標(biāo)題: Titlebook: British Romanticism in Asia; The Reception, Trans Alex Watson,Laurence Williams Book 2019 The Editor(s) (if applicable) and The Author(s), [打印本頁] 作者: 債權(quán)人 時(shí)間: 2025-3-21 17:42
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書目名稱British Romanticism in Asia網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱British Romanticism in Asia讀者反饋學(xué)科排名
作者: 使成核 時(shí)間: 2025-3-21 22:57
Asia-Pacific and Literature in Englishhttp://image.papertrans.cn/b/image/191152.jpg作者: Concerto 時(shí)間: 2025-3-22 01:00 作者: 樹上結(jié)蜜糖 時(shí)間: 2025-3-22 04:47
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor作者: Flirtatious 時(shí)間: 2025-3-22 10:40 作者: Genome 時(shí)間: 2025-3-22 16:20
Segment Attractiveness (Steps 8–11)d from Edinburgh to London to Kolkata and back again, as did writers themselves. A key figure in this circulation of verse (and also of travel writing and sociological journalism) was Emma Roberts (1794–1840), who accompanied her sister to India in 1828 and worked for three years in Bengal and North作者: Explicate 時(shí)間: 2025-3-22 17:10 作者: Ischemic-Stroke 時(shí)間: 2025-3-22 23:24 作者: Adherent 時(shí)間: 2025-3-23 02:50
Step 8: Selecting the Target Segment(s)university and the turbulent political history of modern Chinese poetry. Jin shows how Empson’s modernist course at ., the refugee university, inspired a local wartime poetics that at once rejected literary Romanticism while retaining a romantic quality of nationalistic passion. The article then exp作者: 鋼盔 時(shí)間: 2025-3-23 07:22 作者: 使絕緣 時(shí)間: 2025-3-23 12:54 作者: irradicable 時(shí)間: 2025-3-23 15:08 作者: 陪審團(tuán)每個(gè)人 時(shí)間: 2025-3-23 18:47
Fundamental Versus Technical Analysis,nning with a discussion of the Chinese translation of the English word “nature” (. 自然), it explores how new and old epistemological frameworks for understanding nature are brought together and coexist in the host language, and consequently affect the Chinese translation of Romantic nature poetry. By作者: 期滿 時(shí)間: 2025-3-23 22:28
Market Timing and Moving Averagestween Japanese tradition and Western modernity, by examining how Shelleyan images of the autumnal wind and the sky-lark are used and transformed by Shimazaki Tōson (1872–1943) and Natsume Sōseki (1867–1916). Using Marvin Marcus’s concept of “synergy,” Alvey focuses on Tōson’s “To Autumnal Wind” and 作者: 凹處 時(shí)間: 2025-3-24 02:58
Trading in Other Financial Marketses three of his “brushes” with Romanticism: the likely relevance of Coleridge and Hazlitt to his Shakespeare criticism; a translation from 1902 of Wordsworth’s poetry; and his debt to the German Romantic composer Richard Wagner in creating his experimental musical drama . (1904). Shōyō always tried 作者: 拉開這車床 時(shí)間: 2025-3-24 06:40 作者: ALOFT 時(shí)間: 2025-3-24 14:30
Market Timing with Moving Averages Romanticism was introduced to Taiwan by early Chinese intellectuals who launched the May Fourth Movement (1919). Using the concept of “Romantic legacies”, Shih’s essay demonstrates the subtle relation between English Romantic literature and Taiwanese literature. The Chinese poet Xu Zhimo’s famous r作者: tangle 時(shí)間: 2025-3-24 17:20 作者: Inflated 時(shí)間: 2025-3-24 20:44
Trading in Other Financial Markets at first disparate narratives become entwined with each other, they bring into focus three scenes, elaborated across the length of the book, that represent the transition from unsustainable innocence to intolerable experience. Mapping the structures within which life is enclosed is for ōe and Blake作者: 陰謀小團(tuán)體 時(shí)間: 2025-3-25 03:01 作者: 擔(dān)心 時(shí)間: 2025-3-25 07:00
2524-7638 s.Offers a new cultural model of scholarship in which “AsianThis book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship作者: Precursor 時(shí)間: 2025-3-25 10:01
