標(biāo)題: Titlebook: British Theatre of the 1990s; Interviews with Dire Mireia Aragay (Senior Lecturer in English Literatu Book 2007 Palgrave Macmillan, a divis [打印本頁] 作者: 呻吟 時(shí)間: 2025-3-21 19:20
書目名稱British Theatre of the 1990s影響因子(影響力)
書目名稱British Theatre of the 1990s影響因子(影響力)學(xué)科排名
書目名稱British Theatre of the 1990s網(wǎng)絡(luò)公開度
書目名稱British Theatre of the 1990s網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Theatre of the 1990s被引頻次
書目名稱British Theatre of the 1990s被引頻次學(xué)科排名
書目名稱British Theatre of the 1990s年度引用
書目名稱British Theatre of the 1990s年度引用學(xué)科排名
書目名稱British Theatre of the 1990s讀者反饋
書目名稱British Theatre of the 1990s讀者反饋學(xué)科排名
作者: dainty 時(shí)間: 2025-3-21 21:40 作者: 狂熱文化 時(shí)間: 2025-3-22 00:42
Aleks SierzAleks Sierz is a freelance writer, journalist, critic and broadcaster. He is author of . (2001), . (2006) and a regular contributor to .. His website at http://www.inyerface-theatre.com contains a mine of information about new writing in British theatre since the early 1990s. The interview that follows was conducted in London on 2 July 2003.作者: gruelling 時(shí)間: 2025-3-22 06:20 作者: flaggy 時(shí)間: 2025-3-22 09:37
https://doi.org/10.1007/978-3-662-00597-2t Theatre as Director of the Young Writers’ Festival in 1991. He became Associate Director at the Court in 1994, and was responsible, over the 1990s, for landmark productions of Joe Penhall’s . (1994), Jez Butterworth’s . (1995), and Conor McPherson’s . (1997), among others. Rickson was Artistic Dir作者: Lipoprotein 時(shí)間: 2025-3-22 13:27
Das Marketing-Management-Konzept,Traverse Theatre in Edinburgh, he founded Joint Stock Theatre Company. Stafford-Clark is the longest-serving Royal Court Theatre Artistic Director (1979–93). In 1993, he formed the national and international touring theatre company Out of Joint, dedicated to the production of new writing. His work a作者: 是突襲 時(shí)間: 2025-3-22 19:47
Das Marketing-Management-Konzept,He was Artistic Director at the Lyric Hammersmith Theatre from 1994 to 2004, where he worked in collaboration with Robert Lepage, Théatre de Complicité and Improbable Theatre, and directed pieces by a wide variety of authors. His work as a playwright includes . (1983), . (1984), . (1986, 1989 and 19作者: enmesh 時(shí)間: 2025-3-22 21:34
Marketing Analytics – Technologien und Toolsh the Orange Tree Theatre in Richmond, where his first plays were staged. In the early 1990s, Crimp began his association with the Royal Court Theatre, which staged . (1990) and . (1991). After a stay in New York as Writer-in-Residence with New Dramatists, Crimp wrote . (1993), which won the John Wh作者: 許可 時(shí)間: 2025-3-23 03:33
Marcus Albrecht,Tobias Schlüterthe Hampstead Theatre commissioned My ., which finally premiered at the Royal Court Theatre Upstairs in 1994 and was turned into a film in 1996. Elyot is the author of three other stage plays, . (1998), . (2001) and . (2004) and, since the mid-1990s, has written television dramatizations of . (1996)作者: PAC 時(shí)間: 2025-3-23 06:52
Künstliche Intelligenz im Marketingevision Bursary and the John Whiting Award in 1995. He has also written . (1995), . (1997) and . (1998). . (2000) won the Evening Standard Best Play of the Year (2000), the Critics’ Circle Theatre Award for Best New Play (2000) and the Olivier Award for Best New Play (2001). His latest plays are . (作者: 黑豹 時(shí)間: 2025-3-23 12:22 作者: CLOT 時(shí)間: 2025-3-23 16:02
The Marketing Analytics Frontier,ngton has been drama critic for the . since 1971. He has written . (1984), . (1987), . (1994, reissued in 2001 to mark his thirtieth year as a drama critic), and . (2001). He has also edited . (2002). He is currently working on a survey of postwar British theatre from 1945 to the present, entitled .作者: Intervention 時(shí)間: 2025-3-23 20:19
