標(biāo)題: Titlebook: British Socialist and Workers Theatre; Red Stages Robert Leach Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive l [打印本頁] 作者: 街道 時(shí)間: 2025-3-21 16:21
書目名稱British Socialist and Workers Theatre影響因子(影響力)
書目名稱British Socialist and Workers Theatre影響因子(影響力)學(xué)科排名
書目名稱British Socialist and Workers Theatre網(wǎng)絡(luò)公開度
書目名稱British Socialist and Workers Theatre網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Socialist and Workers Theatre被引頻次
書目名稱British Socialist and Workers Theatre被引頻次學(xué)科排名
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書目名稱British Socialist and Workers Theatre年度引用學(xué)科排名
書目名稱British Socialist and Workers Theatre讀者反饋
書目名稱British Socialist and Workers Theatre讀者反饋學(xué)科排名
作者: Fallibility 時(shí)間: 2025-3-21 23:52 作者: Dorsal 時(shí)間: 2025-3-22 02:23
Betriebswirtschaftliches Grundstudiumts—George Moore, John Galsworthy, Bernard Shaw, Harley Granville Barker—whose plays, ethical discussion pieces, were produced in progressive theatres, drama societies and provincial repertory theatres. But, important as they were to twentieth century drama, they were less significant for evolving Br作者: slipped-disk 時(shí)間: 2025-3-22 07:05
Kontrahierungspolitische Entscheidungenearest male relative. Other plays use ‘vox pop’ (Gladys Mendl’s .) or history (Christopher St John’s .), while closer to socialism are . by Evelyn Glover and Cicely Hamilton’s .. Suffragette drama—propagandist, aspirational, urgent—showed how drama could intervene in political struggle.作者: 凹槽 時(shí)間: 2025-3-22 09:48
Betriebswirtschaftliches Grundstudium, about the Tolpuddle Martyrs, while C.L.R.James addressed the cruelties of imperialism in . with the charismatic Paul Robeson, in the title role. This was also the period of large-scale popular pageants, which were able to dramatise socialist readings of the people’s history.作者: FEMUR 時(shí)間: 2025-3-22 15:19
https://doi.org/10.1007/978-3-658-02344-7, instead of lifelike characters, often grotesque caricatures. They were conscious of the class struggle, often scoured history for suitable material, and involved audiences with their onstage action, as exemplified in shows like Red Ladder’s ., Banner Theatre’s . and Belt and Braces’ ..作者: 象形文字 時(shí)間: 2025-3-22 19:47 作者: accomplishment 時(shí)間: 2025-3-23 00:48 作者: artless 時(shí)間: 2025-3-23 02:09 作者: maroon 時(shí)間: 2025-3-23 08:07
The Theatre of the Suffragettes,earest male relative. Other plays use ‘vox pop’ (Gladys Mendl’s .) or history (Christopher St John’s .), while closer to socialism are . by Evelyn Glover and Cicely Hamilton’s .. Suffragette drama—propagandist, aspirational, urgent—showed how drama could intervene in political struggle.作者: gerontocracy 時(shí)間: 2025-3-23 10:25 作者: Generator 時(shí)間: 2025-3-23 16:01
Socialism and Theatre in the 1970s,, instead of lifelike characters, often grotesque caricatures. They were conscious of the class struggle, often scoured history for suitable material, and involved audiences with their onstage action, as exemplified in shows like Red Ladder’s ., Banner Theatre’s . and Belt and Braces’ ..作者: candle 時(shí)間: 2025-3-23 21:06
and culture and between political theory and cultural expresThis book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically thea作者: 正面 時(shí)間: 2025-3-23 23:39 作者: 猜忌 時(shí)間: 2025-3-24 02:31
Book 2023empted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be see作者: 颶風(fēng) 時(shí)間: 2025-3-24 07:32
history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.978-3-031-25684-4978-3-031-25682-0作者: 哎呦 時(shí)間: 2025-3-24 14:10
Goods to People or People to Goods?own. More socialistic were the drama groups attached to Socialist Sunday Schools and to the Clarion organisation, and here the first distinctly socialist plays were produced, a good example being Fenner Brockway’s . about the arms trade.作者: 絆住 時(shí)間: 2025-3-24 18:38