Organisational Issues in Market Segmentation, and creatively adapted by Asian authors. Future developments within Romanticism studies are, we suggest, likely to be driven by Asian scholarship and perspectives as well as “Western” ideas, as part of a multilingual and cross-cultural movement that has played a crucial role in the literary history of both continents.作者: gait-cycle 時(shí)間: 2025-3-25 14:41
Segment Attractiveness (Steps 8–11) India. Roberts became the first woman newspaper editor in India and the first woman to support herself through her contributions to print culture. This paper examines the poetic networks in which Roberts participated and shows how she was both influenced by, and in turn shaped, poetic practices in both Kolkata and London.作者: 加花粗鄙人 時(shí)間: 2025-3-25 18:40
What, Where, When and How (Step 3)etween Britain and Japan can be ascribed not only to cultural differences but also to diverging paradigms towards transcultural orientation. The comparison between two disparate cultures also indicates the tendency of Linnaeus’ ideas to become co-opted into the defence of existing political structures.作者: 漂白 時(shí)間: 2025-3-25 23:42
Organisational Issues in Market Segmentationreading and teaching of Romantic literature, focusing on the lectures he delivered at Tokyo Imperial University. The essay connects Hearn’s poetics of the “ghostly” to Victor Segalen’s concept of the “Exot”: one who critically assesses, mediates, and evaluates different cultures from outside a specific national identity.作者: Interim 時(shí)間: 2025-3-26 01:15 作者: ASSAY 時(shí)間: 2025-3-26 05:02
Trading in Other Financial Marketsto keep drama and literature apart from what he called the writer’s “hidden ideals”, which is why he criticized the Romantic tendency to read the details of Shakespeare’s life into the texts, and yet his vision can be read as both Romantic and implicitly ideological.作者: 背心 時(shí)間: 2025-3-26 08:27 作者: lipids 時(shí)間: 2025-3-26 14:59
,British Romanticism in Asia, 1820–1950: Modernity, Tradition, and Transformation in India and East , and creatively adapted by Asian authors. Future developments within Romanticism studies are, we suggest, likely to be driven by Asian scholarship and perspectives as well as “Western” ideas, as part of a multilingual and cross-cultural movement that has played a crucial role in the literary history of both continents.作者: 水獺 時(shí)間: 2025-3-26 19:31 作者: 享樂主義者 時(shí)間: 2025-3-26 23:12
: Linnaean Connections Between Britain and Japan During the Romantic Periodetween Britain and Japan can be ascribed not only to cultural differences but also to diverging paradigms towards transcultural orientation. The comparison between two disparate cultures also indicates the tendency of Linnaeus’ ideas to become co-opted into the defence of existing political structures.作者: travail 時(shí)間: 2025-3-27 02:52 作者: 大氣層 時(shí)間: 2025-3-27 08:31 作者: ARIA 時(shí)間: 2025-3-27 12:10 作者: 1FAWN 時(shí)間: 2025-3-27 16:40 作者: aphasia 時(shí)間: 2025-3-27 19:38 作者: 公理 時(shí)間: 2025-3-27 23:57
Book 2019hip on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byro作者: Proponent 時(shí)間: 2025-3-28 04:20 作者: 前兆 時(shí)間: 2025-3-28 10:03
Step 9: Customising the Marketing Mixcism and Indian aesthetics, even linking Keats with a Hindu devotional context. Resisting the view that Romanticism was the exclusive property of Romantic-period Britain, Tagore uses Keats’ phrase as a means of establishing a distinctively cosmopolitan anti-colonialism.作者: 拖債 時(shí)間: 2025-3-28 12:04 作者: Hippocampus 時(shí)間: 2025-3-28 17:59 作者: 巨碩 時(shí)間: 2025-3-28 20:23 作者: insert 時(shí)間: 2025-3-29 02:01 作者: intertwine 時(shí)間: 2025-3-29 05:48
Market Timing with Moving Averageshrough the indirect influence of Xu. Shelley’s unconventional philosophy and religious scepticism appealed to Yang in his later life, shaping in particular his . (.), which is now considered his representative work against religious views.作者: BLINK 時(shí)間: 2025-3-29 08:49