Getting Started with Analytics,(1997), and to other studies on contemporary British and American drama. In 2006, he participated in the celebrations of the fiftieth anniversary of the Royal Court Theatre by assessing the effects of censorship on the British stage. The following interview took place in London on 29 May 2005.作者: 有惡意 時(shí)間: 2025-3-24 01:39 作者: 饑荒 時(shí)間: 2025-3-24 03:27 作者: NAG 時(shí)間: 2025-3-24 07:22 作者: 珍奇 時(shí)間: 2025-3-24 12:19
Book 2007This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on ‘in-yer-face theatre‘, this volume will be essential reading for all students and scholars of contemporary British theatre.作者: RLS898 時(shí)間: 2025-3-24 15:37 作者: 分開 時(shí)間: 2025-3-24 22:48 作者: Dawdle 時(shí)間: 2025-3-25 01:47
Getting Started with Analytics,(1997), and to other studies on contemporary British and American drama. In 2006, he participated in the celebrations of the fiftieth anniversary of the Royal Court Theatre by assessing the effects of censorship on the British stage. The following interview took place in London on 29 May 2005.作者: Nonthreatening 時(shí)間: 2025-3-25 07:09 作者: Flawless 時(shí)間: 2025-3-25 08:07 作者: instate 時(shí)間: 2025-3-25 13:00
Alan Sinfieldone of its kind in a British university. He has published extensively in the field of English literature and theatre and has been active in developing gay, lesbian and queer studies in the academia. He is the author of . (1994), . (1998), and . (1999), amongst many other works. The following interview was carried out in Brighton on 21 July 2005.作者: 吞噬 時(shí)間: 2025-3-25 18:29
otal moment of British theatre - the 1990s. With a particular focus on ‘in-yer-face theatre‘, this volume will be essential reading for all students and scholars of contemporary British theatre.978-1-349-28189-3978-0-230-21073-8作者: 熔巖 時(shí)間: 2025-3-25 20:41 作者: 顧客 時(shí)間: 2025-3-26 04:02
Ian Ricksont Theatre as Director of the Young Writers’ Festival in 1991. He became Associate Director at the Court in 1994, and was responsible, over the 1990s, for landmark productions of Joe Penhall’s . (1994), Jez Butterworth’s . (1995), and Conor McPherson’s . (1997), among others. Rickson was Artistic Dir作者: Deceit 時(shí)間: 2025-3-26 05:28
Max Stafford-ClarkTraverse Theatre in Edinburgh, he founded Joint Stock Theatre Company. Stafford-Clark is the longest-serving Royal Court Theatre Artistic Director (1979–93). In 1993, he formed the national and international touring theatre company Out of Joint, dedicated to the production of new writing. His work a作者: Uncultured 時(shí)間: 2025-3-26 09:24 作者: WAIL 時(shí)間: 2025-3-26 13:17
Martin Crimph the Orange Tree Theatre in Richmond, where his first plays were staged. In the early 1990s, Crimp began his association with the Royal Court Theatre, which staged . (1990) and . (1991). After a stay in New York as Writer-in-Residence with New Dramatists, Crimp wrote . (1993), which won the John Wh作者: 青少年 時(shí)間: 2025-3-26 17:33 作者: JIBE 時(shí)間: 2025-3-26 23:04
Joe Penhallevision Bursary and the John Whiting Award in 1995. He has also written . (1995), . (1997) and . (1998). . (2000) won the Evening Standard Best Play of the Year (2000), the Critics’ Circle Theatre Award for Best New Play (2000) and the Olivier Award for Best New Play (2001). His latest plays are . (作者: jabber 時(shí)間: 2025-3-27 03:30 作者: Mindfulness 時(shí)間: 2025-3-27 06:45 作者: 帶來 時(shí)間: 2025-3-27 12:51 作者: Offensive 時(shí)間: 2025-3-27 16:19
Dan Rebellatot conception of the role played by 1950s drama in twentieth-century British theatre history. He has published widely on contemporary British playwrights, and is currently completing a book on British drama since the late 1970s, .. His next major research project will be a new book on naturalist thea作者: septicemia 時(shí)間: 2025-3-27 21:49 作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-28 00:42 作者: spinal-stenosis 時(shí)間: 2025-3-28 03:25 作者: ASTER 時(shí)間: 2025-3-28 06:57