Kontrahierungspolitische Entscheidungenthe Durham Coalfields, and Joe Corrie, a former miner, whose . was set during a miner’s strike. More like the suffragette plays were short, forceful works like Stephen Schofield’s ., Evelyn Sharp’s . and . by ‘Yaffle’. Finally, bigger historical dramas like Reginald Sorensen’s . and Hubert Griffith’s . also appeared.作者: 草率女 時(shí)間: 2025-3-24 19:29 作者: Ancillary 時(shí)間: 2025-3-25 01:13
Produkt- und Sortimentspolitik,ontinued through the world war, influencing ABCA Play Unit and sending its Mobile Group to venues outside theatres. After the war, there was an attempt to establish a professional company, which, however, failed. The question remained: Was Unity’s prime function artistic or political?作者: 等級的上升 時(shí)間: 2025-3-25 04:53
Entscheidungen der Preispolitik,re) of Roland Muldoon and Claire Burnley. They invented the character of Muggins, a put-upon, funny, original worker who featured in many of their hilarious, fast-paced, political shows, including ., created with John Arden and Margaretta D’Arcy. D’Arcy and Arden’s . and . were the finest socialist dramas of this period.作者: 消音器 時(shí)間: 2025-3-25 08:18 作者: flammable 時(shí)間: 2025-3-25 15:20 作者: 熟練 時(shí)間: 2025-3-25 16:57 作者: Enthralling 時(shí)間: 2025-3-25 23:26 作者: Heart-Rate 時(shí)間: 2025-3-26 02:12 作者: nitric-oxide 時(shí)間: 2025-3-26 05:32 作者: 類人猿 時(shí)間: 2025-3-26 11:14
7:84 Theatre Company, McGrath were ., ., . and .. 7:84 also paid attention to the tradition of British socialist theatre, especially in their ‘Clydebuilt’ season, 1982. But with the advent of Mrs Thatcher’s government, the possibilities for this work were rapidly closing. Subsidies were reduced, then cut, McGrath resigned, and 7:84 faded away.作者: SLUMP 時(shí)間: 2025-3-26 12:47 作者: allergen 時(shí)間: 2025-3-26 20:21
Entwicklung von Marketingstrategien,wood’s Theatre Workshop, now resident at the Theatre Royal, Stratford East, grew steadily, and in 1963 the company scored its greatest success with ., a ‘pierrot show’, which fundamentally changed people’s understanding of the First World War.作者: SKIFF 時(shí)間: 2025-3-26 22:22 作者: Preserve 時(shí)間: 2025-3-27 01:56
Progressive Theatre After 1945,wood’s Theatre Workshop, now resident at the Theatre Royal, Stratford East, grew steadily, and in 1963 the company scored its greatest success with ., a ‘pierrot show’, which fundamentally changed people’s understanding of the First World War.作者: 細(xì)微差別 時(shí)間: 2025-3-27 06:10
Perspective on a Tradition,theatre examined in this study. This created solidarity and supported working people in struggle. It was informal, it drew on popular dramatic forms and it created some particularly rich history plays. Its key artistic device was montage, and its style presentational.作者: 黑豹 時(shí)間: 2025-3-27 09:30
Book 2023n as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.作者: 玩忽職守 時(shí)間: 2025-3-27 15:01 作者: 細(xì)微差別 時(shí)間: 2025-3-27 21:03
Introduction,This book attempts to trace and define a particular British theatrical tradition—the tradition of socialist and workers’ theatre.作者: progestogen 時(shí)間: 2025-3-27 23:19 作者: 態(tài)學(xué) 時(shí)間: 2025-3-28 05:26 作者: ambivalence 時(shí)間: 2025-3-28 09:55 作者: 高射炮 時(shí)間: 2025-3-28 14:27 作者: 通情達(dá)理 時(shí)間: 2025-3-28 16:06
Goods to People or People to Goods?t shows. But these forms were of course a-political. As the working class grew in confidence and administrative ability, they created Mechanics Institutes and other working men’s clubs, most gathered into the Clubs and Institutes Union (C.I.U.). They provided a range of educational and other activit作者: 要求比…更好 時(shí)間: 2025-3-28 19:18
Betriebswirtschaftliches Grundstudium became known. His analysis of capitalism was promulgated by Henry Hyndman, a divisive figure who established the Social Democratic Federation. This organisation attracted many progressive people, but there were quarrels and dissensions which led to new groupings. These early Marxists also led demon作者: 步兵 時(shí)間: 2025-3-29 00:16
