標(biāo)題: Titlebook: British Prose Poetry; The Poems Without Li Jane Monson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Virigina Woolf.Early [打印本頁(yè)] 作者: 多愁善感 時(shí)間: 2025-3-21 18:47
書(shū)目名稱British Prose Poetry影響因子(影響力)
作者: NATTY 時(shí)間: 2025-3-21 23:33 作者: FICE 時(shí)間: 2025-3-22 02:50 作者: 檔案 時(shí)間: 2025-3-22 08:21 作者: Ganglion-Cyst 時(shí)間: 2025-3-22 11:43 作者: Spinous-Process 時(shí)間: 2025-3-22 16:10
‘I Grow More & More Poetic’: Virginia Woolf and Prose Poetryth the findings of research by creative practice, a poem sourced in the systematic harvesting of her journal and diary entries on poets, poetry, and poetics. Observed are attempts, such as that of Jackson Mac Low, to transform Woolf’s writing into poems. Woolf’s ‘BLUE & GREEN’ is analysed as a prose作者: left-ventricle 時(shí)間: 2025-3-22 20:37
James Joyce and the Prose Poempoem, James Joyce’s epiphanies (1900–1904) emerge as an early attempt to move the prose lyric away from the stylistic intricacies of the British Decadents and to carry out Baudelaire’s project to reproduce the complex and discontinuous rhythms of consciousness. Joyce’s posthumous . enacts the formal作者: Hot-Flash 時(shí)間: 2025-3-22 23:57 作者: 破布 時(shí)間: 2025-3-23 03:05
A Weakening Syntax: , with Samuel Beckett’s Prose Poetryws with Lawrence Harvey dating from around this time (1961–1962), Beckett referred to his hope of finding ‘a(chǎn)n adequate form’, which he then described as a ‘syntax of weakness’. In this essay, an argument is made to suggest that the weakened syntax of . relates to Beckett’s readings of Dante’s .. Mor作者: BRIBE 時(shí)間: 2025-3-23 06:11
Questioning the Prose Poem: Thoughts on Geoffrey Hill’s So what of the prose poem, a form that stands seemingly midway between poetry and prose? Does it still perform Jakobson’s poetic function, or does it edge closer to prose? This essay questions the prose poem through examples of prose that could be deemed as prose poetry, but the author examines why作者: DOSE 時(shí)間: 2025-3-23 12:15 作者: iodides 時(shí)間: 2025-3-23 15:54 作者: 破譯密碼 時(shí)間: 2025-3-23 19:29 作者: 初學(xué)者 時(shí)間: 2025-3-23 22:58
The Successful Prose Poem Leaves Behind Its Nameer in the UK. Only recently have UK interviewers, editors, critics and judges embraced the concept of the prose poem. At the same time, readers and poets may talk about the form in quite different ways, and the writing itself is not dependent on the name ‘prose poetry’ to achieve its effects. The af作者: condone 時(shí)間: 2025-3-24 03:55 作者: Hormones 時(shí)間: 2025-3-24 10:04
prose poetry.Combines research on both the practice and stud.This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent po作者: 挑剔小責(zé) 時(shí)間: 2025-3-24 11:42
Márton Tardos,Karl-Hans Hartwigrgues that they reflect on the nature of their own discourse in a way that the prose poem seems peculiarly suited to doing. The section on Williams seeks to illustrate the individual ways in which in his work, as in that of Woolf and Baudelaire, the prose poem is a locus where new meaning is always sensed as ‘a(chǎn)pproaching.’作者: 前面 時(shí)間: 2025-3-24 15:47 作者: ACRID 時(shí)間: 2025-3-24 19:25 作者: 捕鯨魚(yú)叉 時(shí)間: 2025-3-25 02:52 作者: 寬容 時(shí)間: 2025-3-25 04:11
Wlodzimierz Brus,Kazimierz Laski poem, drawing on her readings in French symbolism, and her key essays examining the inter-related work of poetry and prose are also considered. Systematic creative research into her recorded utterances on poetry and poetics evidences that Woolf did ‘grow more & more poetic’ while pioneering a new literary form.作者: Control-Group 時(shí)間: 2025-3-25 10:29
