標題: Titlebook: British TV Comedies; Cultural Concepts, C Jürgen Kamm,Birgit Neumann Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Televis [打印本頁] 作者: FERN 時間: 2025-3-21 19:11
書目名稱British TV Comedies影響因子(影響力)
書目名稱British TV Comedies影響因子(影響力)學科排名
書目名稱British TV Comedies網(wǎng)絡公開度
書目名稱British TV Comedies網(wǎng)絡公開度學科排名
書目名稱British TV Comedies被引頻次
書目名稱British TV Comedies被引頻次學科排名
書目名稱British TV Comedies年度引用
書目名稱British TV Comedies年度引用學科排名
書目名稱British TV Comedies讀者反饋
書目名稱British TV Comedies讀者反饋學科排名
作者: 手銬 時間: 2025-3-21 23:41
‘Your Little Game’: Myth and War in 7. Initially, the results of an audience survey were rather disappointing (Webber, . 8), but viewing figures increased from 8.2 million (Series One) to 18 million (Series Five), reaching their peak in 1972 and averaging more than 12 million viewers per week over the span of the programme (Cullen 201)..作者: progestin 時間: 2025-3-22 00:36
Studies in Marketing Managementll development of British TV comedy. . and . are now generally regarded as having played a significant role in the development of TV comedy. They enabled the sitcom to establish itself as the television genre on which channel controllers would increasingly come to rely in the coming decades as a major weapon in their scheduling armoury.作者: 敲詐 時間: 2025-3-22 08:15 作者: 意外的成功 時間: 2025-3-22 08:48 作者: Anthrp 時間: 2025-3-22 14:53 作者: 擁擠前 時間: 2025-3-22 19:52
‘Sambo’ and ‘Snowflake’: Race and Race Relations in en-wall comedy’ (Coleman 28). Indeed, .’s approach to race and race relations has rendered the series ‘[o]ne of the more controversial sitcoms in the annals of British television history’ (Taylor and Perry 155).作者: ENDOW 時間: 2025-3-23 00:29
‘You Snobs! You Stupid… Stuck-Up… Toffee-Nosed… Half-Witted… Upper-Class Piles of… Pus!’ Basil Fawltcognised as the most ‘Monstrous Boss on British’ TV by the UK Satellite Channel UK Gold, just beating David Brent from . (BBC2/BBC1 2001–2003). The show has aired in over 60 countries, in places like Tonga, China, Pakistan, Latvia, Malta and Denmark (‘Fawlty Towers’ .).作者: Detonate 時間: 2025-3-23 04:11 作者: 死亡 時間: 2025-3-23 08:37 作者: lipoatrophy 時間: 2025-3-23 13:08 作者: overweight 時間: 2025-3-23 16:15
Konzeptionelle Grundlagen des Marketing,liday and Comic Relief Specials between 2004 and 2015 — as well as its scheduling around Christmas and Easter and for Red Nose Day have turned each new episode into something of an event, simultaneously drawing on and reinforcing the show’s persistent popularity and ‘significant audience ratings’ (Mills, . 12).作者: watertight, 時間: 2025-3-23 19:44 作者: 擁護者 時間: 2025-3-23 23:20
: ‘Everybody Out!’ Gender, Politics and Class on the Factory Floorrom 1977 to 1978, broadcast on Sunday evenings. This chapter concerns .’s first and most notable incarnation, although the reimagining of the series for the late 1970s will be considered towards the end when examining the further development of the series.作者: Parallel 時間: 2025-3-24 02:34
The Uses of History in y, the series’ general characteristics as a sitcom will be briefly sketched. The last and longest part will analyse and contextualise one specific episode from the third season, ‘Dish and Dishonesty’, with an emphasis on the relationship between the past and the present.作者: Evolve 時間: 2025-3-24 09:58 作者: follicle 時間: 2025-3-24 10:42
Introduction: The Aesthetics and Politics of British TV Comedyic broadcasting, TV comedy in the UK enjoys a tradition and success probably unrivalled anywhere. Firmly embedded in the British media culture and shaped by the specific dynamics of the British television industry, British TV comedies are immensely powerful cultural media, which have developed disti作者: 颶風 時間: 2025-3-24 15:54 作者: VOC 時間: 2025-3-24 21:57
‘Your Little Game’: Myth and War in rry and David Croft, who both had served either in the Home Guard or in the Royal Artillery. ., which was only intended as a six-episode series in 1968, ultimately developed into nine complete series, totalling 80 episodes (the last 68 in colour) and three Christmas Specials when it concluded in 197作者: Neuropeptides 時間: 2025-3-25 00:33
‘The Struggle of Class against Class is a What Struggle?’ , and its Politicsfied: left-wing political groups, religious fanatics, ‘trade-unionists and guerrilla organizations’ (Wilmut 250). At the same time, in spite of bans and protest by religious institutions in many countries, the Pythons insisted that the film was not directed against Jesus Christ or Christianity (Mich作者: LAST 時間: 2025-3-25 03:42 作者: CAMP 時間: 2025-3-25 10:58 作者: 偽造 時間: 2025-3-25 12:05 作者: 飛鏢 時間: 2025-3-25 18:47
Ignorant Master, Capable Servants: The Politics of , and Antony Jay and Jonathan Lynn. Jay had attended a lecture by Barbara Castle to the Civil Service College in 1972 which made him aware of the intriguing distinction between ministry’s policy and minister’s policy. Earlier on, Jay had helped to launch . in 1962 and he felt that the civil service would作者: 亞當心理陰影 時間: 2025-3-25 23:50
