標題: Titlebook: British Silent Cinema and the Great War; Michael Hammond (Senior Lecturer in Film),Michael Book 2011 Palgrave Macmillan, a division of Ma [打印本頁] 作者: 小巷 時間: 2025-3-21 16:20
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作者: 香料 時間: 2025-3-22 00:11
Market-Driving Behavior in Emerging Firmsharles Weston in the summer of 1913, B&C’s policy had deliberately shifted its production programme towards the making of longer feature films for the emergent ‘exclusives’ market; several of the war-themed films discussed below fell into this important category.作者: engrave 時間: 2025-3-22 04:09
Market-Driving Behavior in Emerging Firmsass codes of social practice to the “l(fā)ower” classes’.. Yet this approach has often been based on the findings of a report by the National Council for Public Morals,. with little investigation of the actual data supplied to the committee. Even accounts that have used some of this evidence position it作者: Obituary 時間: 2025-3-22 05:49 作者: 效果 時間: 2025-3-22 09:43 作者: 怪物 時間: 2025-3-22 14:34 作者: frugal 時間: 2025-3-22 18:17
‘Improper Practices’ in Great War British Cinemasass codes of social practice to the “l(fā)ower” classes’.. Yet this approach has often been based on the findings of a report by the National Council for Public Morals,. with little investigation of the actual data supplied to the committee. Even accounts that have used some of this evidence position it作者: FIN 時間: 2025-3-22 23:58
Hello to All This: Music, Memory and Revisiting the Great War war’s shadow. Where were our expressionist nightmares, our personal experiences? Where was our . (Robert Weine, 1919), our . (Lewis Milestone, 1930)? I seemed to be watching an endless parade of upper-middle-class romances threatened by military inconveniences across the channel. Not, I hasten to a作者: 留戀 時間: 2025-3-23 02:34 作者: 可以任性 時間: 2025-3-23 07:36 作者: 聰明 時間: 2025-3-23 13:24
Introduction: Revolutionary Technologiesnal presence. As Michael Williams has shown in relation to Ivor Novello, there are many ways in which films not directly addressing the war can suggest a ‘war touch’.. This is particularly evident in films that dramatize competing types of masculinity, among which the figure of the ‘wounded man’ is prevalent.作者: 財主 時間: 2025-3-23 15:36
https://doi.org/10.1007/978-3-030-10734-5either of them. Thus, the dominant motif of First World War propaganda is often recalled in terms of a simple appeal to patriotism, motivated largely by a concentration on the vileness of the enemy. In the words of Professor Philip Taylor:作者: Inertia 時間: 2025-3-23 19:21 作者: lavish 時間: 2025-3-24 01:27 作者: Handedness 時間: 2025-3-24 06:12
Adopting New-to-the-World Productsed by Thomas Burke) and, further up the riverbank, in Kenneth Grahame’s . (where Selina rhapsodizes over Trafalgar Day — she ‘had taken spiritual part in every notable engagement of the British Navy’).作者: Facilities 時間: 2025-3-24 10:00 作者: BABY 時間: 2025-3-24 12:44 作者: BARK 時間: 2025-3-24 17:31
‘A Victory and a Defeat as Glorious as a Victory’: , (Walter Summers, 1927)ed by Thomas Burke) and, further up the riverbank, in Kenneth Grahame’s . (where Selina rhapsodizes over Trafalgar Day — she ‘had taken spiritual part in every notable engagement of the British Navy’).作者: Charitable 時間: 2025-3-24 22:48
‘Fire, Blood and Steel’: Memory and Spectacle in , (Sinclair Hill, 1928) film’s complex iconography addresses the mythic home/front divide, particularly through the duality of its protagonists, and issues of history, remembrance and modernity as the audiences of 1928 were invited to recall the events of 1915.作者: 贊成你 時間: 2025-3-25 01:59
The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Eraied by compiling ‘rolls of honour’ and displaying them outside churches and other prominent places. In working-class districts the rolls often took the form of a street shrine, where the list of names would be framed and decorated with flowers and Christian and patriotic symbols.作者: fixed-joint 時間: 2025-3-25 06:18 作者: Acetabulum 時間: 2025-3-25 08:22
Adopting New-to-the-World Productsving shot and shell ad lib’, he suggested:.This correspondent’s frustrations were clearly twofold, and one might argue that they closely matched a series of wider concerns about American domination of the exhibition sector in Britain that were the subject of widespread debate during 1927 in the run-up to the Cinematograph Act.作者: 群島 時間: 2025-3-25 11:59 作者: larder 時間: 2025-3-25 15:58 作者: 苦笑 時間: 2025-3-25 20:03
‘Shells, Shots and Shrapnel’: , Goes to Warlume would be marked with a new cover design that would enable the printing of a ‘much bolder portrait on the front page’. Predicting that the improvement would be ‘hailed with delight by all picturegoers’, the editor Fred Dangerfield suggested that the cover portraits would ‘form a charming gallery of picture-players’.作者: CHURL 時間: 2025-3-26 03:21
Remembering the War in 1920s British Cinemanal presence. As Michael Williams has shown in relation to Ivor Novello, there are many ways in which films not directly addressing the war can suggest a ‘war touch’.. This is particularly evident in films that dramatize competing types of masculinity, among which the figure of the ‘wounded man’ is prevalent.作者: 幼稚 時間: 2025-3-26 06:42
Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museueither of them. Thus, the dominant motif of First World War propaganda is often recalled in terms of a simple appeal to patriotism, motivated largely by a concentration on the vileness of the enemy. In the words of Professor Philip Taylor:作者: muffler 時間: 2025-3-26 12:10