Max Stafford-Clarkopened at the Royal Court Theatre in June 2005. In 2006, Stafford-Clark directed a second play by Stella Feehilly, O ., and J. T. Rogers’s ., produced by the National Theatre in association with Out of Joint. In 2000, he was awarded an honorary doctorate from Oxford Brookes University. The interview作者: Pudendal-Nerve 時(shí)間: 2025-3-28 12:07
Neil Bartlettton, DC). In 2006, his new translation of Genet’s . was aired on BBC Radio 3, and his production of ., by Stravinsky and Auden, opened at the Aldeburgh Festival. His third novel, ., appeared in March 2007. The following interview was carried out in London on 6 October 2005.作者: 令人苦惱 時(shí)間: 2025-3-28 15:23
Martin Crimpetting. Since the mid-1990s his reputation has become firmly established, and his work has been produced by leading directors both in Britain and in continental Europe. The interview that follows was held in Barcelona on 14 February 2005.作者: Ardent 時(shí)間: 2025-3-28 20:26
Mireia Aragay (Senior Lecturer in English Literatu作者: 新義 時(shí)間: 2025-3-28 23:09 作者: Oversee 時(shí)間: 2025-3-29 03:13
Das Marketing-Management-Konzept,opened at the Royal Court Theatre in June 2005. In 2006, Stafford-Clark directed a second play by Stella Feehilly, O ., and J. T. Rogers’s ., produced by the National Theatre in association with Out of Joint. In 2000, he was awarded an honorary doctorate from Oxford Brookes University. The interview作者: 不出名 時(shí)間: 2025-3-29 08:18
Das Marketing-Management-Konzept,ton, DC). In 2006, his new translation of Genet’s . was aired on BBC Radio 3, and his production of ., by Stravinsky and Auden, opened at the Aldeburgh Festival. His third novel, ., appeared in March 2007. The following interview was carried out in London on 6 October 2005.作者: Lymphocyte 時(shí)間: 2025-3-29 12:04 作者: CREEK 時(shí)間: 2025-3-29 16:22 作者: 積習(xí)難改 時(shí)間: 2025-3-29 22:06
Kevin Elyot, . (2002), . (2005), and Agatha Christie’s . (2003), . (2004), . (2004) and . (2006). His version of Christie’s . was staged in the West End in 2005. Most recently he has written the film . for the BBC and . for Granada. The interview that follows was conducted in London on 26 November 2004.作者: 新鮮 時(shí)間: 2025-3-30 01:10 作者: 情愛 時(shí)間: 2025-3-30 07:16
Dan Rebellatotre. Rebellato is also a playwright and his work has been performed in Berlin and London, fringe and West End, at the National Theatre, Soho Theatre, Young Vic Theatre, and on BBC Radio. The interview that follows was conducted in London on 3 July 2003.作者: 有說服力 時(shí)間: 2025-3-30 12:02
otal moment of British theatre - the 1990s. With a particular focus on ‘in-yer-face theatre‘, this volume will be essential reading for all students and scholars of contemporary British theatre.978-1-349-28189-3978-0-230-21073-8作者: 編輯才信任 時(shí)間: 2025-3-30 15:50
Künstliche Intelligenz im Marketings trend known as ‘in-yer-face’ theatre. Ravenhill’s latest work includes . (2003), . (2004), . (2005, his acting debut), . (2005), and . (2006). The following interview took place in London on 12 December 2003.作者: incubus 時(shí)間: 2025-3-30 17:14
The Marketing Analytics Frontier,ritic), and . (2001). He has also edited . (2002). He is currently working on a survey of postwar British theatre from 1945 to the present, entitled .. In June 2003, Billington was voted Britain’s ‘most trustworthy’ critic on the theatre website Whatsonstage.com. The interview that follows was conducted in London on 30 June 2003.作者: leniency 時(shí)間: 2025-3-31 00:33
Marketing-Grundstudiumsklausuren,ne for the Faber series ‘About … Playwrights and their Work’ and another volume on Patrick Marber’s . for Continuum’s Modern Theatre Guides. The following interview took place in London on 30 January 2005.
