標(biāo)題: Titlebook: British Women‘s Writing from Bront? to Bloomsbury, Volume 1; 1840s and 1850s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2018 Springe [打印本頁(yè)] 作者: CANTO 時(shí)間: 2025-3-21 16:44
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1影響因子(影響力)
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1影響因子(影響力)學(xué)科排名
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1被引頻次
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1被引頻次學(xué)科排名
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1年度引用
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1年度引用學(xué)科排名
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1讀者反饋
書(shū)目名稱British Women‘s Writing from Bront? to Bloomsbury, Volume 1讀者反饋學(xué)科排名
作者: HERE 時(shí)間: 2025-3-21 23:19
Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change作者: 飛鏢 時(shí)間: 2025-3-22 02:27
British Women‘s Writing from Bront? to Bloomsbury, Volume 11840s and 1850s作者: dithiolethione 時(shí)間: 2025-3-22 06:22
Book 2018c tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary l作者: Agnosia 時(shí)間: 2025-3-22 09:07 作者: 幼稚 時(shí)間: 2025-3-22 14:53
‘Pleasant, easy work, -& not useless, I hope’: Harriet Martineau as a Children’s Writer of the 1840s instability of the genre. Exploring the dynamic relations between boy heroes and older female figures, Martineau takes a disunited community as the setting of her tales of endurance. In each of these overtly shocking stories, the boy hero must learn to renegotiate his place in the world. Above all,作者: puzzle 時(shí)間: 2025-3-22 18:03
‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840sns of inferiority and weakness. Generically these books span the line between the Newgate novels of the 1840s and the sensation novels of the 1860s, including elements of crime, sensation, and scandal. Crowe’s radical contribution is to present detection as well as crime in the working class.作者: 投射 時(shí)間: 2025-3-22 23:40
Women in Service: Private Lives and Labour in Mary Howitt’s nesses, the social changes of the 1840s permeated the home as well as the public sphere. It was in this context that middle-class women and their servants played a key role in shaping social interactions, and a focus on the figure of the servant offers new ways of interpreting the intersections of c作者: 抑制 時(shí)間: 2025-3-23 01:38
Confronting the 1840s: Christian Johnstone in Criticism and Fiction in the domestic realm, they themselves were professionals operating across public and private spaces. Johnstone not only reviewed work by and about other women writers, including the collected diaries and letters of novelist Fanny d’Arblay (née Burney), she also co-edited ., making her the first wo作者: 書(shū)法 時(shí)間: 2025-3-23 07:14 作者: JUST 時(shí)間: 2025-3-23 12:44 作者: mutineer 時(shí)間: 2025-3-23 14:01 作者: 巨大沒(méi)有 時(shí)間: 2025-3-23 18:31
The Age of the Female Novelist: Single Women as Authors of Fictionut the role and ‘problem’ of ‘excess’ single women. Showing that the contemporary interpretation of Census statistics, which revealed a surplus of single women, was inaccurate, Connor?discusses male critics’ views of women’s writing, particularly fiction by unmarried women. Margaret Oliphant declare作者: 暴露他抗議 時(shí)間: 2025-3-24 02:11
‘Excluded from a woman’s natural destiny’: Disability and Femininity in Dinah Mulock’s , and Charlotock (later Craik)’s . (1850) and Charlotte M. Yonge’s . (1856), Walker Gore shows that the novels’ use of disabled heroines enabled both writers to explore from a conservative standpoint what an unmarried woman could or should achieve. Craik and Yonge depict disability as heightening and perfecting 作者: cardiac-arrest 時(shí)間: 2025-3-24 06:04 作者: 過(guò)多 時(shí)間: 2025-3-24 09:14 作者: 專橫 時(shí)間: 2025-3-24 14:24
Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850sre popular and influential at a time when juvenile access to medieval Arthurian literature was limited: Dinah Mulock (later Craik)’s ‘Avillion; or the Happy Isles’ (1853) and Charlotte Mary Yonge’s Arthurian fairy tale . (1855). Revealing considerable knowledge of Arthurian romance, these texts help作者: aggrieve 時(shí)間: 2025-3-24 16:43
