標題: Titlebook: British and Irish Drama since 1960; James Acheson (Senior Lecturer in English) Book 1993 Palgrave Macmillan, a division of Macmillan Publi [打印本頁] 作者: Braggart 時間: 2025-3-21 19:43
書目名稱British and Irish Drama since 1960影響因子(影響力)
書目名稱British and Irish Drama since 1960影響因子(影響力)學(xué)科排名
書目名稱British and Irish Drama since 1960網(wǎng)絡(luò)公開度
書目名稱British and Irish Drama since 1960網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British and Irish Drama since 1960被引頻次
書目名稱British and Irish Drama since 1960被引頻次學(xué)科排名
書目名稱British and Irish Drama since 1960年度引用
書目名稱British and Irish Drama since 1960年度引用學(xué)科排名
書目名稱British and Irish Drama since 1960讀者反饋
書目名稱British and Irish Drama since 1960讀者反饋學(xué)科排名
作者: 分解 時間: 2025-3-21 21:21 作者: Commodious 時間: 2025-3-22 03:13 作者: 恭維 時間: 2025-3-22 05:13
Book 1993since then has continued to develop interestingly. Most of the dramatists considered here, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of our time.作者: 分散 時間: 2025-3-22 11:03 作者: 確定 時間: 2025-3-22 13:56
Marketing für die Private Finanzplanung of his plays use cinema techniques, when he writes for the stage he always tries to create ‘something special for the theatre’. He is never satisfied with fourth wall realism, because he always finds ‘it difficult to ignore the audience’.2作者: 增強 時間: 2025-3-22 17:57
Unternehmensführung und Marketing which Friel has created for the stage, with the imagined Donegal town of Ballybeg as its magnetic centre, but the force and interest of his plays extends far beyond a specific history or the concern with cultural identity of a particular audience in a particular place.作者: characteristic 時間: 2025-3-22 22:45 作者: ENNUI 時間: 2025-3-23 04:33 作者: B-cell 時間: 2025-3-23 09:11
Casting the Audience: Theatricality in the Stage Plays of Peter Nichols, of his plays use cinema techniques, when he writes for the stage he always tries to create ‘something special for the theatre’. He is never satisfied with fourth wall realism, because he always finds ‘it difficult to ignore the audience’.2作者: Hemodialysis 時間: 2025-3-23 13:45
,Translations of History: Story-telling in Brian Friel’s Theatre, which Friel has created for the stage, with the imagined Donegal town of Ballybeg as its magnetic centre, but the force and interest of his plays extends far beyond a specific history or the concern with cultural identity of a particular audience in a particular place.作者: ALT 時間: 2025-3-23 14:23 作者: 歡呼 時間: 2025-3-23 21:10 作者: 壟斷 時間: 2025-3-24 00:58
Zusammenfassung/Schlussbetrachtungen,eal interest was in creating, not critiquing, plays. When at the age of twenty-nine he achieved world fame with his first play, ., he became known as a university wit - without yet having attended university.作者: 坦白 時間: 2025-3-24 03:03
Zusammenfassung/Schlussbetrachtungen,) and . (1985), demonstrate a more corn-mitted focus than do most of his others, enough to substantiate Richard Allen Cave’s opinion that Brenton’s ‘a(chǎn)nger and moral outrage sustain a powerful satirical vision and a structure that aims frankly at demonstration rather than debate’.2作者: endocardium 時間: 2025-3-24 07:19 作者: 水土 時間: 2025-3-24 14:10 作者: Cabinet 時間: 2025-3-24 17:21
,Freedom and Form in David Hare’s Drama,) and . (1985), demonstrate a more corn-mitted focus than do most of his others, enough to substantiate Richard Allen Cave’s opinion that Brenton’s ‘a(chǎn)nger and moral outrage sustain a powerful satirical vision and a structure that aims frankly at demonstration rather than debate’.2作者: 玩笑 時間: 2025-3-24 20:03
Oliver Albrecht,Kai Bethke,Friedrich Loockliterary aesthetic. Nevertheless, there emerges from these occasional pieces a consistent theory about the relationship between art and the limits of human knowledge, a theory he puts into practice both in his early fiction and drama.作者: 有惡意 時間: 2025-3-25 03:00 作者: 協(xié)迫 時間: 2025-3-25 03:19
