標(biāo)題: Titlebook: British Women Writers and the Short Story, 1850-1930; Reclaiming Social Sp Kate Krueger Book 2014 Palgrave Macmillan, a division of Macmill [打印本頁] 作者: 掩飾 時(shí)間: 2025-3-21 19:18
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作者: moribund 時(shí)間: 2025-3-21 21:11
Leaping Luxuries and Transitional Consumersirtue of Gaskell’s placement of unmarried old women at the center of the Victorian domestic interior and her attention to this location as a site of story. Because these women within their homes are the subject of her narrative, when Gaskell accesses these ‘under cover’ stories, she radically shifts作者: ALIEN 時(shí)間: 2025-3-22 04:08 作者: 大猩猩 時(shí)間: 2025-3-22 04:37 作者: CLAY 時(shí)間: 2025-3-22 10:33
Conclusion Writing Beyond Marketinging evinced her equality, authenticity, and a refreshing straightforwardness distinct from the refined yet artificial turn-of-the-century Englishwoman.. Women were repeatedly featured as crucial players in the construction of Nation and Empire, supporting their male partners by working alongside the作者: ACE-inhibitor 時(shí)間: 2025-3-22 13:46
Publishing Contexts and Market Conditionsmply a reenactment of patriarchal privilege. Woolf suggests that the room connotes a recognition of women’s intellectual vocation and intellectualism, a space for work. It is not necessarily masculine — or at least, the study is masculine only insofar as intellectual work is gendered as such. Of cou作者: 絕種 時(shí)間: 2025-3-22 18:00 作者: 小鹿 時(shí)間: 2025-3-23 00:03
British Women Writers and the Short Story, 1850-1930978-1-137-35924-7作者: 非實(shí)體 時(shí)間: 2025-3-23 03:50
Introduction: Feminine Occupations, by some occult device to gain admission into one’s office’?. Despite the dramatic increase in women writers, in 1896, there remains a sense that the appearance of a determined woman in an editor’s office is an act of trespass; a surreptitious, suspect, and ominous phenomenon.作者: 簡略 時(shí)間: 2025-3-23 05:39 作者: Limpid 時(shí)間: 2025-3-23 12:14 作者: 榮幸 時(shí)間: 2025-3-23 17:05 作者: OMIT 時(shí)間: 2025-3-23 20:44
,Baynton and Mansfield’s Unsettling Women,ing evinced her equality, authenticity, and a refreshing straightforwardness distinct from the refined yet artificial turn-of-the-century Englishwoman.. Women were repeatedly featured as crucial players in the construction of Nation and Empire, supporting their male partners by working alongside the作者: crutch 時(shí)間: 2025-3-23 22:23
Conclusion: Woolf, Rhys, and Narratives of Obscurity,mply a reenactment of patriarchal privilege. Woolf suggests that the room connotes a recognition of women’s intellectual vocation and intellectualism, a space for work. It is not necessarily masculine — or at least, the study is masculine only insofar as intellectual work is gendered as such. Of cou作者: 套索 時(shí)間: 2025-3-24 04:07 作者: AXIS 時(shí)間: 2025-3-24 07:28 作者: 無力更進(jìn) 時(shí)間: 2025-3-24 14:27
Braddon, Broughton, and Specters of Social Critique,o the vulnerability of that location. In much of mid-Victorian fiction, the image of the reputable home hinged upon the presence of a contented housewife. To disturb one was to destroy the other. This chapter highlights Mary Elizabeth Braddon and Rhoda Broughton’s ghost stories as an example of the 作者: Cervical-Spine 時(shí)間: 2025-3-24 16:52 作者: 燈絲 時(shí)間: 2025-3-24 19:07 作者: Harness 時(shí)間: 2025-3-25 00:23 作者: 顯而易見 時(shí)間: 2025-3-25 05:01
f gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.978-1-349-47146-1978-1-137-35924-7作者: CHASE 時(shí)間: 2025-3-25 09:09 作者: Hot-Flash 時(shí)間: 2025-3-25 14:27
https://doi.org/10.1057/9781137359247critique; gender; Narrative; space; Victorian era; Virginia Woolf; women; Woolf; British and Irish Literatur作者: 狼群 時(shí)間: 2025-3-25 19:08
978-1-349-47146-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: ASSAY 時(shí)間: 2025-3-25 21:40
Marketing Issues in Transitional Economieszines multiply nowadays faster than do good writers.’ So begins the encouraging columnist of ‘How Women May Earn a Living — As a Short Story Writer’ in the 21 March 1896 edition of ... By the turn of the century, short stories seemed to be everywhere. Evolving out of the explosion in periodical publ作者: 保存 時(shí)間: 2025-3-26 03:51 作者: contrast-medium 時(shí)間: 2025-3-26 08:17
https://doi.org/10.1057/978-1-349-94919-9o the vulnerability of that location. In much of mid-Victorian fiction, the image of the reputable home hinged upon the presence of a contented housewife. To disturb one was to destroy the other. This chapter highlights Mary Elizabeth Braddon and Rhoda Broughton’s ghost stories as an example of the 作者: Immunization 時(shí)間: 2025-3-26 09:13
Marketing Leadership in Governmentans attempted to reclaim a rigidly-defined social space.. Londoners also attempted to make sense of the urban world that surrounded them. In the . city, the jumble of the street and the uncontrollable mix and crush of people became of paramount importance to those who inhabited it. Urban spaces were作者: 糾纏 時(shí)間: 2025-3-26 14:10
Conclusion Writing Beyond Marketings of bush life’, the play was packed with ‘picturesque scenes and dramatic situations’, including a ‘spectacular tit-bit’ when Kate, the heroine, rescues the hero from ‘a(chǎn) terrible death by fire, by felling a tree which bridged the chasm between her lover and safety’.. It was so popular that, due to 作者: 寒冷 時(shí)間: 2025-3-26 19:26
Publishing Contexts and Market Conditionsks is nothing like the quarters occupied by her predecessors. Woolf declares her bald and unapologetic ownership in her manifesto ., in which she re frames the conventional definition of the interior. Woolf’s professional freedom is gained through her study, a location dedicated to and for woman’s i作者: 過份好問 時(shí)間: 2025-3-26 21:26 作者: vector 時(shí)間: 2025-3-27 02:50
f gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.978-1-349-47146-1978-1-137-35924-7作者: organic-matrix 時(shí)間: 2025-3-27 06:07
9樓作者: 我的巨大 時(shí)間: 2025-3-27 12:14
10樓作者: 外科醫(yī)生 時(shí)間: 2025-3-27 17:31
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