‘[T]he work of a she-devil’: Sensation Fiction, Crime Writing, and Caroline Clive’s and ‘masculine’ style, the novel was equally notorious for its absence of moral judgement upon its gentleman protagonist, who escapes legal and poetic justice for the murders he commits and shows no remorse for his crimes. Judged extra shocking because of its female authorship, the book’s amorality 作者: hidebound 時(shí)間: 2025-3-24 21:35
‘[Your novel] quite gives me a pain in the stomach’: How Paternal Disapproval Ended Julia Wedgwood’s58) and . (1858) in light of the emotional and familial constraints that a young upper-middle-class Victorian woman faced in trying to be a novelist. Brown?argues that both novels depict feminized central male characters, something to which Wedgwood’s father objected. His disapproval led her to give作者: 半導(dǎo)體 時(shí)間: 2025-3-25 02:23
and ‘the green trash of the railway stall’: George Eliot and the Lady Novelists of 1859Lady Novelists’ (1856). Exploring the energizing symbiosis between popular 1859 fiction by women writers and Eliot’s ‘higher’ aspirations for . (1859), Marshall shows that Eliot’s novel enacts a dialogue with ‘silly novels’ and shares in, whilst trying to combat, some of popular fiction’s key assump作者: 毀壞 時(shí)間: 2025-3-25 05:05 作者: Patrimony 時(shí)間: 2025-3-25 08:37
Anne Bront?: An Unlikely Subversiveiour and moral integrity rather than open rebellion. Like other novels of the decade, . (1847) and . (1848) position women as moral educators, but this role operates as a means of autonomy and agency, making their author ‘the quietest of rebels’.作者: 出汗 時(shí)間: 2025-3-25 12:52 作者: 反應(yīng) 時(shí)間: 2025-3-25 16:23
‘[T]he work of a she-devil’: Sensation Fiction, Crime Writing, and Caroline Clive’s was boundary-breaking. Arguing for .’s significance as an originating sensation novel, Gavin also argues that it is probably the first novel by a British woman writer to focus intensely upon a criminal protagonist. In doing so, Clive claimed crime for female authors and expanded fictional possibilities for sensation and crime writers who followed.作者: 星球的光亮度 時(shí)間: 2025-3-25 21:22
‘[Your novel] quite gives me a pain in the stomach’: How Paternal Disapproval Ended Julia Wedgwood’s up writing novels with their portrayal of emotion and to turn instead to more intellectual writing on heavyweight ‘masculine’ and modern subjects such as scientific and linguistic theories. She became, as Brown?observes, a noted Victorian female intellect.作者: 個(gè)人長(zhǎng)篇演說(shuō) 時(shí)間: 2025-3-26 02:36 作者: Basilar-Artery 時(shí)間: 2025-3-26 07:33
Wertorientiertes Markenmanagementetting of her tales of endurance. In each of these overtly shocking stories, the boy hero must learn to renegotiate his place in the world. Above all, Sanders?argues, Martineau . children in a way that was unusual for critics and writers of the 1840s.作者: hieroglyphic 時(shí)間: 2025-3-26 12:12
https://doi.org/10.1007/978-3-8349-0664-9ants played a key role in shaping social interactions, and a focus on the figure of the servant offers new ways of interpreting the intersections of class and gender represented by her more visible female employer.作者: Geyser 時(shí)間: 2025-3-26 12:59 作者: dagger 時(shí)間: 2025-3-26 17:18 作者: 報(bào)復(fù) 時(shí)間: 2025-3-26 22:23
Women in Service: Private Lives and Labour in Mary Howitt’s ants played a key role in shaping social interactions, and a focus on the figure of the servant offers new ways of interpreting the intersections of class and gender represented by her more visible female employer.作者: muscle-fibers 時(shí)間: 2025-3-27 03:22
The Female Voice and Industrial Fiction: Elizabeth Gaskell’s also through literal renderings of voice, including oral storytelling traditions and song, as well as Esther’s frustration as she struggles to tell her own story in her own voice. At the climax of the novel, public and private modes merge through the female voice, as women are heard offering their testimony in court.作者: 勤勉 時(shí)間: 2025-3-27 08:35
Book 2018’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in作者: AVANT 時(shí)間: 2025-3-27 09:57 作者: coagulate 時(shí)間: 2025-3-27 17:40 作者: SOW 時(shí)間: 2025-3-27 21:37
Ben Schlemmermeier,Bj?rn Drechslered rehabilitate the legend in the popular consciousness. Garner?argues that although antiquarians were wary of recommending Malory’s . on moral grounds, Mulock and Yonge offered both girls and boys a Christianized Arthurian myth that they could uncomplicatedly admire and endorse.作者: 貞潔 時(shí)間: 2025-3-27 22:42