Das Fallbeispiel Online-Buchmarkt,ature of social change is problematic. Whereas . Mary ., like her later play, Our .’., ends optimistically, . suggests that social change is a complex problem: how can we speak of oppression when language is itself shaped by the dominant ideology?作者: 過去分詞 時間: 2025-3-25 10:01
Zusammenfassung/Schlussbetrachtungen,ge, and women’s theatre, her work has been involved with all aspects of that wave.. The politics of her plays are more focused than that of the first wave, ushered in by John Osborne’s 1956 production of ., and it is the particular mixture of the personal and the political that marks her contributions to the dramatic scene.作者: interior 時間: 2025-3-25 12:55 作者: 火花 時間: 2025-3-25 15:50
Mirrors of Utopia: Caryl Churchill and Joint Stock,ties in relation to the hegemony: Saxons taking back their land from the Norman aristocracy; brothers and sisters with equal rights; fellows in Christ entitled to interpret and proclaim the word of God.作者: 極深 時間: 2025-3-25 22:09
,Forgiving History and Making New Worlds: Timberlake Wertenbaker’s Recent Drama,ature of social change is problematic. Whereas . Mary ., like her later play, Our .’., ends optimistically, . suggests that social change is a complex problem: how can we speak of oppression when language is itself shaped by the dominant ideology?作者: genesis 時間: 2025-3-26 01:15 作者: CANON 時間: 2025-3-26 07:38
,‘The Absolute Absence of the Absolute’: the Theory and Practice of Samuel Beckett’s Drama,Joyce’ (1929), a defence ofJoyce’s ‘Work in Progress’, was the first of a number of occasional essays and reviews he was to write over the next quarter century.. Beckett’s main ambition during this period was to establish himself as a novelist and poet, not as a literary theorist or journalist. He a作者: Lymphocyte 時間: 2025-3-26 11:07 作者: 誤傳 時間: 2025-3-26 12:48
Revitalised Ritual and Theatrical Flair: the Plays of Peter Shaffer, achieving tremendous popular success and considerable critical acclaim with plays whose subjects, strategies, and style are often quite the opposite of prevailing theatrical trends.. While such playwrights as Samuel Beckett, Harold Pinter, and David Storey explored the dramatic eloquence of the uns作者: CHURL 時間: 2025-3-26 18:31 作者: Forehead-Lift 時間: 2025-3-27 00:24
Casting the Audience: Theatricality in the Stage Plays of Peter Nichols, cinema and music hall. Although beginning with plays for television, he aimed always to write for the stage.. Although music hall declined after the war (hurt by social change, television, and the rage for Bingo) it taught Nichols a good deal about theatre. And although, as he told me in 1986, many作者: hair-bulb 時間: 2025-3-27 03:19
,Translations of History: Story-telling in Brian Friel’s Theatre,tempts to ‘translate’ the confused, complicated experiences of their lives into stories with shape and meaning; always in relation to the wider history which helps to form them (and into which they feed). It is an Irish history and the stories are told against a remarkably consistent Irish landscape作者: Infelicity 時間: 2025-3-27 07:25
Tom Murphy: Acts of Faith in a Godless World,ionally.. The searching has taken him quickly beyond the confines of traditional Irish drama in terms of form and subject. It is possible to trace a pedigree behind some of Murphy’s earliest works: his history play, ., and his exposure of the patriarch and the mother-figure as monsters, and of the c作者: 河流 時間: 2025-3-27 12:46