https://doi.org/10.1007/978-1-4757-3598-7literary intelligence. Bonamy Dobrée published . in 1934 and Herbert Read’s . appeared in 1946: as editor of ., Eliot worked with both. I look at these works, his unpublished prose poems, and scrutinise the rhythm and syntax of ‘Hysteria’ with this double-minded view of prose in mind.作者: 緊張過(guò)度 時(shí)間: 2025-3-25 12:21
https://doi.org/10.1007/978-1-4757-3598-7eover, particular attention is paid to Beckett’s linguistic playfulness, tonal inflections and syntactical ambiguities, as the text repeatedly offers its reader-listener a range of interpretive possibilities. In turn, the significance of these qualities in . emphasise Beckett’s skill as a practitioner of the prose-poem.作者: Bph773 時(shí)間: 2025-3-25 18:13
https://doi.org/10.1007/978-94-007-6085-1 and why not. The thirty short sections of Geoffrey Hill’s . constantly exhibit linguistic intensity and rhythmic potency, but no rhyme. They focus the question of the prose poem at its most problematic and, again, this essay asks why.作者: 毀壞 時(shí)間: 2025-3-25 23:37 作者: Harridan 時(shí)間: 2025-3-26 02:20 作者: 共同給與 時(shí)間: 2025-3-26 07:37 作者: cylinder 時(shí)間: 2025-3-26 12:05 作者: 氣候 時(shí)間: 2025-3-26 15:50 作者: amorphous 時(shí)間: 2025-3-26 19:06
Studies in Industrial Organization verse and prose are ‘changes of modality’ in one text, and the multiplicity of identities in her prose poetry present a model of lyric selfhood that expands the definition of both the ‘human’ and the ‘poetic’.作者: 粉筆 時(shí)間: 2025-3-26 22:54
Some Efficiency Effects of Customs Unionof the Surrealist movement, its influence on British poetry and the development of Gascoyne’s poetics of spirituality. The prose poem is suited to the dialectic ambivalence and self-questioning essential to any such endeavour.作者: 寬容 時(shí)間: 2025-3-27 03:49
The Flourishing of the Prose Poem in America and Britain, as well as the New American Poetry and the Beat Generation’s contribution to the practice of British writers. Robert Vas Dias concludes by examining the prose poetry of several significant ‘older generation’ and contemporary British writers.作者: 保存 時(shí)間: 2025-3-27 07:52 作者: 壓倒 時(shí)間: 2025-3-27 11:38 作者: Factual 時(shí)間: 2025-3-27 14:02
‘Man and Nature In and Out of Order’: The Surrealist Prose Poetry of David Gascoyneof the Surrealist movement, its influence on British poetry and the development of Gascoyne’s poetics of spirituality. The prose poem is suited to the dialectic ambivalence and self-questioning essential to any such endeavour.作者: filicide 時(shí)間: 2025-3-27 19:56 作者: overreach 時(shí)間: 2025-3-27 22:29
The British Prose Poem and ‘Poetry’ in Early Modernismfor the presentation of unmediated emotion through destabilizing images and urban fragments that echoed and reacted to new technologies, in the mode of what Andreas Huyssen has defined as ‘metropolitan miniatures.’ This essay examines texts by Jessie Dismorr and John Rodker as examples of the new ‘poetry’ in prose.作者: Small-Intestine 時(shí)間: 2025-3-28 04:17 作者: 車床 時(shí)間: 2025-3-28 09:11 作者: Inflammation 時(shí)間: 2025-3-28 11:54 作者: 刺耳的聲音 時(shí)間: 2025-3-28 18:35 作者: FLAG 時(shí)間: 2025-3-28 20:26 作者: definition 時(shí)間: 2025-3-28 23:35
The Letter-Poem and Its Literary Affect: Mark Ford’s ‘The Death of Hart Crane’t theory (via Gregg and Seigworth) and similarly queer theory (via Stein and Bray), provide an infrastructure for the deconstruction of this poem’s coded interests in manoeuvring between sex and time.作者: corpuscle 時(shí)間: 2025-3-29 04:13 作者: 彎曲道理 時(shí)間: 2025-3-29 09:54