Trading in Other Financial Marketsd image, eliding traditional Western distinctions between abstract word and concrete sensation. In this sense both artists create embodied narratives, ones which reposition stories in shape, line, and formal bodies.作者: 織布機(jī) 時(shí)間: 2025-3-29 11:43
On William Empson’s Romantic Legacy in Chinaversity. Such evocation of Empson as part of .’s heroic and humanist legacy took on further symbolic significance in the post-Mao 1970s, and still serves as an eloquent illustration of Romanticism’s varying forms of transmission in an Asian context.作者: ABOUT 時(shí)間: 2025-3-29 19:37
“Truth in Beauty and Beauty in Truth”: Rabindranath Tagore’s Appropriation of John Keats’ “Ode on a cism and Indian aesthetics, even linking Keats with a Hindu devotional context. Resisting the view that Romanticism was the exclusive property of Romantic-period Britain, Tagore uses Keats’ phrase as a means of establishing a distinctively cosmopolitan anti-colonialism.作者: 道學(xué)氣 時(shí)間: 2025-3-29 21:38 作者: 舊石器時(shí)代 時(shí)間: 2025-3-30 02:54
Nature and the Natural: Translating Wordsworth’s “I Wandered Lonely as a Cloud” (1807/15) into Chineor translators to reconnect with and revalorize traditional Chinese discourses on nature. Through translation, Wordsworth’s idea of solitude is appropriated to underline the social aspect of the indigenous concept of nature as well as the poet’s responsibility to society.作者: 健談 時(shí)間: 2025-3-30 06:57
“With Sidewise Crab-Walk Western Writing”: Tradition and Modernity in Shimazaki Tōson and Natsume Sō” European literature into the vertically-inscribed Japanese system. The essay demonstrates how Shelleyan poetics were drawn on by both writers to produce new forms of writing that explored the impact of Western modernity on the Japanese consciousness.作者: Gourmet 時(shí)間: 2025-3-30 08:47 作者: 處理 時(shí)間: 2025-3-30 14:10 作者: 劇毒 時(shí)間: 2025-3-30 17:52
A Japanese Blake: Embodied Visions in William Blake’s , (1790) and Tezuka Osamu’s , (1967–88)d image, eliding traditional Western distinctions between abstract word and concrete sensation. In this sense both artists create embodied narratives, ones which reposition stories in shape, line, and formal bodies.作者: 躺下殘殺 時(shí)間: 2025-3-30 21:25
2524-7638 anath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers..978-981-13-3001-8Series ISSN 2524-7638 Series E-ISSN 2524-7646 作者: avulsion 時(shí)間: 2025-3-31 01:17
,British Romanticism in Asia, 1820–1950: Modernity, Tradition, and Transformation in India and East ld literature, and translation theory. We explore a series of interlinked historical movements between around 1820 and 1950, during which British Romanticism was first introduced to India and East Asia in the context of British colonialism and cultural imperialism, translated into national languages作者: Heretical 時(shí)間: 2025-3-31 06:03
The News from India: Emma Roberts and the Construction of Late Romanticismd from Edinburgh to London to Kolkata and back again, as did writers themselves. A key figure in this circulation of verse (and also of travel writing and sociological journalism) was Emma Roberts (1794–1840), who accompanied her sister to India in 1828 and worked for three years in Bengal and North作者: indecipherable 時(shí)間: 2025-3-31 10:55 作者: dissolution 時(shí)間: 2025-3-31 16:58
An “Exot” Teacher of Romanticism in Japan: Lafcadio Hearn and the Literature of the Ghostlyterary canons. And yet it is noteworthy that he was deeply indebted to English Romanticism and its legacy in the Victorian period for inspiration, themes, and subjects. This article aims to elucidate how Hearn’s cosmopolitanism and interest in what he terms “the ghostly” were formulated through his 作者: ineluctable 時(shí)間: 2025-3-31 18:04
