作者: Initial 時間: 2025-3-21 22:32
Palgrave Gothichttp://image.papertrans.cn/b/image/191061.jpg作者: GUISE 時間: 2025-3-22 03:16 作者: 含沙射影 時間: 2025-3-22 06:07
The Oxford Symposium “Marihuana ’84”h works as Keats’ ‘La Belle Dame sans Merci’ and Coleridge’s ‘Christabel’. The poet Percy Bysshe Shelley nurtured a fascination with horror and cruelty which was to prove (as we shall see) highly influential, while the haunted novels of Ann Radcliffe provided several key elements. Similarly (in othe作者: 遺產(chǎn) 時間: 2025-3-22 11:21 作者: 消息靈通 時間: 2025-3-22 16:11 作者: SPASM 時間: 2025-3-22 17:24
Jean Lud Cadet,Karen Bolla,Ronald I. Herning sources for material, both literary and filmic. Universal Studios continued to be a lodestone, and Peter Cushing and Christopher Lee were once again opponents in a new version of the Karl Freund/Boris Karloff classic, . (1959), helmed by Terence Fisher. Lee is once again at the centre of an erotic 作者: 租約 時間: 2025-3-23 00:10 作者: ARCH 時間: 2025-3-23 01:51
Robert C. Clarke BA,David P. Watsonmilar fashion to the way in which the noun ‘Penguin’ became synonymous with paperbacks at a certain period, so ‘Hammer Horror’ became a generic description (and remains so to this day), whether or not a particular film was produced by that company. Such confusion would hardly have been a cause for c作者: Hla461 時間: 2025-3-23 06:27 作者: mortuary 時間: 2025-3-23 12:16
The Nature of Playwriting: , and , the variations possible within a series — perhaps because each of the individual films had to establish its own parameters — and explore them fully within the 105 minutes or so allotted to it; a certain fruitful concentration was inevitable. Even certain mini-series (if that is how one might consid作者: WITH 時間: 2025-3-23 16:57
Introduction: Towards a Matriarchal Lineage,es with a great deal of British crime fiction an impulse towards the restoration of the status quo — but only after the latter has been sorely (and excitingly) tested by the eruption of some attractively destructive primordial force. But when that primordial force has been something other than a min作者: 豐滿有漂亮 時間: 2025-3-23 21:55
https://doi.org/10.1007/978-981-10-8261-0 TV, is a prestigious one. Other fondly remembered dramas include the popular adaptations of Charles Dickens’ ghost stories and stand-alone single plays, such as Nigel Kneale’s genre-stretching . Kneale’s significant influence on many of his successors continues to this day with the revived ., which作者: faculty 時間: 2025-3-23 22:28 作者: 飛鏢 時間: 2025-3-24 03:51
Book 2013Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.作者: 蛛絲 時間: 2025-3-24 07:41
https://doi.org/10.1057/9781137300324cinema; film; television作者: insightful 時間: 2025-3-24 13:34 作者: Triglyceride 時間: 2025-3-24 18:47 作者: Plaque 時間: 2025-3-24 21:29 作者: carotenoids 時間: 2025-3-25 02:25
Introduction,d-up, body-concealing clothes replaced by a diaphanous gown that reveals ample cleavage. What follows are acts of implied vampiric lesbianism reminiscent of Coleridge’s ‘Christabel’ and (as an appalling finale) an act of ecclesiastical murder with hammer and stake that comes across like a gang rape.作者: 完成才能戰(zhàn)勝 時間: 2025-3-25 06:24
The Oxford Symposium “Marihuana ’84”importance of two key works of English literature: Mary Shelley’s . and Bram Stoker’s .; their continual re-invention and rejuvenations, as noted earlier, have continued into the twenty-first century.作者: Oratory 時間: 2025-3-25 11:09 作者: Migratory 時間: 2025-3-25 15:03
Gothic Fiction: English Terror and Carnality,importance of two key works of English literature: Mary Shelley’s . and Bram Stoker’s .; their continual re-invention and rejuvenations, as noted earlier, have continued into the twenty-first century.作者: commodity 時間: 2025-3-25 19:43 作者: 使苦惱 時間: 2025-3-25 22:03 作者: Cubicle 時間: 2025-3-26 02:48 作者: Highbrow 時間: 2025-3-26 07:55
https://doi.org/10.1007/978-981-10-8261-0ys, such as Nigel Kneale’s genre-stretching . Kneale’s significant influence on many of his successors continues to this day with the revived ., which routinely rewrites and recycles his Gothic and science-fiction tropes.作者: Gudgeon 時間: 2025-3-26 09:13 作者: Virtues 時間: 2025-3-26 13:01
The Legacy: Gothic Influence on Television,ys, such as Nigel Kneale’s genre-stretching . Kneale’s significant influence on many of his successors continues to this day with the revived ., which routinely rewrites and recycles his Gothic and science-fiction tropes.作者: 苦澀 時間: 2025-3-26 19:26 作者: corpuscle 時間: 2025-3-26 21:45
Gothic Fiction: English Terror and Carnality,h works as Keats’ ‘La Belle Dame sans Merci’ and Coleridge’s ‘Christabel’. The poet Percy Bysshe Shelley nurtured a fascination with horror and cruelty which was to prove (as we shall see) highly influential, while the haunted novels of Ann Radcliffe provided several key elements. Similarly (in othe作者: Countermand 時間: 2025-3-27 03:37 作者: 榮幸 時間: 2025-3-27 06:13