Zany ‘Alternative Comedy’: , vs. Margaret Thatchernistic and xenophobic humour, but also the elitist absurdity that had come to be the hallmark of Oxbridge comedy . ‘Footlights’. Sayle ended on the idea that he was still full of hate for elitism and privilege, and singled out an episode of . (BBC2 1982–1984) as a moment of epiphany:作者: CURB 時間: 2025-3-26 02:00 作者: Engulf 時間: 2025-3-26 05:21
Black British Comedy: , and the Changing Face of Televisionf African Caribbean descent. It was a landmark series in a number of ways, notwithstanding the fact that it remains Channel 4’s longest-running situation comedy series, but also for the acting credentials of its cast. The celebrated actor Norman Beaton starred as Desmond Ambrose, a grumpy barbershop作者: 身體萌芽 時間: 2025-3-26 12:31 作者: 乏味 時間: 2025-3-26 14:20 作者: Mingle 時間: 2025-3-26 19:02 作者: 火光在搖曳 時間: 2025-3-26 22:37 作者: FIG 時間: 2025-3-27 03:14 作者: Entirety 時間: 2025-3-27 07:47 作者: BUMP 時間: 2025-3-27 10:01
Studies in Marketing Managementvisit this ‘classic’ period of British TV comedy is very much a nostalgia trip. It is, however, not just fond personal memories of family listening and viewing that are recalled when one reviews this material; one quickly becomes aware of what these shows have come to represent in terms of the overa作者: 吝嗇性 時間: 2025-3-27 14:15 作者: 領巾 時間: 2025-3-27 20:53
Strategische Marketing-Planung,fied: left-wing political groups, religious fanatics, ‘trade-unionists and guerrilla organizations’ (Wilmut 250). At the same time, in spite of bans and protest by religious institutions in many countries, the Pythons insisted that the film was not directed against Jesus Christ or Christianity (Mich作者: exercise 時間: 2025-3-28 00:36 作者: 背帶 時間: 2025-3-28 04:09
Marketing und Marketing-Management,nd think a lot, too’ (quoted in Pratt). The main source of humour is the conflict that ensues when the black couple Bill and Barbie Reynolds from the West Indies move next door to the white bigot Eddie Booth and his long-suffering wife Joan. With its central presence of black characters and the neig作者: Felicitous 時間: 2025-3-28 08:24
https://doi.org/10.1007/978-3-658-41755-0larly makes it onto lists of the best and/or most-loved shows and/or sitcoms on British TV. It was voted number one in the British Film Institute’s 100 Greatest British Television Programmes in 2000, and then in 2004 it was ranked number five in the BBC British Comedy Guide’s list of Top 50 British 作者: 揉雜 時間: 2025-3-28 13:45 作者: irreparable 時間: 2025-3-28 16:53
Kommunikationspolitische Entscheidungennistic and xenophobic humour, but also the elitist absurdity that had come to be the hallmark of Oxbridge comedy . ‘Footlights’. Sayle ended on the idea that he was still full of hate for elitism and privilege, and singled out an episode of . (BBC2 1982–1984) as a moment of epiphany:作者: 急急忙忙 時間: 2025-3-28 20:40 作者: mortgage 時間: 2025-3-29 01:54 作者: 小說 時間: 2025-3-29 06:04 作者: 修改 時間: 2025-3-29 09:07 作者: 健談 時間: 2025-3-29 11:37
Konzeptionelle Grundlagen des Marketing,on in British TV comedy. The show may have notched up only 26 instalments between the winter of 1994, when the first episodes were aired, and the latest Comic Relief Special, which was broadcast on 13 March 2015. Yet the very fact that the show was repeatedly extended and picked up for holiday and C作者: 稱贊 時間: 2025-3-29 17:31 作者: 我邪惡 時間: 2025-3-29 22:08 作者: candle 時間: 2025-3-30 01:34 作者: Carcinoma 時間: 2025-3-30 07:35
https://doi.org/10.1057/9781137552952Television; British; British Television; Comedy; TV Comedy; Britcom; Sitcom; Politics of Humour; Class; Race; 作者: 水土 時間: 2025-3-30 12:11 作者: 議程 時間: 2025-3-30 15:12
Zany ‘Alternative Comedy’: , vs. Margaret Thatchernistic and xenophobic humour, but also the elitist absurdity that had come to be the hallmark of Oxbridge comedy . ‘Footlights’. Sayle ended on the idea that he was still full of hate for elitism and privilege, and singled out an episode of . (BBC2 1982–1984) as a moment of epiphany:作者: 細胞膜 時間: 2025-3-30 18:42 作者: Malleable 時間: 2025-3-31 00:41
Overview: This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of ‘Britcoms‘. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.978-1-137-55295-2作者: 下垂 時間: 2025-3-31 02:52 作者: aerial 時間: 2025-3-31 08:04
Aktionsgrundlagen der Marketingentscheidung,that was featured in the . in 1990. In it, Jennifer Saunders plays a mother called Adrianna and Dawn French her daughter Saffron. The point of the sketch was that the middle-aged single mother behaved like a teenager. By contrast, her teenage daughter acted like a middle-aged woman (Vahimagi 310, 336).作者: vasospasm 時間: 2025-3-31 12:29
http://image.papertrans.cn/b/image/191173.jpg作者: Binge-Drinking 時間: 2025-3-31 16:36
Extending the marketing concept and subversion, British TV comedy plays a significant role in the formation, dissemination and reflection of cultural values, structures of identification and notions of difference: concepts of class, gender, ethnicity, disability, sex, family, work and domesticity find a most intriguing and provoc
