派博傳思國際中心

標題: Titlebook: British Poetry, 1900-50; Aspects of Tradition Gary Day (Lecturer in English Literature),Brian Do Book 1995 Palgrave Macmillan, a division o [打印本頁]

作者: decoction    時間: 2025-3-21 18:27
書目名稱British Poetry, 1900-50影響因子(影響力)




書目名稱British Poetry, 1900-50影響因子(影響力)學科排名




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書目名稱British Poetry, 1900-50網(wǎng)絡公開度學科排名




書目名稱British Poetry, 1900-50被引頻次




書目名稱British Poetry, 1900-50被引頻次學科排名




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書目名稱British Poetry, 1900-50年度引用學科排名




書目名稱British Poetry, 1900-50讀者反饋




書目名稱British Poetry, 1900-50讀者反饋學科排名





作者: 無能的人    時間: 2025-3-21 22:44
Loose Women and Lonely Lambs: The Rise and Fall of Georgian Poetry,usly drinking small-beer in a desperate attempt toprove their virility. The winds blew, thefloods came: fora moment afew of them showed on the crest of the seventh great wave; then they were rolled under and nothing marks their graue.
作者: STANT    時間: 2025-3-22 00:35
The Falling House that Never Falls: Rupert Brooke and Literary Taste,roadcast by BBC Radio 4 or, perhaps, the comments in the introduction to yet another anthology of the slim collected works (with a selection of letters added for good measure). Brooke’s reputation, which is at stake here, has never rested on anything other than quicksand. The ‘worth’ or quality of h
作者: prediabetes    時間: 2025-3-22 07:52
Lyrics of the First World War: Some Comments,ly on in its history, and that publication in anthologies was both cause and consequence of this way of perceiving it; and secondly, that the characteristic lyric forms which the trench poets utilised are a necessary aspect of their meaning.
作者: reception    時間: 2025-3-22 09:07
Lawrence, Imagism and Beyond,s to be underestimated, probably because of a stereotyped idea of the Imagist poem as something small, static and precious. If, however, we think not of set-pieces like ‘In the Station of the Metro’ but of what Imagism made possible, of what the major Imagists went on to do, Lawrence’s association w
作者: discord    時間: 2025-3-22 15:51

作者: 脾氣暴躁的人    時間: 2025-3-22 18:58
,Alternative ‘Modernists’: Robert Graves and Laura Riding,y poetry have tended to classify Robert Graves as a poet of secondary importance whose main achievement is the writing of a handful of elegant love poems.. The hegemony of Eliot and Pound in critical orthodoxy is, of course, principally responsible for the academy’s downgrading of Graves’s reputatio
作者: 縮短    時間: 2025-3-22 21:14

作者: 涂掉    時間: 2025-3-23 03:25

作者: 怕失去錢    時間: 2025-3-23 07:55

作者: scoliosis    時間: 2025-3-23 13:32

作者: Definitive    時間: 2025-3-23 16:52
Palgrave Macmillan, a division of Macmillan Publishers Limited 1995
作者: SEMI    時間: 2025-3-23 19:50
https://doi.org/10.1007/978-3-8349-8047-2ndly, what is the role of a poetic tradition? As each essay raises one or both of these issues in its own way it is not the purpose of this introduction to pre-empt them by summary, rather it is to provide a general context in which the various arguments may be understood.
作者: 財產(chǎn)    時間: 2025-3-24 01:05
https://doi.org/10.1007/978-3-8349-8047-2usly drinking small-beer in a desperate attempt toprove their virility. The winds blew, thefloods came: fora moment afew of them showed on the crest of the seventh great wave; then they were rolled under and nothing marks their graue.
作者: 喪失    時間: 2025-3-24 06:17
https://doi.org/10.1007/978-3-8349-8047-2ly on in its history, and that publication in anthologies was both cause and consequence of this way of perceiving it; and secondly, that the characteristic lyric forms which the trench poets utilised are a necessary aspect of their meaning.
作者: 簡潔    時間: 2025-3-24 06:42

