標(biāo)題: Titlebook: British Social Realism in the Arts since 1940; Tucker David Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 [打印本頁(yè)] 作者: 哥哥大傻瓜 時(shí)間: 2025-3-21 18:35
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書(shū)目名稱British Social Realism in the Arts since 1940讀者反饋
書(shū)目名稱British Social Realism in the Arts since 1940讀者反饋學(xué)科排名
作者: Arb853 時(shí)間: 2025-3-21 21:26
https://doi.org/10.1057/9780230306387culture; poetry; realism作者: 劇本 時(shí)間: 2025-3-22 02:17 作者: 罵人有污點(diǎn) 時(shí)間: 2025-3-22 08:08
http://image.papertrans.cn/b/image/191160.jpg作者: Insensate 時(shí)間: 2025-3-22 09:21 作者: verdict 時(shí)間: 2025-3-22 15:46 作者: 記成螞蟻 時(shí)間: 2025-3-22 19:59 作者: Foam-Cells 時(shí)間: 2025-3-22 22:00 作者: 你敢命令 時(shí)間: 2025-3-23 01:52
Die Planung der Marketinginstrumente,e unpredictable,interrupted, fragmented temporalities of the home front during aerialbombardment. The shrinking number of novels published during the war was owingpartly to the suspension of cultural continuity and of an imaginable future(see Mengham 2001). When the post-war settlement allowed for t作者: synchronous 時(shí)間: 2025-3-23 08:39 作者: CHAFE 時(shí)間: 2025-3-23 13:36
Die Planung der Marketinginstrumente,iethcentury, John Roberts noted that much of the debate had been coloured by afundamental flaw: the conflation of realism in art with a naturalisticrendering of the world of appearances. He argued that, whether we are consideringpainting or documentary photography, the linking of social realism with作者: FUME 時(shí)間: 2025-3-23 14:55
https://doi.org/10.1007/3-540-35143-4elevisual frames of reference. Indeed, developments in television’s social realist practices and theoretical elaboration have existed in a parallel and sometimes symbiotic relationship with television’s attempts to define its own specifically televisual discourses. In attending to these interweaving作者: 職業(yè)拳擊手 時(shí)間: 2025-3-23 21:40 作者: Criteria 時(shí)間: 2025-3-24 02:04 作者: Common-Migraine 時(shí)間: 2025-3-24 04:35 作者: amorphous 時(shí)間: 2025-3-24 07:16 作者: 光明正大 時(shí)間: 2025-3-24 13:03
,Introduction – ‘a(chǎn)n anthropology of ourselves’ Vs ‘the incomprehensibility of the real’: Making the otes to these lectures survive as fragmentary transcriptions taken by a small number of the students then present. One of these students, Rachel Burrows, recalls Beckett’s thoughts on the realism of Balzac:作者: Lucubrate 時(shí)間: 2025-3-24 17:43
,Introduction – ‘a(chǎn)n anthropology of ourselves’ Vs ‘the incomprehensibility of the real’: Making the e twentieth-century literary avant-garde, gave a term’s worth of lectures on modern French literature at his old university, Trinity College Dublin. Notes to these lectures survive as fragmentary transcriptions taken by a small number of the students then present. One of these students, Rachel Burro作者: 嘴唇可修剪 時(shí)間: 2025-3-24 22:18
Tragedy, Ethics and History in Contemporary British Social Realist Film Paul Dave,twentieth-century literary avant-garde, gave a term’s worth of lectureson modern French literature at his old university, Trinity College Dublin.Notes to these lectures survive as fragmentary transcriptions taken by a smallnumber of the students then present. One of these students, Rachel Burrows,re作者: Aromatic 時(shí)間: 2025-3-25 00:01
Staging the Contemporary: Politics and Practice in Post-War Social Realist Theatre, in general, and to the theatre in particular. As is evident from this volume, it is a rich and complex term, able to absorb a variety of methods and ideologies. To call a play social realist recognizes that it has political or moral intentions, an engagement with the darker and more controversial a作者: upstart 時(shí)間: 2025-3-25 06:54
