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標(biāo)題: Titlebook: British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824; Toni Wein Book 2002 Palgrave Macmillan, a division of Macmillan [打印本頁(yè)]

作者: ARGOT    時(shí)間: 2025-3-21 17:28
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作者: 吞噬    時(shí)間: 2025-3-21 23:47
978-1-349-42961-5Palgrave Macmillan, a division of Macmillan Publishers Limited 2002
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Geological Oceanography of the Bering Shelf,t cousins, eyes and mouth cavernous in wondering amaze, those words signal the heartfelt approval of teller . tale, the successful summoning of chills, dread, sorrow, joy, despair — the gamut of emotions conjurable in an audience. Most of the time, such a reaction confines itself to young audiences,
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作者: acclimate    時(shí)間: 2025-3-22 21:48
Antonio Terlizzi,David R. Schiel family. The family resemblances go beyond the ‘miraculous birth’ myth attending both creations. War and taxation set the stage for the story in both cases. And like that earlier foundational birth, the new hero arises at a moment of ‘tyrannical oppression.’ Yet the class targets of that oppression
作者: Ingest    時(shí)間: 2025-3-23 04:21

作者: Generosity    時(shí)間: 2025-3-23 07:50
https://doi.org/10.1007/978-3-030-34827-4ferences will help us see how accusations that Radcliffe painted black-and-white portraits of good and evil overstate the case. Admittedly, her settings frequently give good reason for such an accusation, especially when the scene starkly (‘cruelly’ as Radcliffe would have it) contrasts with the fee
作者: anniversary    時(shí)間: 2025-3-23 11:40

作者: Injunction    時(shí)間: 2025-3-23 14:59
A. B. Leonard (Associate Director) knew that they were neither representative nor represented. How much and in what manner the chapbooks spoke to them forms the burden of speculation in this chapter. These uncertainties brush against a raw nerve of literary history: . has been the question plaguing historians of reading and of the b
作者: 表示向前    時(shí)間: 2025-3-23 20:42

作者: Canopy    時(shí)間: 2025-3-23 22:30
,Cadiz 1780–1808: A Corporate Experiment,ly, demotic broadsides against Napoleon sparked by 1803 fears of invasion reproduce the typological extremes of Gothic villain and hero. Philosophically, Gothic ideas and ideals shape up later in the period as Christian Socialism, the radical romantics of Carlyle and Ruskin, and the muscular Christi
作者: 勛章    時(shí)間: 2025-3-24 03:57
Radcliffe, Revolution, and the Romance of Heroism, 1789–94lings of the characters. Then we find the ‘chequer-work of human life.’. Yet Radcliffe’s character studies, particularly as character traits bear on definitions of heroism, display far more chiaroscuro than they do high relief. In all his trials, Edmund remains a paragon. Long before they are tried, Radcliffe’s heroes seem fallible, if chivalric.
作者: 骯臟    時(shí)間: 2025-3-24 09:48

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作者: 臨時(shí)抱佛腳    時(shí)間: 2025-3-24 16:36
A. B. Leonard (Associate Director)n this chapter. These uncertainties brush against a raw nerve of literary history: . has been the question plaguing historians of reading and of the book. This question has two axes. First, it requires knowledge of the content of the chapbooks. Second, it depends upon some information concerning the actual makeup of the audience.
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作者: FOVEA    時(shí)間: 2025-3-25 03:04
No Child’s Play: the Gothic Chapbooksn this chapter. These uncertainties brush against a raw nerve of literary history: . has been the question plaguing historians of reading and of the book. This question has two axes. First, it requires knowledge of the content of the chapbooks. Second, it depends upon some information concerning the actual makeup of the audience.
作者: 帶傷害    時(shí)間: 2025-3-25 03:44
Book 2002d heroism in that nationalist debate, and changes within class and gender as well as audience and author relations. The scope of this study extends beyond the confines of the novel proper to include chapbooks and illustrated redactions.
作者: Homocystinuria    時(shí)間: 2025-3-25 08:38
heroes and heroism in that nationalist debate, and changes within class and gender as well as audience and author relations. The scope of this study extends beyond the confines of the novel proper to include chapbooks and illustrated redactions.978-1-349-42961-5978-1-4039-1368-5
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Antonio Terlizzi,David R. Schiel debt, governments were forced to streamline the efficiency of their taxation and to impose taxes on the rich. The English aristocracy countered by charging royal tyranny and the abrogation of ancient liberties (Butler, 1982, 14).
作者: Arb853    時(shí)間: 2025-3-26 12:50
Josep-Maria Gili,Peter S. Petraitisn ., past and present collaborate. Set a trial by ordeal to clear his honor, that of having to spend three nights in the abandoned wing of the castle to ascertain whether it be haunted, Edmund is rewarded for his courage not by the representatives of the present order but by the ghostly law of the past:
作者: modish    時(shí)間: 2025-3-26 20:40

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作者: Biofeedback    時(shí)間: 2025-3-27 03:57
Book 2002e Gothic novel at a time when national upheavals required the construction of a new nationalist identity, the Gothic novel‘s redefinition of heroes and heroism in that nationalist debate, and changes within class and gender as well as audience and author relations. The scope of this study extends be
作者: Infect    時(shí)間: 2025-3-27 07:03

作者: FLAT    時(shí)間: 2025-3-27 12:33
British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824
作者: SPURN    時(shí)間: 2025-3-27 16:34
British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824978-1-4039-1368-5
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作者: 膽汁    時(shí)間: 2025-3-28 23:03
No Child’s Play: the Gothic Chapbooks knew that they were neither representative nor represented. How much and in what manner the chapbooks spoke to them forms the burden of speculation in this chapter. These uncertainties brush against a raw nerve of literary history: . has been the question plaguing historians of reading and of the b




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