作者: 冥界三河    時間: 2025-3-24 13:03
Schriftenreihe Markt und Marketingoems — among them Henry Reed and F. T. Prince — did not produce the same substantial body of work. Since then, Keyes has faded fast, leaving interest divided between Douglas, polished and theatrical, and Lewis, more anguished and complex.
作者: llibretto    時間: 2025-3-24 18:19

作者: PRO    時間: 2025-3-24 21:34
https://doi.org/10.1007/978-3-8349-8047-2Ruin was fashionable in the 1930s. Cyril Connolly’s ‘Theory of Permanent Adolescence’, set out in Enemies of Promise in 1938, gave it a rationale which has become part of the mythology of the ‘Auden generation’:
作者: RAGE    時間: 2025-3-25 03:15
Dynamischer Einzelhandel und MarkenartikelRemain seated as little as possible; trust no thought that is not born in the open, to theaccompaniment offree bodily motion — nor one in which your very muscles do not celebrate a feast. All prejudices maybe traced back to the intestines. A sedentary life … is the real sin against the Holy Ghost.
作者: 魔鬼在游行    時間: 2025-3-25 03:21

作者: misanthrope    時間: 2025-3-25 09:15
Ruined Boys: W. H. Auden in the 1930s,Ruin was fashionable in the 1930s. Cyril Connolly’s ‘Theory of Permanent Adolescence’, set out in Enemies of Promise in 1938, gave it a rationale which has become part of the mythology of the ‘Auden generation’:
作者: 危機    時間: 2025-3-25 13:56
,Edwin Muir: Reading Eternity’s Secret Script,Remain seated as little as possible; trust no thought that is not born in the open, to theaccompaniment offree bodily motion — nor one in which your very muscles do not celebrate a feast. All prejudices maybe traced back to the intestines. A sedentary life … is the real sin against the Holy Ghost.
作者: 文藝    時間: 2025-3-25 19:26

作者: reserve    時間: 2025-3-25 21:46
https://doi.org/10.1007/978-3-8349-8047-2usly drinking small-beer in a desperate attempt toprove their virility. The winds blew, thefloods came: fora moment afew of them showed on the crest of the seventh great wave; then they were rolled under and nothing marks their graue.
作者: MOTIF    時間: 2025-3-26 02:17
https://doi.org/10.1007/978-3-8349-8047-2roadcast by BBC Radio 4 or, perhaps, the comments in the introduction to yet another anthology of the slim collected works (with a selection of letters added for good measure). Brooke’s reputation, which is at stake here, has never rested on anything other than quicksand. The ‘worth’ or quality of h
作者: MITE    時間: 2025-3-26 06:33

作者: 緯度    時間: 2025-3-26 08:52
https://doi.org/10.1007/978-3-8349-8047-2s to be underestimated, probably because of a stereotyped idea of the Imagist poem as something small, static and precious. If, however, we think not of set-pieces like ‘In the Station of the Metro’ but of what Imagism made possible, of what the major Imagists went on to do, Lawrence’s association w
作者: Lime石灰    時間: 2025-3-26 15:10

作者: 放肆的我    時間: 2025-3-26 20:45

作者: 傀儡    時間: 2025-3-26 22:38
https://doi.org/10.1007/978-3-8349-8047-2y in twentieth-century British writing, producing poetry and prose (and drama and film) of great power and innovativeness. Many of the major Modernist writers of the 1920s were still active throughout the subsequent decade, including T. S. Eliot, W. B. Yeats, Ezra Pound, Virginia Woolf and James Joy
作者: padding    時間: 2025-3-27 04:34
https://doi.org/10.1007/978-3-322-81358-9nt of the beginnings of the movement in France and summary of the principal theoretical texts about surrealism by André Breton and others. In that work Gascoyne cagily suggests that ‘it is within the bounds of possibility that a surrealist group will be founded shortly in London’.. Within a year, su
作者: 山崩    時間: 2025-3-27 08:55

