標題: Titlebook: British Television Animation 1997-2010; Drawing Comic Tradit Van Norris Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Li [打印本頁] 作者: 教條 時間: 2025-3-21 19:36
書目名稱British Television Animation 1997-2010影響因子(影響力)
書目名稱British Television Animation 1997-2010影響因子(影響力)學(xué)科排名
書目名稱British Television Animation 1997-2010網(wǎng)絡(luò)公開度
書目名稱British Television Animation 1997-2010網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Television Animation 1997-2010被引頻次
書目名稱British Television Animation 1997-2010被引頻次學(xué)科排名
書目名稱British Television Animation 1997-2010年度引用
書目名稱British Television Animation 1997-2010年度引用學(xué)科排名
書目名稱British Television Animation 1997-2010讀者反饋
書目名稱British Television Animation 1997-2010讀者反饋學(xué)科排名
作者: 蓋他為秘密 時間: 2025-3-21 22:50
Roland Mattmüller,Julia Elspa?,Julia Matheisow have to negotiate a far more complex set of hurdles. When writer/actor Jessica Hynes constructed a sitcom about the early suffragette movement (the 2013 .) it appeared that the only way forward was now (curiously) backwards and the only way this project could be executed was to use 1970s sitcom .作者: impale 時間: 2025-3-22 04:05
Introduction,-quantified aspect of UK TV animation. This is a necessary book that explores an evolution of British television mainstream animation and an intersection that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged o作者: 不可接觸 時間: 2025-3-22 06:04
,From There to Here — First, Second and Third Wave Animation, so this chapter will perform a slightly different function from the ones that follow, in that it will be focused more on an overview of distinct periods of production and will define what typifies each of these eras. Here we will discuss three definite movements as part of a historical framework de作者: 削減 時間: 2025-3-22 11:54
,A Quotation of Normality — The Family Myth,animation becomes more self-conscious, more explicitly fixated on inter- and extra-textual modes within narratives and embraces a permeable, detached sense of distance and irony. When these factors are measured against the abandonment of social and cultural progression that underpinned the previous 作者: Magnificent 時間: 2025-3-22 13:42
,‘C’mon Mum, Monday Night Is Jihad Night’ — Race and Nostalgia,links with earlier television forms. Over the next few chapters, we will ask how gender, class, race, and cultural and societal values are framed throughout this era of production (1997–2010). In this particular chapter, I will focus on how ethnic minorities are presented and how this deployment ref作者: ESO 時間: 2025-3-22 19:04 作者: 使成整體 時間: 2025-3-23 00:15
,Sacred Territory — Faith, Satire and the Third Wave,ceptability. But in this alliance with confrontation, as a device, these developments exhibited a strangely contradictory impulse at its core. Evidently in thrall to US shows like . and ., which had shown what could be achieved in this medium in terms of ratings and cultural importance, these UK TV 作者: Rankle 時間: 2025-3-23 02:14 作者: ORE 時間: 2025-3-23 05:47 作者: mediocrity 時間: 2025-3-23 11:27
,‘C’mon Mum, Monday Night Is Jihad Night’ — Race and Nostalgia,show that embodied the ideological shifts within the BBC, it was also a text that provided an explicit commentary on post-millennial Britain in the wake of New Labour’s reshaping of the UK socio-political landscape. . replayed traditional televisual comic structures to organise a critique of social, political and cultural consensus.作者: 微生物 時間: 2025-3-23 15:36 作者: CANDY 時間: 2025-3-23 20:05
,‘Unpack That …’ — Animating the Male,ut the nature of live-action mainstream broadcast comedy as it did animation. In retrospect, we can observe that this is not just an important animated show, but actually a key contemporary narrative. This was a text that reacted to very a specific media and cultural environment and it operated within a very particular aesthetic strategy.作者: kidney 時間: 2025-3-24 00:23
,Sacred Territory — Faith, Satire and the Third Wave,shows functioned within a marketplace appreciably altered by deregulation which overtly courted the mainstream. Despite these texts’ supposedly challenging nature, these were narratives that were actually constructed with an eye towards accessibility and with an aim to achieve a more centralised position within network schedules.作者: 多產(chǎn)子 時間: 2025-3-24 05:46
impsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.978-1-349-46122-6978-1-137-33094-9作者: Suppository 時間: 2025-3-24 10:11
Julia Naskrent,Jonas Vierschillingion that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged on network television that, in retrospect, embodied the unique creative, cultural, political and industrial circumstances of that time.作者: 發(fā)起 時間: 2025-3-24 11:40
Nina Golowko,Christian Gro?,Holger Steinods of production and will define what typifies each of these eras. Here we will discuss three definite movements as part of a historical framework detailing the evolution of UK TV animation and we will outline the sharp distinctions between different periods in order to establish what it is I mean by Third Wave Animation.作者: 白楊 時間: 2025-3-24 17:09
Introduction,ion that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged on network television that, in retrospect, embodied the unique creative, cultural, political and industrial circumstances of that time.作者: sphincter 時間: 2025-3-24 22:53 作者: 公式 時間: 2025-3-25 01:02 作者: 騙子 時間: 2025-3-25 06:48
Roland Mattmüller,Julia Elspa?,Julia Matheisut the nature of live-action mainstream broadcast comedy as it did animation. In retrospect, we can observe that this is not just an important animated show, but actually a key contemporary narrative. This was a text that reacted to very a specific media and cultural environment and it operated within a very particular aesthetic strategy.作者: MEET 時間: 2025-3-25 09:48
Lena Rothe,Julia Naskrent,J?rg Westphalshows functioned within a marketplace appreciably altered by deregulation which overtly courted the mainstream. Despite these texts’ supposedly challenging nature, these were narratives that were actually constructed with an eye towards accessibility and with an aim to achieve a more centralised position within network schedules.作者: 通便 時間: 2025-3-25 15:33
http://image.papertrans.cn/b/image/191174.jpg作者: 座右銘 時間: 2025-3-25 17:26
impsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.978-1-349-46122-6978-1-137-33094-9作者: Left-Atrium 時間: 2025-3-25 21:48
Julia Naskrent,Jonas Vierschilling-quantified aspect of UK TV animation. This is a necessary book that explores an evolution of British television mainstream animation and an intersection that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged o作者: 改進 時間: 2025-3-26 03:41 作者: landmark 時間: 2025-3-26 08:06
Julia Naskrent,Jonas Vierschillinganimation becomes more self-conscious, more explicitly fixated on inter- and extra-textual modes within narratives and embraces a permeable, detached sense of distance and irony. When these factors are measured against the abandonment of social and cultural progression that underpinned the previous 作者: 支柱 時間: 2025-3-26 08:29 作者: Clumsy 時間: 2025-3-26 12:42 作者: Gratuitous 時間: 2025-3-26 18:27 作者: 擁護 時間: 2025-3-26 21:56 作者: 酷熱 時間: 2025-3-27 04:46
Book 2014British Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.作者: 幼稚 時間: 2025-3-27 07:46
https://doi.org/10.1057/9781137330949British animation; UK animation; UK comedy; British comedy; Monkey Dust; Modern Toss; Channel Four; BBC; Bob作者: irreducible 時間: 2025-3-27 12:13
978-1-349-46122-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: 反叛者 時間: 2025-3-27 13:45
9樓作者: 金絲雀 時間: 2025-3-27 20:23
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