Undermining British Cinema: Gothic Horror in the 1930s and 1940s and Censorship,hat might have been coined for the prissy British reaction to the first wave of horror films in the 1930s and 1940s; even the now-camp, pantomimic Grand Guignol sequence of Tod Slaughter films (notably . (1936)) provoked outrage. No ice was cut in the wave of general disapproval for early examples o作者: 時代錯誤 時間: 2025-3-27 13:07 作者: 笨拙的我 時間: 2025-3-27 16:23 作者: 中世紀 時間: 2025-3-27 19:09 作者: EPT 時間: 2025-3-28 00:01 作者: 籠子 時間: 2025-3-28 02:36 作者: Traumatic-Grief 時間: 2025-3-28 06:29
Fresh Blood or Exhaustion?: The 1970s to the Turn of the Century,es with a great deal of British crime fiction an impulse towards the restoration of the status quo — but only after the latter has been sorely (and excitingly) tested by the eruption of some attractively destructive primordial force. But when that primordial force has been something other than a min作者: 抓住他投降 時間: 2025-3-28 14:18
The Legacy: Gothic Influence on Television, TV, is a prestigious one. Other fondly remembered dramas include the popular adaptations of Charles Dickens’ ghost stories and stand-alone single plays, such as Nigel Kneale’s genre-stretching . Kneale’s significant influence on many of his successors continues to this day with the revived ., which作者: fixed-joint 時間: 2025-3-28 15:13
The Modern Age: Horror Redux, the genre; millennial horror had a pervasive influence, with an end-of-the-century (and end of time) mindset creating and feeding a fatalistic (often apocalyptic) strain. Visions of apocalypse tied into the revival of the zombie movie, while the massive new success of the vampire genre, both in the作者: 松果 時間: 2025-3-28 22:16 作者: Infect 時間: 2025-3-29 02:19
Undermining British Cinema: Gothic Horror in the 1930s and 1940s and Censorship,lty as diversion’, and the films were identified as indexes of depravity; Gothic horror elements incorporated into non-genre or other film products of the day were less vilified, as public disapprobation had already found its target. And who could defend such films?作者: blight 時間: 2025-3-29 06:14 作者: Platelet 時間: 2025-3-29 10:53 作者: Meditative 時間: 2025-3-29 13:39
One-Shots and Short Runs: The Black Sheep of Gothic Cinema,red Shaughnessy’s . (1957), Sidney J. Furie’s . (1961) and Lindsay Shonteff’s . Night-inspired . (1964), along with some fully realised, imaginative pieces — all offering singular experiences rather than fleshing out elements of over-extended series — with, admittedly, some sense of exhaustion. And 作者: 賞心悅目 時間: 2025-3-29 16:09
Fresh Blood or Exhaustion?: The 1970s to the Turn of the Century,eel) as conservative (with a capital ‘C’); an analogy might be found in the mixed signals issued by such right-wing British newspapers as the . and the . There is the divided attitude towards the establishment: a certain historical deference set against a nagging feeling that the establishment — tho作者: innate 時間: 2025-3-29 20:49
The Modern Age: Horror Redux,ing applied to the field. But it should be noted that when the direction of so many films in the Gothic genre is dispiritingly pedestrian, aficionados are wont to leap upon the most evanescent fragment of inspiration and inventiveness, possibly praising these felicities more than they merit (perhaps作者: BLA 時間: 2025-3-30 01:09 作者: 厚臉皮 時間: 2025-3-30 06:38 作者: ATP861 時間: 2025-3-30 12:16
Jean Lud Cadet,Karen Bolla,Ronald I. Herningnvolving the suggestion of emasculation, something that occurs in both in this film and in the little-seen . (directed by Fisher in 1959), another film which explicitly linked violence and torture with sexuality. A famous still from the film shows the actor Guy Rolfe spread-eagled on the ground, sta作者: MAIM 時間: 2025-3-30 15:32
Stephen J. Heishman,Edward G. Singletoned houses of old and decadent families — may also function as representations of the female psyche. And given the reliance on inheritance and heirdom in the genre (in an era in which any power that women might accrue would be through the death or beneficence of a male relative), it is interesting ho作者: FORGO 時間: 2025-3-30 17:52 作者: Microaneurysm 時間: 2025-3-30 21:48 作者: achlorhydria 時間: 2025-3-31 02:05
Rob Middag,Rebecca Zitoun,Tim Conwaying applied to the field. But it should be noted that when the direction of so many films in the Gothic genre is dispiritingly pedestrian, aficionados are wont to leap upon the most evanescent fragment of inspiration and inventiveness, possibly praising these felicities more than they merit (perhaps作者: Engaged 時間: 2025-3-31 08:08
,Bloody Revolution: The Worldwide Impact of Hammer’s Cottage Industry,Who could have foreseen that the burgeoning success of a tiny British film studio would effect seismic changes on the industry? Or that it would establish a hegemony that would flourish until big-budget US successes in the field (such as William Friedkin’s . in 1973) would hasten the progress of the death-watch beetle already at work in the studio?
