標(biāo)題: Titlebook: British Women’s Short Supernatural Fiction, 1860–1930; Our Own Ghostliness Victoria Margree Book 2019 The Editor(s) (if applicable) and The [打印本頁] 作者: 重婚 時(shí)間: 2025-3-21 16:04
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書目名稱British Women’s Short Supernatural Fiction, 1860–1930影響因子(影響力)學(xué)科排名
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書目名稱British Women’s Short Supernatural Fiction, 1860–1930網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Women’s Short Supernatural Fiction, 1860–1930被引頻次
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書目名稱British Women’s Short Supernatural Fiction, 1860–1930讀者反饋
書目名稱British Women’s Short Supernatural Fiction, 1860–1930讀者反饋學(xué)科排名
作者: 冒煙 時(shí)間: 2025-3-21 23:59
Manfred Bruhn,Manfred Kirchgeorgcommingle with Indian beliefs in phenomena such as spirit transmigration and reincarnation. The focus of this chapter is as such on a writer and a set of texts that I argue are not easily assimilated into accounts of the subversive tendencies of either the ghost story or the short story more general作者: diathermy 時(shí)間: 2025-3-22 03:49 作者: Callus 時(shí)間: 2025-3-22 04:39
,Marketing heute – Status und Perspektiven,s of an unmarried woman deprived of her property by a male relation—suggesting that the ghostliness that Vanessa Dickerson (1998) had seen as the condition of Victorian women was far from being a thing of the past in the post-suffrage years.作者: uncertain 時(shí)間: 2025-3-22 12:12
Introduction: Our Own Ghostliness,ong a wall at the latter’s English family estate, Marchmont, but the two men can make no sense of the apparent words it utters: ‘Ah-mont-year’ (206). It is only later, once war has broken out and Jack lies in a military hospital in France, that the whispering sounds can be interpreted. ‘The child at作者: NADIR 時(shí)間: 2025-3-22 14:11 作者: Original 時(shí)間: 2025-3-22 18:27 作者: Medley 時(shí)間: 2025-3-22 22:14
Conclusion,s of an unmarried woman deprived of her property by a male relation—suggesting that the ghostliness that Vanessa Dickerson (1998) had seen as the condition of Victorian women was far from being a thing of the past in the post-suffrage years.作者: Mettle 時(shí)間: 2025-3-23 02:38
how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.978-3-030-27144-2978-3-030-27142-8作者: Inferior 時(shí)間: 2025-3-23 07:43 作者: 蓋他為秘密 時(shí)間: 2025-3-23 12:10
British Women’s Short Supernatural Fiction, 1860–1930978-3-030-27142-8作者: 說明 時(shí)間: 2025-3-23 14:10
Book 2019First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.作者: BUCK 時(shí)間: 2025-3-23 21:55
Introduction: Our Own Ghostliness,es of the twentieth century. Deploying familiar tropes such as a haunted ancestral pile and a cursed aristocratic line, Everett’s story begins as an Edwardian invocation of the traditional nineteenth-century form before seguing into an elegy for the lost youth of the First World War. The ‘light-hear作者: 財(cái)政 時(shí)間: 2025-3-24 01:33
(Other)Worldly Goods: Ghost Fiction as Financial Writing in Margaret Oliphant and Charlotte Riddellf each generally eschew malevolent ghosts in favour of anguished souls in need of earthly assistance, or who themselves seek to protect or otherwise benefit the living. Although their tales sometimes contain significant elements of uncanniness, the tonal emphasis falls not predominantly upon produci作者: 打谷工具 時(shí)間: 2025-3-24 06:12 作者: 量被毀壞 時(shí)間: 2025-3-24 06:40
