標(biāo)題: Titlebook: British Theatre and the Great War, 1914 - 1919; New Perspectives Andrew Maunder Book 2015 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: Neogamist 時間: 2025-3-21 18:54
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書目名稱British Theatre and the Great War, 1914 - 1919影響因子(影響力)學(xué)科排名
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書目名稱British Theatre and the Great War, 1914 - 1919網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Theatre and the Great War, 1914 - 1919被引頻次
書目名稱British Theatre and the Great War, 1914 - 1919被引頻次學(xué)科排名
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書目名稱British Theatre and the Great War, 1914 - 1919年度引用學(xué)科排名
書目名稱British Theatre and the Great War, 1914 - 1919讀者反饋
書目名稱British Theatre and the Great War, 1914 - 1919讀者反饋學(xué)科排名
作者: 驚惶 時間: 2025-3-21 23:54 作者: 多產(chǎn)子 時間: 2025-3-22 03:37
https://doi.org/10.1007/978-3-322-88490-9so-called ‘canary girls’, their skin dyed deep yellow for life from contact with TNT.. At the end of the war, Helen Fraser, a suffragist who became a government spokesperson for war-time recruitment of women, recorded that 1,250,000 women had directly replaced men in industry, 1,000,000 had been emp作者: Parley 時間: 2025-3-22 08:12
https://doi.org/10.1007/978-3-322-88490-9successful years during the war in spite of (and to some extent as a direct result of) financial and other constraints. The society responded to the war by presenting plays that showed how it affected non-combatants and putting on fund-raising productions for war charities. Most explicitly addressin作者: carotenoids 時間: 2025-3-22 10:52 作者: Insatiable 時間: 2025-3-22 13:22
https://doi.org/10.1007/978-3-642-92560-3ent on, in ideals and all the finer things’ and asserts that ‘while the men on leave came and went, [the Flapper] remained, helping one soldier after another to spend his money on the entertainment she chose’. She was ‘a(chǎn)n excited, uneducated young person who couldn’t be bothered to listen to a play 作者: induct 時間: 2025-3-22 19:51
https://doi.org/10.1007/978-3-642-92560-3lear sense of the war as marking an end point for that mode of popular theatre. Dave Russell argues that the ‘variety theatre, as an institution, had clearly reached the limits of its expansion by 1914’, a judgement already expressed in different ways by the writers of the 1920s and 1930s who establ作者: 膽小鬼 時間: 2025-3-23 00:37
https://doi.org/10.1007/978-3-662-57992-3nt that a profit could be made from showing films on their own.. In a number of towns theatres and even skating rinks were transformed into cinemas. In April 1914, for example, the Sadler’s Wells Theatre in Clerkenwell, London, which had also served as a music hall, put on its final stage production作者: 輕觸 時間: 2025-3-23 02:04 作者: 增強 時間: 2025-3-23 07:49 作者: 量被毀壞 時間: 2025-3-23 10:35
https://doi.org/10.1007/978-3-322-88348-3er World War II that ‘a(chǎn) prisoner of war is a man who tries to kill you and fails, and then asks you not to kill him’.. Though undoubtedly individuals surrendered, it was more common for members of a platoon or company to surrender en masse. It was safer to do so. The statistics speak for themselves:作者: 賞心悅目 時間: 2025-3-23 14:15
‘This Unhappy Nation’: War on the Stage in 1914melodramatic’. Certainly, it was likely to shun anything ‘that adds at all to the burden of sadness that the War brings into the midst of us’.. For the theatre industry, meanwhile. the fear was that audiences would vanish, finding the entertainment on offer to be unnecessary or distasteful; and perh作者: 意外 時間: 2025-3-23 19:44
From Sex-war to Factory Floor: Theatrical Depictions of Women’s Work during the First World Warso-called ‘canary girls’, their skin dyed deep yellow for life from contact with TNT.. At the end of the war, Helen Fraser, a suffragist who became a government spokesperson for war-time recruitment of women, recorded that 1,250,000 women had directly replaced men in industry, 1,000,000 had been emp作者: 侵略者 時間: 2025-3-24 00:23
Edith Craig and the Pioneer Players: London’s International Art Theatre in a ‘Khaki-clad and Khaki-msuccessful years during the war in spite of (and to some extent as a direct result of) financial and other constraints. The society responded to the war by presenting plays that showed how it affected non-combatants and putting on fund-raising productions for war charities. Most explicitly addressin作者: 委派 時間: 2025-3-24 04:39
‘A Sweet Tribute to Her Memory’: War-time Edith Cavell Plays and Films and the Spanish Marquis de Villalobar. Baron Oscar von der Lancken, the German civilian Governor-General, appealed in vain to von Sauberzweig. In the early morning of the 11 October, Cavell and the clandestine Belgian journalist Philippe Baucq were shot and buried at the Tir National firing range i作者: 規(guī)章 時間: 2025-3-24 08:29
