標(biāo)題: Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla [打印本頁] 作者: Forestall 時間: 2025-3-21 16:10
書目名稱British Television Drama影響因子(影響力)
書目名稱British Television Drama影響因子(影響力)學(xué)科排名
書目名稱British Television Drama網(wǎng)絡(luò)公開度
書目名稱British Television Drama網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Television Drama被引頻次
書目名稱British Television Drama被引頻次學(xué)科排名
書目名稱British Television Drama年度引用
書目名稱British Television Drama年度引用學(xué)科排名
書目名稱British Television Drama讀者反饋
書目名稱British Television Drama讀者反饋學(xué)科排名
作者: Offensive 時間: 2025-3-21 22:55 作者: 說明 時間: 2025-3-22 01:44 作者: 聚集 時間: 2025-3-22 05:11
https://doi.org/10.1007/978-3-642-97248-5pectives on the development of UK television drama in the latter part of the twentieth century. Whilst there was a particular focus on the institutions, practices and personnel of the so-called ‘Golden Age’ of the 1960s and 1970s — reflecting the conference from which several of the contributions ca作者: epinephrine 時間: 2025-3-22 12:06 作者: BIPED 時間: 2025-3-22 15:09 作者: Dislocation 時間: 2025-3-22 18:44
Produkt-, Sortiments- und Servicepolitik, I was given my first job as assistant story editor, in 1960, by the now legendary Sydney Newman.. I had sent Sydney a children’s serial which I had written about the first settlers in Virginia. In retrospect, it was hardly a subject likely to appeal to a man of his tastes, but it got me an intervie作者: 雜役 時間: 2025-3-22 22:30
Produkt-, Sortiments- und Servicepolitik,er and director in the 1960s and 1970s.. I ought to say at the outset that I was probably the main progenitor of the theory that the late fifties and the sixties were the ‘Golden Age’ of television, in an account I gave for the first MacTaggart lecture.. I would love everybody who got that phrase fr作者: 獨行者 時間: 2025-3-23 01:26 作者: Communal 時間: 2025-3-23 05:48
Gerald Corbae,Jakob B. Jensen,Dirk Schneider saw, with the launch of Channel 4, the first episode of . (1982–2003), the programme my name would probably become best known for, alongside . (BBC 1978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on th作者: 贊成你 時間: 2025-3-23 12:14 作者: Myocyte 時間: 2025-3-23 15:26 作者: 收藏品 時間: 2025-3-23 19:08
Ein Gespr?ch mit Prof. Roland Bergernies of the project to challenge cultural paternalism and celebrate audience diversity that by undermining one bit of the ruling class, it appeared to endorse the ambitions of another. Thus did post-Marxist academia give a progressive seal of approval to letting the multicultural market rip; and if,作者: 大廳 時間: 2025-3-24 01:39 作者: cardiac-arrest 時間: 2025-3-24 02:21
Hans Raffée,Klaus-Peter Wiedmannhe 1950s to the present through a combination of formal and stylistic analysis focusing on key texts and contextual analysis of the institutional determinants that have helped to shape the history of the genre. The early history of costume drama is dominated by the BBC which specialised in the produ作者: BAIT 時間: 2025-3-24 10:25
https://doi.org/10.1007/978-3-322-85892-4Acting is one of the particular pleasures of British television drama, and, with its roots in the British theatrical tradition, it is one of the factors which has secured for British television drama both international respect, and, with it, a healthy trading balance in the international market. In 作者: 分離 時間: 2025-3-24 11:28
Wie sich die Werbung wandeln wirdper, ‘Broadcasting in the Seventies’. This announced a devolution of editorial power in the drama department to the new Pebble Mill regional studio complex in Birmingham. David Rose, the original . (1962–78) producer, was at that point Head of Television Training, and he was dispatched to Birmingham作者: Pituitary-Gland 時間: 2025-3-24 15:04
Christian Schwarz,Frank Sturm,Wolfgang Klose BBC and around 50 of them produced by BBC Northern Ireland.. A significant number provoked controversy in the press at the time of transmission and some led to objections in Parliament, yet up to now they have received little critical or scholarly attention; whilst a number of works have been publi作者: Feature 時間: 2025-3-24 21:23 作者: HEAVY 時間: 2025-3-25 00:16
http://image.papertrans.cn/b/image/191175.jpg作者: 摻假 時間: 2025-3-25 07:15 作者: finite 時間: 2025-3-25 08:37 作者: Hangar 時間: 2025-3-25 13:25 作者: 大門在匯總 時間: 2025-3-25 19:07 作者: Scintillations 時間: 2025-3-25 21:41 作者: discord 時間: 2025-3-26 04:04