,The Good Memsahib? Marriage, Infidelity and Empire in Alice Perrin’s Anglo-Indian Tales,ng these feature many tales in which actual or possible supernatural phenomena occur. In what follows I will read Perrin’s stories as attempting to articulate a positive model of colonial femininity in which the Anglo-Indian wife is central to the success of the imperial project, but as being haunte作者: extinct 時(shí)間: 2025-3-24 10:43
Haunted Modernity in the Uncanny Stories of May Sinclair, Eleanor Scott and Violet Hunt,relationship with both its Victorian forebears and with emerging literary modernism. Julia Briggs claimed in . that the English ghost story had entered into decline in the period after 1918, with writers developing ‘inhibitions’ about addressing themselves to the ‘serious’ subjects that the nineteen作者: bile648 時(shí)間: 2025-3-24 17:14
Conclusion,rrogate their social, political and cultural conditions. The ghostliness that had so fascinated the Victorians persisted in exerting a profound influence on the imaginations of twentieth-century writers, providing a trope that could be adapted for diverse purposes. A shift in the deployment of ghost作者: 最高峰 時(shí)間: 2025-3-24 22:21 作者: 為現(xiàn)場(chǎng) 時(shí)間: 2025-3-25 02:37 作者: wall-stress 時(shí)間: 2025-3-25 04:50 作者: 出價(jià) 時(shí)間: 2025-3-25 09:22 作者: 善變 時(shí)間: 2025-3-25 14:12
(Other)Worldly Goods: Ghost Fiction as Financial Writing in Margaret Oliphant and Charlotte Riddellng shock or horror, but on creating a reassuring sense of a providential ordering to the universe that just occasionally requires some sympathetic interaction between the living and the dead to help it along.作者: blithe 時(shí)間: 2025-3-25 18:42 作者: induct 時(shí)間: 2025-3-25 21:21 作者: Debate 時(shí)間: 2025-3-26 03:30 作者: 體貼 時(shí)間: 2025-3-26 06:17
Victoria MargreeMakes an original contribution to ghost story scholarship by arguing for an intersectional approach to women’s supernatural short fiction of the late-Victorian period and early twentieth century.Argue作者: 縮影 時(shí)間: 2025-3-26 08:30 作者: Canyon 時(shí)間: 2025-3-26 16:17 作者: Wallow 時(shí)間: 2025-3-26 20:06
Reinhard Zinkann,Jochen Mahadevanf each generally eschew malevolent ghosts in favour of anguished souls in need of earthly assistance, or who themselves seek to protect or otherwise benefit the living. Although their tales sometimes contain significant elements of uncanniness, the tonal emphasis falls not predominantly upon produci作者: 引起痛苦 時(shí)間: 2025-3-26 21:12 作者: sundowning 時(shí)間: 2025-3-27 04:01 作者: OREX 時(shí)間: 2025-3-27 05:28
https://doi.org/10.1007/978-3-658-18538-1relationship with both its Victorian forebears and with emerging literary modernism. Julia Briggs claimed in . that the English ghost story had entered into decline in the period after 1918, with writers developing ‘inhibitions’ about addressing themselves to the ‘serious’ subjects that the nineteen作者: 使熄滅 時(shí)間: 2025-3-27 09:34
,Marketing heute – Status und Perspektiven,rrogate their social, political and cultural conditions. The ghostliness that had so fascinated the Victorians persisted in exerting a profound influence on the imaginations of twentieth-century writers, providing a trope that could be adapted for diverse purposes. A shift in the deployment of ghost作者: Bother 時(shí)間: 2025-3-27 16:19 作者: interpose 時(shí)間: 2025-3-27 20:18
Book 2020Latest editionoaches and solutions primarily addressing the planning of terminal structures. Nevertheless, operational aspects are considered, as well as how they effectively contribute to problem solving on the strategic level..作者: 哀求 時(shí)間: 2025-3-27 23:45
https://doi.org/10.1007/978-3-031-43195-1Cardiopulmonary bypass; Cardiac surgical procedures; Coronary artery surgery; Intraaortic Balloon Pump; 作者: entrance 時(shí)間: 2025-3-28 04:57 作者: 可商量 時(shí)間: 2025-3-28 09:47