Book 2011This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period, from actual war footage to fiction filmmaking. In doing so it explores how cinema helped to shape the public memory of the war during the 1920s.作者: 粗語 時間: 2025-3-26 14:10
https://doi.org/10.1057/9780230321663Battlefield; cinema; film; First World War; propaganda作者: jet-lag 時間: 2025-3-26 19:33 作者: 公式 時間: 2025-3-26 21:13
http://image.papertrans.cn/b/image/191158.jpg作者: IVORY 時間: 2025-3-27 01:35
Overview: This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period, from actual war footage to fiction filmmaking. In doing so it explores how cinema helped to shape the public memory of the war during the 1920s.978-1-349-33237-3978-0-230-32166-3作者: NOVA 時間: 2025-3-27 06:10 作者: CHYME 時間: 2025-3-27 11:41 作者: 歪曲道理 時間: 2025-3-27 14:39
Market-Driving Behavior in Emerging Firmsposter, it is a revealing question to ask of the British film companies in the war years. This chapter seeks to offer a partial answer by giving an account of some of the films produced by the British and Colonial Kinematograph Company (henceforth B&C) in its response to the conflict. The company ha作者: 表被動 時間: 2025-3-27 20:31 作者: Vital-Signs 時間: 2025-3-28 00:22
https://doi.org/10.1007/978-3-663-08730-4 a successful format of film star portraits and film stories, gossip, poems, jokes and competitions, letters pages and a children’s page. In early August, at the end of the magazine’s first six months and thus its first volume, it was announced that the following week the commencement of the next vo作者: 悶熱 時間: 2025-3-28 06:10 作者: 獎牌 時間: 2025-3-28 09:42
Introduction: Revolutionary Technologiesdeveloped by Bruce Woolfe and Walter Summers at British Instructional, often discussed in terms of ‘record’ and ‘fact’; and fictions that use the war as material for melodramas, romances and social problem dramas. However, arguably the war haunts the films of the 1920s with a more pervasive and limi作者: deciduous 時間: 2025-3-28 12:12 作者: Rebate 時間: 2025-3-28 14:42 作者: conflate 時間: 2025-3-28 21:24
The Future of Technology Commercializationtish Film Institute watching silent fiction feature material related to the Great War.. I had been very keen for the event to ‘do’ the war, particularly after a series of important anniversaries, and I had high hopes that we would discover riches, particularly in the features. My spirits fell when f作者: Lymphocyte 時間: 2025-3-29 00:09 作者: 安裝 時間: 2025-3-29 07:07
https://doi.org/10.1007/978-3-030-10734-5enemy who is being fought against needs to be balanced by a more positive representation of what is being fought for. Where British propaganda of the twentieth century is concerned, however, a widespread perception has been that such balance has been achieved across the two wars, rather than within 作者: Embolic-Stroke 時間: 2025-3-29 10:19 作者: 閑逛 時間: 2025-3-29 13:27
Goodbye to All That or Business as Usual? History and Memory of the Great War in British Cinema known surviving combat veteran of that war, it is more than ever the realm of the archive to which we must turn in search of witness. Yet even with almost a century passed since the armistice, few events remain so deeply scored into the popular imagination; as one newspaper reflected: ‘the first wo作者: ALTER 時間: 2025-3-29 15:54
(1916): An Industrial Process Film that ‘Wounds the Heart’f the exhausted British soldier moving through the trench towards the camera with a mortally wounded soldier on his back — are in large measure images drawn from the official war film . (1916). Since the 1960s these images have been used in television documentaries and tributes on Remembrance Day to作者: resilience 時間: 2025-3-29 23:45
British and Colonial: What the Company Did in the Great Warposter, it is a revealing question to ask of the British film companies in the war years. This chapter seeks to offer a partial answer by giving an account of some of the films produced by the British and Colonial Kinematograph Company (henceforth B&C) in its response to the conflict. The company ha作者: PAEAN 時間: 2025-3-30 00:57
‘Improper Practices’ in Great War British Cinemase Great War. The exhibition context is of particular importance during the war years, as cinema going throughout this period was far from idyllic; in fact, British cinemas were subject to police scrutiny and were a hub of sexual activity that the government strove to suppress. Many critics have loca作者: OREX 時間: 2025-3-30 04:20 作者: SKIFF 時間: 2025-3-30 10:41
‘A Victory and a Defeat as Glorious as a Victory’: , (Walter Summers, 1927)005, a lock of Horatio’s hair was pitched at ￡2000–3000, a lock of Emma Hamilton’s hair at ￡300–500.. Other souvenirs of the hero included enamels, mourning rings, china and glass. This represents the merest tip of an iceberg of memorabilia produced in the wake of his death and for the centenary in 作者: rods366 時間: 2025-3-30 15:50 作者: Highbrow 時間: 2025-3-30 16:59
Remembrance, Re-membering and Recollection: Walter Summers and the British War Film of the 1920sortray the Great War. Noting that many films that did not actually deal with the war nevertheless opened with the hero’s daring actions in France ‘braving shot and shell ad lib’, he suggested:.This correspondent’s frustrations were clearly twofold, and one might argue that they closely matched a ser作者: 催眠 時間: 2025-3-30 21:31 作者: adipose-tissue 時間: 2025-3-31 04:42
