 22:45
The Problem of Audience,ogrammes proved inordinately difficult to combine. The story of Browning’s relation to the public of his period is the story of his struggle to get the reader to contribute to his poetry without sacrificing intelligibility, as he admits in a rather rueful letter of 1868:作者: 出沒 時間: 2025-3-26 02:49
The Structured Collection,rity’. This statement indicates that he believed that dramatic monologues were what the age demanded, at least from him, and that obtaining contemporary success remained a prime motive in his poetic career.作者: 抱狗不敢前 時間: 2025-3-26 06:46
The Unity of , his objections to Renan’s thesis that ‘miracles were a cheat’ and that the St John of history was not the author of the books ascribed to him in the Biblical canon, objections which he then creatively utilised in . with his exploration of the psychology of Mr Sludge ‘the Medium’, faker of miracles,作者: Genistein 時間: 2025-3-26 11:14
Manifesto of the Communist Partyy repugnant to him; his response, to advocate and finally bring about an elopement which has become legendary, reappears time and again in his work, and is the central motif of his longest poem, .. Such treatments represent, not simply their intrinsic Romance interest, but a political manifesto ubiq作者: WAX 時間: 2025-3-26 16:10 作者: 高爾夫 時間: 2025-3-26 17:57 作者: 反復(fù)拉緊 時間: 2025-3-26 21:13
Antonio Oliva,ángel Oliva,Iván Novara his objections to Renan’s thesis that ‘miracles were a cheat’ and that the St John of history was not the author of the books ascribed to him in the Biblical canon, objections which he then creatively utilised in . with his exploration of the psychology of Mr Sludge ‘the Medium’, faker of miracles,作者: 透明 時間: 2025-3-27 04:08
9樓作者: 江湖騙子 時間: 2025-3-27 06:02
9樓作者: 呼吸 時間: 2025-3-27 09:29
9樓作者: octogenarian 時間: 2025-3-27 13:45
10樓作者: 疏遠天際 時間: 2025-3-27 20:53
10樓作者: Angioplasty 時間: 2025-3-28 00:49
10樓作者: inflate 時間: 2025-3-28 03:05
10樓