Introductionpectives on the development of UK television drama in the latter part of the twentieth century. Whilst there was a particular focus on the institutions, practices and personnel of the so-called ‘Golden Age’ of the 1960s and 1970s — reflecting the conference from which several of the contributions ca作者: capsule 時間: 2025-3-26 07:51
Contextshe Leavisites, was in Cambridge arguing that there was more to culture than English Literature, which itself had been an upstart academic discipline a couple of generations before. But there was no hint of the imminent explosion of media and cultural studies, accelerating and gathering momentum as i作者: anus928 時間: 2025-3-26 08:47 作者: drusen 時間: 2025-3-26 16:06
Television Drama Series: A Producer’s View I was given my first job as assistant story editor, in 1960, by the now legendary Sydney Newman.. I had sent Sydney a children’s serial which I had written about the first settlers in Virginia. In retrospect, it was hardly a subject likely to appeal to a man of his tastes, but it got me an intervie作者: 核心 時間: 2025-3-26 18:26 作者: 共和國 時間: 2025-3-27 01:02 作者: immunity 時間: 2025-3-27 04:48 作者: 發(fā)現(xiàn) 時間: 2025-3-27 06:06 作者: Demonstrate 時間: 2025-3-27 13:23
Persuaded? The Impact of Changing Production Contexts on Three Adaptations of a. The first, interested above all in technological development and advancement in production processes, proffers a generally rosy perspective whereby ever-improving equipment and facilities open up endless new possibilities for innovation and quality. The second, in contrast, observes that the chan作者: Accede 時間: 2025-3-27 16:33
Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Dramanies of the project to challenge cultural paternalism and celebrate audience diversity that by undermining one bit of the ruling class, it appeared to endorse the ambitions of another. Thus did post-Marxist academia give a progressive seal of approval to letting the multicultural market rip; and if,作者: MUTE 時間: 2025-3-27 21:31 作者: 使無效 時間: 2025-3-27 23:50
: Reinventing the British Costume Dramahe 1950s to the present through a combination of formal and stylistic analysis focusing on key texts and contextual analysis of the institutional determinants that have helped to shape the history of the genre. The early history of costume drama is dominated by the BBC which specialised in the produ作者: TIGER 時間: 2025-3-28 05:34 作者: hysterectomy 時間: 2025-3-28 10:06 作者: 夸張 時間: 2025-3-28 12:40
‘What Truth is There in this Story?’: The Dramatisation of Northern Ireland BBC and around 50 of them produced by BBC Northern Ireland.. A significant number provoked controversy in the press at the time of transmission and some led to objections in Parliament, yet up to now they have received little critical or scholarly attention; whilst a number of works have been publi作者: 兩種語言 時間: 2025-3-28 18:31
https://doi.org/10.1007/978-3-642-97248-5o longer with us). However, it is important to recognise that much has changed on the television landscape since 2000, and the main reason for producing a second edition is to engage with some of those developments.作者: CHASE 時間: 2025-3-28 19:32
Produkt-, Sortiments- und Servicepolitik, in the middle, shooting down the aisle, in a West End theatre, to make ‘television drama’. If that wasn’t being done, then plays which looked and sounded like West End plays were being put on studio floats in huge box sets which, to all intents and purposes, were proscenium arches. So, I would just作者: 砍伐 時間: 2025-3-28 22:54
Hans Raffée,Klaus-Peter Wiedmanninto its own, however, exemplified by two landmark BBC serials of 1967 — . and . — which marked the transition from black-and-white to colour. It was the advent of colour broadcasting that ushered in a golden era for the costume drama in the 1970s with the BBC’s . (1970), . (1971), . (1976) and . (1作者: 我邪惡 時間: 2025-3-29 03:37
https://doi.org/10.1007/978-3-322-85892-46 film adaptation of . or Olivier in . (1981) or Peggy Ashcroft in . (1984). ., in particular, seemed to offer an opportunity to show off the best of British acting, and Dickens, in general, peopled by eccentrics, villains and grotesques seems to offer not so much a narrative as a performance.作者: contradict 時間: 2025-3-29 08:45 作者: arbiter 時間: 2025-3-29 14:34
