標(biāo)題: Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 2; 1860s and 1870s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2020 The Edi [打印本頁] 作者: collude 時間: 2025-3-21 20:04
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2影響因子(影響力)
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2影響因子(影響力)學(xué)科排名
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2網(wǎng)絡(luò)公開度
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2被引頻次
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2被引頻次學(xué)科排名
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2年度引用
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2年度引用學(xué)科排名
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2讀者反饋
書目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 2讀者反饋學(xué)科排名
作者: addition 時間: 2025-3-21 23:26 作者: 輕推 時間: 2025-3-22 01:12
https://doi.org/10.1007/978-0-387-28692-1ely to femininity as women’s supposed ability to feel more easily than men makes them compassionate individuals in the world of the novel. Yet Wood also presents empathy in the form of masculine anger via a rowdy, working-class, and all-male mob. Rather than read this scene simply as a form of worki作者: frozen-shoulder 時間: 2025-3-22 07:51
https://doi.org/10.1007/978-0-387-28692-1to issues of gender mobility. . (1862) as a sensation novel of detective journeying becomes a focus for an investigation of the psychological impact of railway time and the shifting moral boundaries surrounding mid-Victorian female travel. Robert Audley’s train-driven investigation of Lucy Audley’s 作者: inundate 時間: 2025-3-22 08:46
Paul E. Green,Abba M. Krieger,Yoram Wind doctrines of vicarious and retributive punishment and towards a celebration of compassion and co-operation. In detailing how these scenes of reconciliation engage with the Incarnation-inflected teleology that was gaining momentum in the early 1860s, the chapter foregrounds Gaskell’s critique of the作者: 泥瓦匠 時間: 2025-3-22 13:22 作者: Narrative 時間: 2025-3-22 19:17
Understanding Investment Banking Practices, in the . in the early 1860s. Yet like other women authors of the decade, she was alert to the new challenges posed by sensation fiction. . (1867) adapts the sensational mode in unsettling ways, using it to test traditional gender roles in the context of betrayal and marital breakdown.作者: 豎琴 時間: 2025-3-22 22:55 作者: Cupping 時間: 2025-3-23 02:10
https://doi.org/10.1007/978-3-031-58429-9th Eliza Lyn Linton’s ‘Girl of the Period’ articles. As a mode, comic writing has no established criteria, but it has largely been seen in terms of a masculine literary tradition. For both these reasons the comic journalism of Betham-Edwards has been largely overlooked. However her authorship of the作者: Spinal-Fusion 時間: 2025-3-23 08:06 作者: jettison 時間: 2025-3-23 11:07
Pantelitsa Yerimou,Christos Themistocleousestion acts of interpretation, their own and those of her characters and narrators. Both the silent gaps between part publication of these novels and the unworded interactions of her characters scramble our interpretative mechanisms. Purposeful silences, these structural and narrative acts, are Elio作者: Cloudburst 時間: 2025-3-23 16:24 作者: defibrillator 時間: 2025-3-23 21:42
https://doi.org/10.1007/978-1-4615-2087-0d middle-class’ they offer an insightful social commentary to scholars of Victorian fiction. Hunt uses the medium of dress to explore anxieties of class and gender with particular reference to Wood’s use of a male narrator and pseudonym. Wood’s decision to adopt a male narrator jars against the freq作者: 嘴唇可修剪 時間: 2025-3-23 22:49 作者: conference 時間: 2025-3-24 05:03
Promotion Policy and Managementd Lucilla Evans, a textbook hysteric who falls in love with her. Whereas in many contemporary novels masculine women are feared and derided as vectors of lesbian contagion, Leona is portrayed as an entirely sympathetic character. Through Leona, Marryat allows women a greater range of sexual expressi作者: Chandelier 時間: 2025-3-24 06:30
Marketing and Corporate Strategys of her life, broke literary gender barriers by focusing on working horses, and wrote with acute topicality on equine concerns when Britain’s demand for horsepower was at its height and various forms of equine?cruelty were pervasive. As Gavin shows, . also drew on the sensual techniques of sensatio作者: 倫理學(xué) 時間: 2025-3-24 11:32