作者: AXIOM    時間: 2025-3-27 12:39
http://image.papertrans.cn/b/image/191111.jpg
作者: 確定    時間: 2025-3-27 14:53
Introduction: Poetry, Society and Tradition,ndly, what is the role of a poetic tradition? As each essay raises one or both of these issues in its own way it is not the purpose of this introduction to pre-empt them by summary, rather it is to provide a general context in which the various arguments may be understood.
作者: 一再遛    時間: 2025-3-27 18:31

作者: exceptional    時間: 2025-3-27 22:58
Lyrics of the First World War: Some Comments,ly on in its history, and that publication in anthologies was both cause and consequence of this way of perceiving it; and secondly, that the characteristic lyric forms which the trench poets utilised are a necessary aspect of their meaning.
作者: 他日關稅重重    時間: 2025-3-28 02:05

作者: 服從    時間: 2025-3-28 09:49
The Poetry of the Second World War,oems — among them Henry Reed and F. T. Prince — did not produce the same substantial body of work. Since then, Keyes has faded fast, leaving interest divided between Douglas, polished and theatrical, and Lewis, more anguished and complex.
作者: infelicitous    時間: 2025-3-28 11:36
https://doi.org/10.1007/978-3-8349-8047-2f criticism; and they constituted for many critics the poles within which poetic writing itself was deemed possible. So overpowering was their prestige that few thought odd the view that the significant history of English literature was to be found in the development of the lyric.
作者: SSRIS    時間: 2025-3-28 17:14

作者: debble    時間: 2025-3-28 19:30
https://doi.org/10.1007/978-3-322-81358-9ike Roland Penrose and Ithell Colquhoun, who also wrote and published surrealist texts.. The exhibition was followed by a volume of essays edited by Herbert Read, and entitled simply .. Intended to consolidate the work of introducing and establishing surrealism in Britain, the volume contained essay
作者: incisive    時間: 2025-3-29 01:00

作者: wangle    時間: 2025-3-29 06:24
Hugh MacDiarmid: Lenin and the British Literary Left in the 1930s,arly and argumentative books and articles on various literary aspects of the period, the great majority of which still interpret events largely through what I will argue is the limiting and over-prescriptive perspective of ‘the Auden generation’.
作者: fertilizer    時間: 2025-3-29 10:43

作者: Crumple    時間: 2025-3-29 12:54

作者: agglomerate    時間: 2025-3-29 15:33
The Falling House that Never Falls: Rupert Brooke and Literary Taste,is poetic ability becomes, as has rarely been the case with any but Dylan Thomas, subordinated to a quasi-biographical determinism in which the poetry itself plays little part. It is ironic yet it can be said that the value of Brooke’s reputation is independent of the very work he did to secure that reputation.
作者: corpus-callosum    時間: 2025-3-29 21:00

作者: WAX    時間: 2025-3-30 03:14

作者: 正面    時間: 2025-3-30 07:19
https://doi.org/10.1007/978-3-8349-8047-2is poetic ability becomes, as has rarely been the case with any but Dylan Thomas, subordinated to a quasi-biographical determinism in which the poetry itself plays little part. It is ironic yet it can be said that the value of Brooke’s reputation is independent of the very work he did to secure that reputation.
作者: 滔滔不絕的人    時間: 2025-3-30 11:25

作者: 2否定    時間: 2025-3-30 16:18

作者: 坦白    時間: 2025-3-30 17:46
https://doi.org/10.1007/978-3-8349-8047-2for example, to encompass his massive corpus of work within such narrow definitions as ‘Georgianism’ or ‘a(chǎn)nti-Modernism’. Graves, for a large part of his writing life, challenged the dominant views of the literary establishment, and is too independent a poet to be reductively pigeonholed by it.
作者: 迫擊炮    時間: 2025-3-30 22:51

作者: 男生如果明白    時間: 2025-3-31 01:57





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