TV Drama: Then and Now in the middle, shooting down the aisle, in a West End theatre, to make ‘television drama’. If that wasn’t being done, then plays which looked and sounded like West End plays were being put on studio floats in huge box sets which, to all intents and purposes, were proscenium arches. So, I would just作者: 殺人 時間: 2025-3-29 18:14
: Reinventing the British Costume Dramainto its own, however, exemplified by two landmark BBC serials of 1967 — . and . — which marked the transition from black-and-white to colour. It was the advent of colour broadcasting that ushered in a golden era for the costume drama in the 1970s with the BBC’s . (1970), . (1971), . (1976) and . (1作者: 偶像 時間: 2025-3-29 21:28 作者: HUSH 時間: 2025-3-30 03:42 作者: intimate 時間: 2025-3-30 06:02
https://doi.org/10.1007/978-3-322-86963-0rah Jane Smith, and her robot dog, K9. The award-winning programme about the adventures of Sarah Jane, her adoptive son, Luke, and their friends defending the Earth against alien threats subsequently ran for five series and was only cut short by the death of the star, Lis Sladen, in 2011.作者: 一大群 時間: 2025-3-30 09:13
Wie sich die Werbung wandeln wird to become Head of English Regional Drama. The important factor about Birmingham in 1971 was that there was talent, craft and technical infrastructure of the highest BBC-trained order: the situation was akin to that of Manchester in the early 1960s when Vivien Daniels produced the first plays of John Hopkins, John McGrath and Alan Plater.作者: Atrium 時間: 2025-3-30 15:57
Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama as the Austrian economist Ludwig von Mises said,. the ultimate socialist institution is the post office, then postmodernism and post-structuralism have persuaded post-socialists to abandon playing post offices and take up playing shops.作者: GILD 時間: 2025-3-30 17:06
‘A Hero Mumsy’: Parenting, Power and Production Changes in rah Jane Smith, and her robot dog, K9. The award-winning programme about the adventures of Sarah Jane, her adoptive son, Luke, and their friends defending the Earth against alien threats subsequently ran for five series and was only cut short by the death of the star, Lis Sladen, in 2011.作者: Collar 時間: 2025-3-30 23:46
The 1970s: Regional Variations to become Head of English Regional Drama. The important factor about Birmingham in 1971 was that there was talent, craft and technical infrastructure of the highest BBC-trained order: the situation was akin to that of Manchester in the early 1960s when Vivien Daniels produced the first plays of John Hopkins, John McGrath and Alan Plater.作者: certitude 時間: 2025-3-31 02:41
Marketing im Sinne des Transaktionsansatzess and 1930s, and for decades after the Second World War. It is only today, at the end of the century, that a glance at the list of London offerings is often disappointing: numerous extravagant musicals and revivals, yet, apart from the Royal National and Royal Shakespeare, depressingly few new plays.作者: Medicaid 時間: 2025-3-31 06:40 作者: anniversary 時間: 2025-3-31 12:19
Sydney Newman and the ‘Golden Age’s and 1930s, and for decades after the Second World War. It is only today, at the end of the century, that a glance at the list of London offerings is often disappointing: numerous extravagant musicals and revivals, yet, apart from the Royal National and Royal Shakespeare, depressingly few new plays.作者: 助記 時間: 2025-3-31 16:40
‘What Truth is There in this Story?’: The Dramatisation of Northern Irelandnned outright. It demonstrates conclusively that the attempts to control the dramatic representation of the Troubles was part of a sustained campaign of repression that in severity and vigilance far exceeded anything experienced elsewhere in what was once comfortingly called ‘the free world’.作者: Excise 時間: 2025-3-31 20:51 作者: Decongestant 時間: 2025-4-1 00:47
Gerald Corbae,Jakob B. Jensen,Dirk Schneider978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on the deck of the USS . when, on 2 September 1945, General Douglas McArthur, as Supreme Allied Commander, accepted the surrender of the Japanese Empire.