The Theatre of the Flappers?: Gender, Spectatorship and the ‘Womanisation’ of Theatre 1914–1918ent on, in ideals and all the finer things’ and asserts that ‘while the men on leave came and went, [the Flapper] remained, helping one soldier after another to spend his money on the entertainment she chose’. She was ‘a(chǎn)n excited, uneducated young person who couldn’t be bothered to listen to a play 作者: Femish 時間: 2025-3-24 13:14 作者: Awning 時間: 2025-3-24 18:05
British Cinema, Regulation and the War Effort, 1914–1918nt that a profit could be made from showing films on their own.. In a number of towns theatres and even skating rinks were transformed into cinemas. In April 1914, for example, the Sadler’s Wells Theatre in Clerkenwell, London, which had also served as a music hall, put on its final stage production作者: 倔強不能 時間: 2025-3-24 21:35
A City’s Toys: Theatre in Birmingham 1914–1918ents firm and the Lanchester Motor Company.. The result during the war was the production of ambulances, staff cars, armoured cars, bicycles and motor bikes used by despatch riders and eventually aeroplanes. Vast quantities of cartridges, shell cases and detonators were produced along with, as Marti作者: 寬宏大量 時間: 2025-3-24 23:39
Entertaining the Anzacs: Performances for Australian and New Zealand Troops on Leave in London, 1916space and extraordinary commemorative function of the Shakespeare, it too provided a specific Australian ‘home’ for Anzacs, adjacent, as it was, to the site of the Australian High Commission, in the process of construction. By 1917, the Australian YMCA had also taken over the nearby Aldwych Theatre,作者: CHIP 時間: 2025-3-25 04:40
Palliative Pantomimes: Entertainments in Prisoner-of-War Campser World War II that ‘a(chǎn) prisoner of war is a man who tries to kill you and fails, and then asks you not to kill him’.. Though undoubtedly individuals surrendered, it was more common for members of a platoon or company to surrender en masse. It was safer to do so. The statistics speak for themselves:作者: echnic 時間: 2025-3-25 10:08
Introduction: Rediscovering First World War Theatre taken place over the last one hundred years, and which the centenary commemorations beginning in 2014 have thrown into sharp relief. In the immediate aftermath of the war, the theatre industry was heralded as an integral part of the war effort, an example of the way Britain and her empire had pulle作者: 桉樹 時間: 2025-3-25 12:40 作者: patella 時間: 2025-3-25 19:16
Reclaiming Shakespeare 1914–1918He asserted that ‘it would be […] foolish to deny that […] the London playhouses for the most part sank into becoming the purveyors of the cheapest entertainment’.. Later the distinguished . likewise proclaimed that ‘it was not only problem plays that were swept off the board, but nearly all plays o作者: 止痛藥 時間: 2025-3-25 21:57
On the Edge of Town: Melodrama and Suburban Theatre in Brixton, 1915e photographs, posters, reviews and reminiscences. We also, as Steve Nicholson has shown in Chapter 2, have play texts and censors’ reports in the Lord Chamberlain’s archives and, in some cases, correspondence with managers. On the other hand, the actors who performed in these venues have tended to 作者: exhilaration 時間: 2025-3-26 00:34 作者: 腐蝕 時間: 2025-3-26 05:05 作者: Optic-Disk 時間: 2025-3-26 11:14
‘A Sweet Tribute to Her Memory’: War-time Edith Cavell Plays and Filmstenced to death by firing squad by a military tribunal of the German General Government of occupied Belgium. Their charge was ‘treason in time of war’ under Paragraph 58 of the German Military Code, which prohibited ‘conducting soldiers to the enemy’. Under a decree of June 1915 issued by General Mo作者: 膝蓋 時間: 2025-3-26 14:00
The Theatre of the Flappers?: Gender, Spectatorship and the ‘Womanisation’ of Theatre 1914–1918l the fault of ‘the flappers. and the aged gentlemen who loved “Hilloa Twaddle!”’ He exonerated the soldier who, ‘being a good-natured man, went to see those appeals to the immature and the senile simply to humour [the] civilians’.. Ten years later Ervine was describing the ‘womanisation’ of theatre作者: 輕彈 時間: 2025-3-26 19:41
The Epitome of National Life: Metropolitan Music Hall and Variety Theatre, 1913–1919ch the poet imagines a tank ‘lurching’ down the aisle of a raucous variety theatre to wreak havoc on both its complacent audience and the ‘harlots’ in its chorus line.. On the one hand, it is a neurasthenic fantasy, on the other it is a statement which encapsulates two features that came to define l作者: filial 時間: 2025-3-26 21:58