Kontrahierungspolitische Entscheidungenex: Emmeline Pankhurst’s Women’s Social and Political Union often seemed close to the Independent Labour Party, but sometimes, as with James Sexton’s play, ., they were far apart. But performance was central to suffragette campaigning, and theatre was used in ways from which socialists could—and did作者: Robust 時(shí)間: 2025-3-29 03:47 作者: 現(xiàn)存 時(shí)間: 2025-3-29 08:36 作者: 品嘗你的人 時(shí)間: 2025-3-29 14:21 作者: evasive 時(shí)間: 2025-3-29 16:36
Produkt- und Sortimentspolitik,re building, committee structure, club membership and hectic social and recreational life. The Left Book Club Theatre Guild is affiliated to it. Its work focused on contemporary politics, and notable shows before the Second World War included: . by Robert Buckland and Herbert Hodge, an apparently na作者: 圓桶 時(shí)間: 2025-3-29 21:00
Produkt- und Sortimentspolitik,sentations and a new emphasis on the performer’s skills. Early productions such as ., . were daring and successful, but the company broke up in acrimony. MacColl and Littlewood then formed Theatre Union to continue their work with different personnel and a largely classical repertoire—., ., .—beside作者: 持久 時(shí)間: 2025-3-30 00:32 作者: 宴會 時(shí)間: 2025-3-30 07:30 作者: VEST 時(shí)間: 2025-3-30 10:04 作者: Asparagus 時(shí)間: 2025-3-30 12:45
Zukunftsperspektiven des Marketing,ision and film to found the company in 1971. After little over a year their progress was interrupted when their production of Margaretta D’Arcy and John Arden’s . was halted by a writ for slander, but in 1974, 7:84 re-started as two companies—7:84 (England) and 7:84 (Scotland). McGrath was artistic 作者: 鴕鳥 時(shí)間: 2025-3-30 20:10
Entscheidungen der Kommunikationspolitik,cialism, created to confront industrial capitalism, was blunted. Socialist theatre, too, lost potency. It could be divided into three categories which each survived as artefacts from the past: the naturalistic theatre of the Fabians; the alienation of the Brechtian theatre and the British socialist 作者: 懸掛 時(shí)間: 2025-3-30 22:48
https://doi.org/10.1007/978-3-031-25682-0Socialism; Labour Party; Working class; Agitprop; Popular culture; Fringe; British theatre; Political theor作者: Affectation 時(shí)間: 2025-3-31 02:29
978-3-031-25684-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 埋葬 時(shí)間: 2025-3-31 08:21 作者: 慢慢流出 時(shí)間: 2025-3-31 10:55 作者: 軍械庫 時(shí)間: 2025-3-31 16:18
,Workers’ Theatre, 1850–1914,t shows. But these forms were of course a-political. As the working class grew in confidence and administrative ability, they created Mechanics Institutes and other working men’s clubs, most gathered into the Clubs and Institutes Union (C.I.U.). They provided a range of educational and other activit作者: GLOOM 時(shí)間: 2025-3-31 19:14 作者: 放縱 時(shí)間: 2025-4-1 00:45
The Theatre of the Suffragettes,ex: Emmeline Pankhurst’s Women’s Social and Political Union often seemed close to the Independent Labour Party, but sometimes, as with James Sexton’s play, ., they were far apart. But performance was central to suffragette campaigning, and theatre was used in ways from which socialists could—and did作者: etidronate 時(shí)間: 2025-4-1 02:45
Labour Theatres in the 1920s,a General Strike), the formation of the British Communist Party, the rise of Fascism and the first Labour Government. Workers’ theatre was carried on by ., the Plebs League, the Independent Labour Party’s Arts Guild, organised by Miles Malleson, which had many affiliated groups, and Arthur Bourchier作者: 大量 時(shí)間: 2025-4-1 08:06 作者: INCH 時(shí)間: 2025-4-1 10:24
Left Theatres of the 1930s,, a United Front, which became the Popular Front, was formed. And it was a time when popular culture and entertainment was reinvigorated by popular radio and new documentary film. In theatre, some socialist groups worked with professionals like André van Gyseghem and Miles Malleson, while a number o