Bad Teeth: British Social Realism in Fiction,e unpredictable,interrupted, fragmented temporalities of the home front during aerialbombardment. The shrinking number of novels published during the war was owingpartly to the suspension of cultural continuity and of an imaginable future(see Mengham 2001). When the post-war settlement allowed for t作者: 使混合 時(shí)間: 2025-3-25 09:33 作者: 發(fā)展 時(shí)間: 2025-3-25 12:37 作者: echnic 時(shí)間: 2025-3-25 15:57
Small Screens and Big Voices: Televisual Social Realism and the Popular,elevisual frames of reference. Indeed, developments in television’s social realist practices and theoretical elaboration have existed in a parallel and sometimes symbiotic relationship with television’s attempts to define its own specifically televisual discourses. In attending to these interweaving作者: eucalyptus 時(shí)間: 2025-3-25 21:37
Die Planung der Marketinginstrumente, which may be traced across the means of theatrical communication and dramatic writing (colloquial language, for example, a compressed narrative structured into three acts, fully realized ‘box-sets’, ‘real’ characters, lighting and sound). When social realism is rejected, it is this sense of the ter作者: HILAR 時(shí)間: 2025-3-26 04:09 作者: Culmination 時(shí)間: 2025-3-26 04:19
Die Planung der Marketinginstrumente,understand it is defined by the imperative to radicalizethe mode itself. Poetry will not be ‘social realist’ unless it can make a moreradically truthful picture of life than the forms of representation that arepopularly considered ‘realistic’. It is difficult to find poetry which doesthat, because t作者: savage 時(shí)間: 2025-3-26 09:34 作者: Locale 時(shí)間: 2025-3-26 16:35
Tragedy, Ethics and History in Contemporary British Social Realist Film Paul Dave,twentieth-century literary avant-garde, gave a term’s worth of lectureson modern French literature at his old university, Trinity College Dublin.Notes to these lectures survive as fragmentary transcriptions taken by a smallnumber of the students then present. One of these students, Rachel Burrows,recalls Beckett’s thoughts on the realism of Balzac:作者: 裂隙 時(shí)間: 2025-3-26 17:03
Staging the Contemporary: Politics and Practice in Post-War Social Realist Theatre, which may be traced across the means of theatrical communication and dramatic writing (colloquial language, for example, a compressed narrative structured into three acts, fully realized ‘box-sets’, ‘real’ characters, lighting and sound). When social realism is rejected, it is this sense of the ter作者: aristocracy 時(shí)間: 2025-3-27 00:40 作者: 確定無(wú)疑 時(shí)間: 2025-3-27 02:10 作者: ectropion 時(shí)間: 2025-3-27 08:04
Small Screens and Big Voices: Televisual Social Realism and the Popular,elevision has been a key social realist arena, given its ability to address mass audiences in the domestic sphere. As Madeleine MacMurraugh-Kavanagh argued, ‘social television drama’ became ‘a(chǎn) most urgent social tool’ because ‘it had the means to saturate the nation’s consciousness in a way that, wi作者: ethnology 時(shí)間: 2025-3-27 10:41 作者: laxative 時(shí)間: 2025-3-27 16:29 作者: 極深 時(shí)間: 2025-3-27 21:20
Book 2016 about 183 species, subjected to 5 orders, 52 families and 92 genera are included. For each species there is a brief description of the morphological characteristics, synonymised names, measurements and geographical distribution worldwide, as well as a top-level elegant plate illustrated the fossil 作者: CRUC 時(shí)間: 2025-3-27 22:26 作者: defenses 時(shí)間: 2025-3-28 03:04
Allgemeiner Teil,. Die anf?ngliche Begeisterung für das Tuberkulin verwandelte sich schon nach den ersten Mitteilungen über Mi?erfolge mit dem Mittel in eine ausgesprochene Abneigung, die in derselben schroffen Form teilweise auch heute noch, besonders in gewissen Spezialgebieten der medizinischen Wissenschaft, vorhanden ist.