British Cinema, Regulation and the War Effort, 1914–1918halls in a way which was beginning to worry them.. On 20 February 1896 the Lumière brothers had presented a programme of films at the Marlborough Hall on London’s Regent Street. These ‘a(chǎn)nimated pictures’ were soon incorporated into music hall programmes in London and major cities. By 1899, music hal作者: Incorruptible 時間: 2025-3-27 02:47 作者: 信條 時間: 2025-3-27 06:53 作者: 惡意 時間: 2025-3-27 09:35
Palliative Pantomimes: Entertainments in Prisoner-of-War Campsh they had travelled before that journey came to an abrupt end. Writing in 1918, American doctor Daniel J. McCarthy observed that ‘one rarely comes across in the prison camps, a prisoner who had ever considered the possibility of being taken captive’.. Members of the regular armies as well as the mo作者: insidious 時間: 2025-3-27 14:29
Book 2015the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and hig作者: FLIT 時間: 2025-3-27 20:13 作者: 愉快嗎 時間: 2025-3-27 22:01
On the Edge of Town: Melodrama and Suburban Theatre in Brixton, 1915ne revived; melodramatic, ‘simplistic’ and sentimental, they represent much that is antithetical to what we have come to admire in other war-time writings — the works of the trench poets, for example.作者: 一再遛 時間: 2025-3-28 04:33 作者: 不整齊 時間: 2025-3-28 06:52 作者: Reservation 時間: 2025-3-28 11:10 作者: MORT 時間: 2025-3-28 15:14
Introduction: Rediscovering First World War Theatree years that followed, attacks on work that came to be seen as jingoistic and self-serving rapidly displaced war-time theatre as a something worthy of admiration, and its entertainments were re-cast as shallow and meaningless, ‘childish antics’ as George Bernard Shaw labelled them in 1919.作者: yohimbine 時間: 2025-3-28 19:38 作者: 情節(jié)劇 時間: 2025-3-29 02:14
Book 2015offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the`missing link’ in the study of First World War writing..作者: intricacy 時間: 2025-3-29 05:04
Chemische Technologie in Einzeldarstellungen taken place over the last one hundred years, and which the centenary commemorations beginning in 2014 have thrown into sharp relief. In the immediate aftermath of the war, the theatre industry was heralded as an integral part of the war effort, an example of the way Britain and her empire had pulle作者: 不能仁慈 時間: 2025-3-29 09:11 作者: floodgate 時間: 2025-3-29 14:15
,Implikationen für die weitere Forschung,He asserted that ‘it would be […] foolish to deny that […] the London playhouses for the most part sank into becoming the purveyors of the cheapest entertainment’.. Later the distinguished . likewise proclaimed that ‘it was not only problem plays that were swept off the board, but nearly all plays o作者: 朋黨派系 時間: 2025-3-29 18:58 作者: 的闡明 時間: 2025-3-29 21:14 作者: pacifist 時間: 2025-3-30 01:36
https://doi.org/10.1007/978-3-322-88490-9front as described in Siegfried Sassoon’s poem ‘Blighters’ (1917). As other contributors to this book also note, this poem is often used specifically to highlight the dubious pleasures derived by large audiences from performances associated with comedy, dancing women and ragtime music.. However, the作者: Definitive 時間: 2025-3-30 07:32
https://doi.org/10.1007/978-3-322-81768-6tenced to death by firing squad by a military tribunal of the German General Government of occupied Belgium. Their charge was ‘treason in time of war’ under Paragraph 58 of the German Military Code, which prohibited ‘conducting soldiers to the enemy’. Under a decree of June 1915 issued by General Mo作者: Heresy 時間: 2025-3-30 09:34
https://doi.org/10.1007/978-3-642-92560-3l the fault of ‘the flappers. and the aged gentlemen who loved “Hilloa Twaddle!”’ He exonerated the soldier who, ‘being a good-natured man, went to see those appeals to the immature and the senile simply to humour [the] civilians’.. Ten years later Ervine was describing the ‘womanisation’ of theatre作者: 楓樹 時間: 2025-3-30 13:34
https://doi.org/10.1007/978-3-642-92560-3ch the poet imagines a tank ‘lurching’ down the aisle of a raucous variety theatre to wreak havoc on both its complacent audience and the ‘harlots’ in its chorus line.. On the one hand, it is a neurasthenic fantasy, on the other it is a statement which encapsulates two features that came to define l作者: compel 時間: 2025-3-30 17:01 作者: 不適 時間: 2025-3-31 00:08 作者: 古文字學(xué) 時間: 2025-3-31 04:01
Tilo Pfeifer,Heinz-Reiner Wollersheiminment Tax, the YMCA built two Anzac ‘Huts’ in London: the Shakespeare Hut for New Zealanders and the Aldwych for Australians, providing shelter and ‘suitable’ entertainment for servicemen on brief leave from the Front. The Shakespeare Hut was built to commemorate the playwright’s Tercentenary on la作者: esoteric 時間: 2025-3-31 08:16