Organisational Buying Behaviour, press. Focusing on . (1874), . (1879), ‘Dr. Carrick’ (1878), and ‘Mr. and Mrs. de Fontenoy’ (1870), the chapter examines how Braddon updates the representation of the position of women and criminal activities of her 1860s sensation fictions in line with the changing historical context of the first 作者: Minatory 時間: 2025-3-24 17:32
‘[S]mothered under rose-leaves’: Violent Sensation and the Location of the Feminine in Eliza Lynn Li in the . in the early 1860s. Yet like other women authors of the decade, she was alert to the new challenges posed by sensation fiction. . (1867) adapts the sensational mode in unsettling ways, using it to test traditional gender roles in the context of betrayal and marital breakdown.作者: 一窩小鳥 時間: 2025-3-24 22:02 作者: Circumscribe 時間: 2025-3-25 02:38 作者: Protein 時間: 2025-3-25 06:27
Adrienne E. Gavin,Carolyn W. de la L. OultonLooks at key texts from the George Eliot, Anna Sewell and Elizabeth Gaskell.Touches on issues as diverse as mobility, philanthropy and female desire.Looks at some lesser-studied texts in addition to t作者: 幼稚 時間: 2025-3-25 10:24
British Women‘s Writing from Bront? to Bloomsbury, 1840–1940http://image.papertrans.cn/b/image/191196.jpg作者: 施舍 時間: 2025-3-25 15:01 作者: agonist 時間: 2025-3-25 17:38
Understanding Investment Banking Practices, in the . in the early 1860s. Yet like other women authors of the decade, she was alert to the new challenges posed by sensation fiction. . (1867) adapts the sensational mode in unsettling ways, using it to test traditional gender roles in the context of betrayal and marital breakdown.作者: rectum 時間: 2025-3-25 21:22
Introduction,d the 1870s as female authors respond to a newly ‘Victorian’ tradition. Historically and culturally contextualizing female authorship within these two distinct decades, it discusses how women’s fiction challenged discourses of realism, sensation, and the new and of middle-class gender ideology and c作者: FATAL 時間: 2025-3-26 04:01 作者: Facilities 時間: 2025-3-26 05:29 作者: 變形詞 時間: 2025-3-26 11:57
‘[Tr]ain of circumstantial evidence’: Railway ‘Monomania’ and Investigations of Gender in to issues of gender mobility. . (1862) as a sensation novel of detective journeying becomes a focus for an investigation of the psychological impact of railway time and the shifting moral boundaries surrounding mid-Victorian female travel. Robert Audley’s train-driven investigation of Lucy Audley’s 作者: 條約 時間: 2025-3-26 16:23 作者: MUTED 時間: 2025-3-26 20:05
‘The plain duties which are set before me’: Charity, Agency, and Women’s Work in the 1860somanhood were?defined and articulated. In Florence Wilford’s . (1862), Frances Carey Brock’s . (1865), and Felicia Skene’s . (1866), young female protagonists try to determine how their roles as sisters and daughters, and eventually as wives and mothers, could?be incorporated with their responsibili作者: 抵押貸款 時間: 2025-3-26 21:12 作者: 小臼 時間: 2025-3-27 04:27 作者: Valves 時間: 2025-3-27 07:21 作者: Fissure 時間: 2025-3-27 09:59
Transcending Prudence: Charlotte Riddell’s ‘City Women’. The types of stories Riddell imagined in the 1870s testify to the growing cultural, social, and political relevance of questions pertaining to women’s relations with money, property, and professional aspirations. No advocate for women’s rights, Riddell nonetheless contributed to redefining the ima作者: 不能根除 時間: 2025-3-27 14:15
‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decadeestion acts of interpretation, their own and those of her characters and narrators. Both the silent gaps between part publication of these novels and the unworded interactions of her characters scramble our interpretative mechanisms. Purposeful silences, these structural and narrative acts, are Elio作者: 離開真充足 時間: 2025-3-27 21:26
‘His eyes , me to come to him’: Desire and Mesmerism in Rhoda Broughton’s ‘The Man with the Nose’emale sexuality. Published during the Victorian period, when female sexual desire was rarely given voice in realist fiction, Broughton’s stories reveal both desire and fear surrounding women’s sexuality. This chapter argues that both the genre of speculative fiction and the story’s concentration on 作者: fatty-acids 時間: 2025-3-28 01:09
‘[E]mphatically un-literary and middle-class’: Undressing Middle-Class Anxieties in Ellen Wood’s , Sd middle-class’ they offer an insightful social commentary to scholars of Victorian fiction. Hunt uses the medium of dress to explore anxieties of class and gender with particular reference to Wood’s use of a male narrator and pseudonym. Wood’s decision to adopt a male narrator jars against the freq作者: Arresting 時間: 2025-3-28 04:18 作者: 解決 時間: 2025-3-28 06:44
‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s d Lucilla Evans, a textbook hysteric who falls in love with her. Whereas in many contemporary novels masculine women are feared and derided as vectors of lesbian contagion, Leona is portrayed as an entirely sympathetic character. Through Leona, Marryat allows women a greater range of sexual expressi作者: 我沒有強(qiáng)迫 時間: 2025-3-28 12:45
‘I am writing the life of a horse’: Anna Sewell’s , in the 1870ss of her life, broke literary gender barriers by focusing on working horses, and wrote with acute topicality on equine concerns when Britain’s demand for horsepower was at its height and various forms of equine?cruelty were pervasive. As Gavin shows, . also drew on the sensual techniques of sensatio作者: Trochlea 時間: 2025-3-28 17:23 作者: Exploit 時間: 2025-3-28 19:56
Book 2020tunities opening for women. Centrally, it reassesses key nineteenth-century female authors inthe context in which they first published while also recovering neglected women writers who helped.to shape the literary landscape of the 1860s and 1870s..作者: micronized 時間: 2025-3-29 00:11
British Women‘s Writing from Bront? to Bloomsbury, Volume 21860s and 1870s作者: falsehood 時間: 2025-3-29 03:43 作者: 罵人有污點 時間: 2025-3-29 10:17
Paul E. Green,Abba M. Krieger,Yoram Windhe 1870s paid attention to the material factors (including money and employment) that affected women’s lives. It also outlines the content of the volume’s chapters, which confirm that cultural shifts and possible responses to the unknown are addressed across a range of literary modes in female-authored 1860s and 1870s fiction.作者: motivate 時間: 2025-3-29 11:42
https://doi.org/10.1007/978-0-387-28692-1 culture at the heart of Empire. A counter-movement is signalled, however, as the novel, albeit ambivalently, promotes women’s independent travel as dissent through the audacious mobility of its female anti-heroine.作者: incarcerate 時間: 2025-3-29 15:46 作者: corpus-callosum 時間: 2025-3-29 22:57
Promotion Policy and Management Pope argues, allows Marryat to explore radical ideas in what is, on the surface, a pantomimic text, but one that yields deeply subversive readings. In Leona she presents an 1870s heroine who comprehensively challenges prevailing notions of both femininity and sexuality.作者: Analogy 時間: 2025-3-29 23:59
Marketing and Corporate Strategythe life of a horse,”’ Sewell produced more than an equine autobiography. She also powerfully reminded readers that horses . lives and were not machines; they were living beings worthy of kindness and care.作者: 令人不快 時間: 2025-3-30 07:12 作者: Hallowed 時間: 2025-3-30 10:20
Introduction,he 1870s paid attention to the material factors (including money and employment) that affected women’s lives. It also outlines the content of the volume’s chapters, which confirm that cultural shifts and possible responses to the unknown are addressed across a range of literary modes in female-authored 1860s and 1870s fiction.作者: 控制 時間: 2025-3-30 13:13 作者: 你正派 時間: 2025-3-30 18:44
‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decademestic fiction; the reassuring expulsion of transgressive agents of sensation fiction; or in the growing legitimacy of deductive sciences of the mind. Dillane concludes that Eliot’s fascination with silence relates to her increasing?anxiety about how she would be remembered, and in particular,?her lack of control over her own literary legacy.作者: 簡略 時間: 2025-3-30 21:31
‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s Pope argues, allows Marryat to explore radical ideas in what is, on the surface, a pantomimic text, but one that yields deeply subversive readings. In Leona she presents an 1870s heroine who comprehensively challenges prevailing notions of both femininity and sexuality.作者: 強(qiáng)所 時間: 2025-3-31 03:16 作者: 信條 時間: 2025-3-31 06:33
Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon’s 1870s Fictionstrategies and ingenuity, highlighting their wider impact on society. The chapter concludes by considering syndication of Braddon’s work in provincial newspapers, which gained her a wider geographical and social readership for her warnings about white-collar crime.作者: guardianship 時間: 2025-3-31 12:21