標(biāo)題: Titlebook: British Women Writers and the Reception of Ancient Egypt, 1840-1910; Imperialist Represen Molly Youngkin Book 2016 The Editor(s) (if applic [打印本頁(yè)] 作者: 浮淺 時(shí)間: 2025-3-21 18:55
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書(shū)目名稱(chēng)British Women Writers and the Reception of Ancient Egypt, 1840-1910影響因子(影響力)學(xué)科排名
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書(shū)目名稱(chēng)British Women Writers and the Reception of Ancient Egypt, 1840-1910網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱(chēng)British Women Writers and the Reception of Ancient Egypt, 1840-1910讀者反饋
書(shū)目名稱(chēng)British Women Writers and the Reception of Ancient Egypt, 1840-1910讀者反饋學(xué)科排名
作者: Cytokines 時(shí)間: 2025-3-21 20:49 作者: antipsychotic 時(shí)間: 2025-3-22 03:35 作者: 搜尋 時(shí)間: 2025-3-22 05:38
,“[T]o give new elements … as vivid as … long familiar types”: Heroic Jewish Men, Dangerous Egyptianut the Jewish character Mordecai, that she was trying “to give new elements” in the creation of this important character, to give readers something different in Mordecai than what author Benjamin Disraeli had given with Sidonia, the Jewish character in . (1844) (Eliot, . 6:223). Yet, Eliot recognize作者: HEAVY 時(shí)間: 2025-3-22 11:55 作者: 矛盾心理 時(shí)間: 2025-3-22 15:15
,The “sweetness of the serpent of old Nile”: Revisionist Cleopatra and Spiritual Union as EmancipatiPaul Verdayne and an unnamed Eastern European “Lady,” whose trademark is lounging on tiger-skin rugs as she seduces Paul in multiple countries, including Italy, Greece, and Egypt. In 1907, the British Empire was at its height and about to begin its descent, as its colonial subjects began to assert i作者: commute 時(shí)間: 2025-3-22 18:51 作者: Pituitary-Gland 時(shí)間: 2025-3-22 23:58 作者: 灰心喪氣 時(shí)間: 2025-3-23 02:03
Entscheidungssituation im Marketing,s important to lay out five broad historical and cultural contexts, which facilitate a clear understanding of how British women writers approached their encounters with representations of ancient Egyptian women. First, it is important to understand why ancient cultures, especially Greek and Roman cu作者: adroit 時(shí)間: 2025-3-23 07:52
Entscheidungssituation im Marketing,9 highlights the imperialist tendency to separate East from West but also recognizes the intermingling of cultures across the Mediterranean, especially when Victorian travelers looked at these cultures as ancient civilizations that provided the foundations for contemporary British society. Similar t作者: 里程碑 時(shí)間: 2025-3-23 12:56
,Kritische Würdigung und Fazit,ut the Jewish character Mordecai, that she was trying “to give new elements” in the creation of this important character, to give readers something different in Mordecai than what author Benjamin Disraeli had given with Sidonia, the Jewish character in . (1844) (Eliot, . 6:223). Yet, Eliot recognize作者: disparage 時(shí)間: 2025-3-23 14:43 作者: MILL 時(shí)間: 2025-3-23 18:34 作者: 沒(méi)花的是打擾 時(shí)間: 2025-3-24 01:10
Leaping Luxuries and Transitional Consumersbeth Peters was working on a new Amelia Pea-body novel (Mertz, “Notes” n. pag.), part of a mystery series that features an Amelia Edwards-like Englishwoman who solves crimes while traveling in Egypt. Though Peters’s focus on an independent woman detective may be compelling to readers invested in wom作者: ACE-inhibitor 時(shí)間: 2025-3-24 05:58
nt Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..978-1-349-55520-8978-1-137-56614-0作者: HAUNT 時(shí)間: 2025-3-24 09:32
Book 2016.Focusing on British women writers‘ knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..作者: Liberate 時(shí)間: 2025-3-24 10:54
https://doi.org/10.1057/9781137566140Britain; fiction; gender; George Eliot; history of literature; literature; nineteenth century; novel; social作者: Harness 時(shí)間: 2025-3-24 18:52 作者: 愛(ài)哭 時(shí)間: 2025-3-24 19:19 作者: 火海 時(shí)間: 2025-3-25 01:30 作者: 完成 時(shí)間: 2025-3-25 03:18
Bound by an English Eye: Ancient Cultures, Imperialist Contexts, and Literary Representations of Anasized the role of women in ancient Egypt as creators and shapers of culture. Third, it is vital to examine the nature of imperialist discourse about Britain’s presence in Egypt during this period, since this discourse discouraged British women writers from fully engaging Egyptian culture and encour作者: 克制 時(shí)間: 2025-3-25 09:52 作者: surrogate 時(shí)間: 2025-3-25 13:03 作者: 小故事 時(shí)間: 2025-3-25 19:50
,“[W]e had never chosen a Byzantine subject … or one from Alexandria”: Emancipation Through Desire atragedy” (Ms. 46782). Although Ricketts and Shannon questioned why Field had never published a play about Byzantium or Alexandria, in fact Bradley and Cooper had just completed ., a play about the Byzantine empress Theodora. They relayed their “joy” at finishing the play to Ricketts and Shannon and 作者: DAFT 時(shí)間: 2025-3-25 21:09 作者: 受人支配 時(shí)間: 2025-3-26 00:28
,“My ancestor, my sister”: Ancient Heritage Imagery and Modern Egyptian Women Writers,of Egyptian women. “Sexy Cleopatra” outfits are more popular than ever at Halloween; fashion model Heidi Klum had an especially elaborate one, complete with face crystals, constructed for her 2012 Halloween party (Anonymous, “Heidi Klum” n. pag.). Also in 2012, . promoted its exhibit about underwate作者: 運(yùn)氣 時(shí)間: 2025-3-26 04:41
Entscheidungssituation im Marketing,asized the role of women in ancient Egypt as creators and shapers of culture. Third, it is vital to examine the nature of imperialist discourse about Britain’s presence in Egypt during this period, since this discourse discouraged British women writers from fully engaging Egyptian culture and encour作者: 枕墊 時(shí)間: 2025-3-26 08:42
Entscheidungssituation im Marketing,r return home in April 1850, when she spent nearly two months in Athens before heading to Italy for a short stay and then going back to England. Setting forth a number of contrasts between the two cultures in letters written to her family, Nightingale characterizes the Peloponnesian women she meets 作者: conflate 時(shí)間: 2025-3-26 14:51
,Kritische Würdigung und Fazit,s anxiety is well documented in her letters and journal, and although her “husband” George Henry Lewes did what he could to protect her from the reviews, he, Eliot, and Blackwood regularly commented on the “unsympathetic” reaction to the “Jewish element” in the novel in their letters (6:294, 301, 30作者: Chameleon 時(shí)間: 2025-3-26 20:48 作者: libertine 時(shí)間: 2025-3-26 21:42
https://doi.org/10.1007/978-3-642-15606-9le, a culture that fueled the first serious nationalist demonstrations in 1919 (Thompson 274). Yet, despite this context for Glyn’s novel, little of the criticism about . focuses on the imperialist context for Glyn’s use of the romance or the role of the romance in early twentieth-century representa作者: 公理 時(shí)間: 2025-3-27 03:23 作者: Headstrong 時(shí)間: 2025-3-27 06:11
10樓作者: 幾何學(xué)家 時(shí)間: 2025-3-27 11:01
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10樓