Consumer Preferences for Renewable Energywas boundary-breaking. Arguing for .’s significance as an originating sensation novel, Gavin also argues that it is probably the first novel by a British woman writer to focus intensely upon a criminal protagonist. In doing so, Clive claimed crime for female authors and expanded fictional possibilities for sensation and crime writers who followed.作者: BULLY 時(shí)間: 2025-3-28 04:19 作者: 不能逃避 時(shí)間: 2025-3-28 08:39
Wertorientiertes Kundenmanagementle women, masculinity, and the impediments of marriage. It also outlines the content of the volume’s chapters which confirm that the assumption of stability and the threat of change are not mutually exclusive in mid-nineteenth-century texts.作者: 脫離 時(shí)間: 2025-3-28 12:59 作者: Vasoconstrictor 時(shí)間: 2025-3-28 15:01 作者: Handedness 時(shí)間: 2025-3-28 22:32
Case Studies of Marketing Behaviourracters within the period’s domestic fiction. Validating femininity’s moral power by celebrating disability’s spiritual and affective power, the novels also, through disabled women’s perceived exclusion from the marriage plot, articulate alternative narrative possibilities for female characters, including as artist and exemplar.作者: 慎重 時(shí)間: 2025-3-29 00:28
https://doi.org/10.1057/9780230375178 Ruskin, Gaskell’s female characters implicitly challenge two of the processes associated with the rise of commodity culture in industrial Britain: the abstraction of commodities into money value and the spectacularization of consumer goods.作者: 純樸 時(shí)間: 2025-3-29 04:25 作者: Spirometry 時(shí)間: 2025-3-29 10:21
Market Research on the Internet,lover and a more exciting prospect. . differs from popular novels by female authors in its use of sympathy and its historical setting, something which is largely absent from the popular fiction of the year.作者: Dna262 時(shí)間: 2025-3-29 15:20
Introductionle women, masculinity, and the impediments of marriage. It also outlines the content of the volume’s chapters which confirm that the assumption of stability and the threat of change are not mutually exclusive in mid-nineteenth-century texts.作者: 彎曲的人 時(shí)間: 2025-3-29 19:17 作者: 猜忌 時(shí)間: 2025-3-29 20:41 作者: Diuretic 時(shí)間: 2025-3-30 02:17
‘Excluded from a woman’s natural destiny’: Disability and Femininity in Dinah Mulock’s , and Charlotracters within the period’s domestic fiction. Validating femininity’s moral power by celebrating disability’s spiritual and affective power, the novels also, through disabled women’s perceived exclusion from the marriage plot, articulate alternative narrative possibilities for female characters, including as artist and exemplar.作者: Fulminate 時(shí)間: 2025-3-30 06:27 作者: Microaneurysm 時(shí)間: 2025-3-30 10:15
‘There never was a mistress whose rule was milder’: Sadomasochism and Female Identity in Charlotte Bdomasochistic relationships depicts the complexity of an individual woman’s desires, and the very novelty and complexity of those desires creates a proto-feminist space inside a greater culture of submission and (self-)victimization.作者: 小故事 時(shí)間: 2025-3-30 13:25
and ‘the green trash of the railway stall’: George Eliot and the Lady Novelists of 1859lover and a more exciting prospect. . differs from popular novels by female authors in its use of sympathy and its historical setting, something which is largely absent from the popular fiction of the year.作者: occurrence 時(shí)間: 2025-3-30 16:34 作者: 注意 時(shí)間: 2025-3-30 21:20
978-3-030-08648-0Springer Nature Switzerland AG 2018作者: 紋章 時(shí)間: 2025-3-31 01:45
‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840sns of inferiority and weakness. Generically these books span the line between the Newgate novels of the 1840s and the sensation novels of the 1860s, including elements of crime, sensation, and scandal. Crowe’s radical contribution is to present detection as well as crime in the working class.作者: Critical 時(shí)間: 2025-3-31 08:05
British Women‘s Writing from Bront? to Bloomsbury, Volume 1978-3-319-78226-3Series ISSN 2523-7160 Series E-ISSN 2523-7179 作者: MIR 時(shí)間: 2025-3-31 10:52 作者: expansive 時(shí)間: 2025-3-31 16:03