Edward Bond: a Political Education,t down what it was really like, to describe the problem’.. He could not then . the problem. Nor, for that matter, could the English Stage Company (ESC) at the Royal Court Theatre where Bond’s instincts drew him in 1958. John Osborne’s . (1956), which did articulate the frustration of the young, had 作者: 輕打 時間: 2025-3-27 16:07 作者: 提升 時間: 2025-3-27 21:51 作者: 有惡意 時間: 2025-3-27 22:03
,Forgiving History and Making New Worlds: Timberlake Wertenbaker’s Recent Drama,occurred? Who has authorised it? Her exploration moves beyond suggesting that dispossession is a discrete condition by positioning it within a complex web of ideology which buttresses the power of the ruling elite.. In so doing, Wertenbaker critiques the cohesiveness of the ideological apparatus whi作者: 我就不公正 時間: 2025-3-28 02:41
,Freedom and Form in David Hare’s Drama,any’, in 1968-71, from his collaborations and the settings of his early plays. Yet critics have recognised that explanation in terms of political commitment, both suggested and countered in the plays, only partially and too simply reflects the force and substance of the drama. Venue suggests a focus作者: regale 時間: 2025-3-28 07:51 作者: 切割 時間: 2025-3-28 10:43 作者: 移植 時間: 2025-3-28 14:51 作者: 商談 時間: 2025-3-28 20:41 作者: 有毒 時間: 2025-3-29 01:10 作者: Decimate 時間: 2025-3-29 05:18
Marketing eines Automobil-H?ndlerslidate the assumption made by audiences at the time that the two events were connected; my present purpose is not to speculate about this, but rather to note that Pinter’s greatness as a dramatist rests on the production of the last eighteen years or so he spent under the influence of the wife-muse 作者: 閹割 時間: 2025-3-29 11:09 作者: 冰雹 時間: 2025-3-29 15:26
Konsumenten in der virtuellen Welt,as for him paradoxically rich, a theatre whose very poverty nurtured him. His early play . (1969), for example, was created ‘with what was to hand - three actors, a few days, a budget of thirty shillings for a ball and three bicycle lamps’.. Eventually, however, the confines of the fringe proved mor作者: cataract 時間: 2025-3-29 19:09
https://doi.org/10.1007/978-1-349-22762-4Beckett; dramatist; Harold Pinter; Samuel Beckett; British and Irish Literature作者: circuit 時間: 2025-3-29 20:07
978-1-349-22764-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1993作者: capillaries 時間: 2025-3-30 02:57 作者: chassis 時間: 2025-3-30 06:00
Marketing eines Automobil-H?ndlers956; they were divorced in 1980 and she died in 1982. She had performed in many of his works; although he did not write parts specifically for her, ‘she has... proved to be very good in my plays’ (he said in 1971), because she had what he called ‘a(chǎn) wonderful instinct for [the] roles’.. Since their p作者: 寒冷 時間: 2025-3-30 10:15
Marketing für die Marktforschung achieving tremendous popular success and considerable critical acclaim with plays whose subjects, strategies, and style are often quite the opposite of prevailing theatrical trends.. While such playwrights as Samuel Beckett, Harold Pinter, and David Storey explored the dramatic eloquence of the uns作者: prodrome 時間: 2025-3-30 12:44
Marketing und Neue Institutionen?konomikized by the dispossessed. Its value, for the woman who took it - rather than food or a warm blanket - lies in the fact that a mirror situates you in the material world, granting - literally - self-possession. ‘They must know what they look like all the time. And now we do.’. Self-creation is a prime作者: ligature 時間: 2025-3-30 18:07 作者: GREG 時間: 2025-3-30 23:54
Unternehmensführung und Marketingtempts to ‘translate’ the confused, complicated experiences of their lives into stories with shape and meaning; always in relation to the wider history which helps to form them (and into which they feed). It is an Irish history and the stories are told against a remarkably consistent Irish landscape作者: 荒唐 時間: 2025-3-31 02:58
