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標題: Titlebook: British Poetry of the Second World War; Linda M. Shires Book 1985 Linda M. Shires 1985 history of literature.literature.poetics.poetry.twe [打印本頁]

作者: 監(jiān)管    時間: 2025-3-21 19:19
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書目名稱British Poetry of the Second World War讀者反饋學科排名





作者: 字謎游戲    時間: 2025-3-21 23:47

作者: jaundiced    時間: 2025-3-22 01:54
No Enemy But Death: The Poetry of Keith Douglas,orseman and a courageous soldier by nature, Douglas also possessed the finely complex sensibility of the artist. Already a promising painter, he set out at fourteen to master the art of poetry. The war of 1939–45 proved his fittest subject, and he was its best poet.
作者: Inscrutable    時間: 2025-3-22 08:10

作者: HATCH    時間: 2025-3-22 11:04
https://doi.org/10.1007/978-3-8349-8047-2sented earlier. His poetry also reflects the metaphysical strain to be found in wartime writing — a search for structures of belief in time of unrelenting chaos. Both men wrote elegiac poetry to express an acute sense of displacement. Each also came to accept the death he eventually met.
作者: 蓋他為秘密    時間: 2025-3-22 16:45

作者: 固定某物    時間: 2025-3-22 18:41
https://doi.org/10.1007/978-3-8349-8904-8s the members of the audience at the pageant presentation in her last novel: . The spectators represent both the stupefied British public on the eve of war watching the drama of history unfold before them, and playgoers awaiting the transformation of reality into art. Written in 1939–40 and publishe
作者: outset    時間: 2025-3-22 22:14

作者: 放棄    時間: 2025-3-23 01:34

作者: Irascible    時間: 2025-3-23 07:43

作者: 里程碑    時間: 2025-3-23 13:35

作者: Bmd955    時間: 2025-3-23 16:56

作者: Assault    時間: 2025-3-23 18:35
British Poetry of the Second World War978-1-349-17864-3Series ISSN 2947-2520 Series E-ISSN 2947-2539
作者: expunge    時間: 2025-3-24 00:41

作者: 大喘氣    時間: 2025-3-24 03:34
Studies in 20th Century Literaturehttp://image.papertrans.cn/b/image/191110.jpg
作者: UNT    時間: 2025-3-24 09:26

作者: 協(xié)奏曲    時間: 2025-3-24 10:53

作者: 要塞    時間: 2025-3-24 17:02

作者: 領帶    時間: 2025-3-24 23:01

作者: APNEA    時間: 2025-3-25 02:52
https://doi.org/10.1007/978-3-8349-8047-2ic opposition they were later made to enact? In 1964, looking back at their meeting in the Turl, Larkin, though remembering Keyes’ huge Russian fur hat, recalled no dialogue of momentous proportions. In fact, he insisted that they had little, if anything, to say to each other.
作者: 原始    時間: 2025-3-25 05:27
The Apocalyptics and Dylan Thomas,dherence to common life, the poets of the fifties insisted that the forties was a decade of punch-drunk apocalyptic writers, a time of irrational excess, a poetry solely of myth and dream. They dismissed the period as drowning in the illogical unconscious storms of such poets as Henry Treece, J. F. Hendry, and Dylan Thomas.
作者: 別炫耀    時間: 2025-3-25 08:51

作者: ADJ    時間: 2025-3-25 15:42
Endings and Beginnings,s the members of the audience at the pageant presentation in her last novel: . The spectators represent both the stupefied British public on the eve of war watching the drama of history unfold before them, and playgoers awaiting the transformation of reality into art. Written in 1939–40 and publishe
作者: 乳白光    時間: 2025-3-25 18:31

作者: 減去    時間: 2025-3-25 22:32

作者: 保守    時間: 2025-3-26 01:37
Two Poets of War: Alun Lewis and Sidney Keyes,4). While Douglas, who willingly gave himself over to war, merits separate consideration, Lewis and Keyes provide a striking contrast in their literary responses to the realities of a war they did not wish to join. Lewis writes as an intelligent average man; lonely and bored, he resents war as a hin
作者: mediocrity    時間: 2025-3-26 07:16
No Enemy But Death: The Poetry of Keith Douglas,he toy shop there.’. In this fragment from a letter of childhood, Keith Douglas naively reveals what would become the most significant difference between himself and the other major poets of the Second World War. For, attracted to the military from his youth and schooled in its ways, Keith Douglas g
作者: flavonoids    時間: 2025-3-26 10:04
,Epilogue: The War’s Legacy in Verse, antithetical types of poetry. Keyes, who would perish in North Africa in mysterious circumstances a mere three years later, slighted his Oxford contemporary when he launched . (1941); Larkin, who remained in England for the duration of the war, would soon discard his Yeatsian trappings, renounce my
作者: ARCHE    時間: 2025-3-26 16:22
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作者: ULCER    時間: 2025-3-26 19:43
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作者: 言外之意    時間: 2025-3-26 21:35
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作者: 仔細檢查    時間: 2025-3-27 01:55
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作者: TATE    時間: 2025-3-27 08:21
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作者: LUDE    時間: 2025-3-27 09:35
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作者: 大暴雨    時間: 2025-3-27 17:41
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作者: 前奏曲    時間: 2025-3-27 21:15
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作者: Osteons    時間: 2025-3-28 00:06
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