Book 2018he British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and 作者: 散布 時(shí)間: 2025-3-29 14:36
race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance..978-3-030-08558-2978-3-319-77863-1作者: Fatten 時(shí)間: 2025-3-29 16:05
Book 2018emporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance..作者: Etching 時(shí)間: 2025-3-29 22:56 作者: 矛盾心理 時(shí)間: 2025-3-30 01:41 作者: Infuriate 時(shí)間: 2025-3-30 06:18 作者: ALIEN 時(shí)間: 2025-3-30 10:55 作者: quiet-sleep 時(shí)間: 2025-3-30 14:25 作者: Fluctuate 時(shí)間: 2025-3-30 16:36
Márton Tardos,Karl-Hans Hartwiglf argues that her novel or ‘playpoem’ . illustrates the capacity of prose poetry to attune itself to moods. The section on Baudelaire’s prose poems argues that they reflect on the nature of their own discourse in a way that the prose poem seems peculiarly suited to doing. The section on Williams se作者: insincerity 時(shí)間: 2025-3-30 23:58 作者: 門閂 時(shí)間: 2025-3-31 02:20
Jean-Olivier Hairault,Hubert Kempfpoem, James Joyce’s epiphanies (1900–1904) emerge as an early attempt to move the prose lyric away from the stylistic intricacies of the British Decadents and to carry out Baudelaire’s project to reproduce the complex and discontinuous rhythms of consciousness. Joyce’s posthumous . enacts the formal作者: 車床 時(shí)間: 2025-3-31 07:23
https://doi.org/10.1007/978-1-4757-3598-7ous twentieth-century genre. Eliot considered prose an artistic medium as complex as verse and, also, as the vehicle of thought. The first idea came to him from .; the second, from the longstanding idea of prose as the manifestation of a cogent individuality—a clarified demonstration of the rounded 作者: demote 時(shí)間: 2025-3-31 10:59
https://doi.org/10.1007/978-1-4757-3598-7ws with Lawrence Harvey dating from around this time (1961–1962), Beckett referred to his hope of finding ‘a(chǎn)n adequate form’, which he then described as a ‘syntax of weakness’. In this essay, an argument is made to suggest that the weakened syntax of . relates to Beckett’s readings of Dante’s .. Mor作者: Parallel 時(shí)間: 2025-3-31 14:54
https://doi.org/10.1007/978-94-007-6085-1 So what of the prose poem, a form that stands seemingly midway between poetry and prose? Does it still perform Jakobson’s poetic function, or does it edge closer to prose? This essay questions the prose poem through examples of prose that could be deemed as prose poetry, but the author examines why作者: MENT 時(shí)間: 2025-3-31 21:30
https://doi.org/10.1007/978-94-007-6085-1he poet’s own lineated verse, as well as for the heroic imagery and language utilised. By discussing the generic conventions of the ‘a(chǎn)necdotal tradition’ and its relation to the prose poem, Brown refutes the earlier criticism and?shows Heaney’s . to be exemplars of the form, as well as of Wordsworth作者: gnarled 時(shí)間: 2025-4-1 00:24
Customs Union and Intra-Industry Traderary affect. The history of the relationship between the fictitious letter and the prose poem is traced back through French and American literature, from Baudelaire to Ashbery. Ford’s reliance on literaryness is explored as conditioning a major point of affective tension within his work, while affec作者: 放大 時(shí)間: 2025-4-1 04:24
Studies in Industrial Organization sequences—‘The Monster Scrapbook’ (2003) and ‘Person Animal Figure’ (2005)—in the light of her own critical statements, including her resistance to the expectation that a Caribbean writer living in Britain must be a postcolonial ‘documentary witness’. For Capildeo, prose poetry in the experimental
