標題: Titlebook: British Film Music and Film Musicals; K. J. Donnelly Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 film.So [打印本頁] 作者: 多愁善感 時間: 2025-3-21 19:52
書目名稱British Film Music and Film Musicals影響因子(影響力)
書目名稱British Film Music and Film Musicals影響因子(影響力)學(xué)科排名
書目名稱British Film Music and Film Musicals網(wǎng)絡(luò)公開度
書目名稱British Film Music and Film Musicals網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Film Music and Film Musicals被引頻次
書目名稱British Film Music and Film Musicals被引頻次學(xué)科排名
書目名稱British Film Music and Film Musicals年度引用
書目名稱British Film Music and Film Musicals年度引用學(xué)科排名
書目名稱British Film Music and Film Musicals讀者反饋
書目名稱British Film Music and Film Musicals讀者反饋學(xué)科排名
作者: resistant 時間: 2025-3-21 20:54
https://doi.org/10.1057/9780230597747film; Sound; stage; media research作者: Benign 時間: 2025-3-22 00:57 作者: 收養(yǎng) 時間: 2025-3-22 07:43 作者: 警告 時間: 2025-3-22 12:25
Monographs in Mathematical Economics and perhaps this book, a historical consideration of British film music and film musicals, might be taken as some evidence to the contrary. Britain not only has produced a range of outstanding films over the years, but has also highly created extraordinary material at the intersection of the film a作者: cartilage 時間: 2025-3-22 16:08
Marginal Revolution in Economics second decade of the twentieth century, the British film industry has been overshadowed by the more successful and more popular model supplied by Hollywood films. British film music lacked the fully industrialized basis that characterized its American counterpart from the 1930s to 1950s, and also l作者: fibroblast 時間: 2025-3-22 19:05 作者: 和平主義 時間: 2025-3-22 23:23
Constrained Marginal Space Learning,ive impression of Ulster — for an implied British/English audience — not only through the introduction into the narrative of characters who act as surrogates for this specific audience but also, perhaps more significantly, through the soundtrack.作者: MIME 時間: 2025-3-23 02:07
https://doi.org/10.1007/978-3-031-35799-2s money than a Michael Jackson video, and was well aware of musical pedigree and how much a judicious choice of existing songs on the soundtrack could add to a low-budget production. Similarly, . (1996) was in some ways premised upon the logic of licensed pop songs and pop music culture. It arguably作者: 正面 時間: 2025-3-23 08:14
The Finite-Dimensional Setting Ihe British musical film, has become something of an occasional treat rather than a consistently productive film genre. The 1930s were a particularly rich decade for the British film musical. In fact, British cinema was buoyant on and off throughout this decade and held its own in the home market aga作者: 橫截,橫斷 時間: 2025-3-23 12:34
The Finite-Dimensional Setting IIeen stage musicals and film musicals. This is what might be expected, in that the overwhelming majority of stars, musicians, songs and shows in musical films have originated on the stage. However, there have been some distinct surprises in what has failed to be translated from stage to screen. Some 作者: 完成 時間: 2025-3-23 15:50
Spectral Methods for Gaussian Processes film, Cliff Richard plays a mechanic who with some co-workers borrows a bus from their workplace and drives across Europe, serving up a number of wholesome songs along the way. Adorno’s rather catchy phrase underlines what he saw as the conservative nature and function of popular music, and Cliff R作者: REIGN 時間: 2025-3-23 21:01
Quantization-Based Numerical Schemesthe presales of soundtrack LPs.. . was the first of the two film vehicles for The Beatles and has to be seen as a significant point for the development of the relationship between music and cinema. The Beatles’s film displaced the model of the classical film musical and offered a distinct alternativ作者: 小說 時間: 2025-3-24 02:13
Optimal and Stationary Quantizersthan the other way round. While music and the stylized language of “the spectacular” are able to discuss complex ideas, what is said often is not taken “seriously”, and this is further compounded by the regular association of the spectacular with commercialism. . (1985) seems interested in ebullient作者: 斗志 時間: 2025-3-24 05:28
Did You Hear the One about the Irishman? Sound and Music, Forging Ethnicity in , (1946),ive impression of Ulster — for an implied British/English audience — not only through the introduction into the narrative of characters who act as surrogates for this specific audience but also, perhaps more significantly, through the soundtrack.作者: Frenetic 時間: 2025-3-24 09:31 作者: 仔細檢查 時間: 2025-3-24 12:51
Constrained Marginal Space Learning,ive impression of Ulster — for an implied British/English audience — not only through the introduction into the narrative of characters who act as surrogates for this specific audience but also, perhaps more significantly, through the soundtrack.作者: 欲望 時間: 2025-3-24 15:51
Introduction,ction line that characterized American film production from the 1930s to the 1950s, which exerted a prescriptive effect on the music in British films. Rather than being a standardized element that was produced communally and to a strong blueprint, British film music often was more modest in sound an作者: ventilate 時間: 2025-3-24 19:05 作者: overweight 時間: 2025-3-25 03:07
Pop Music Culture, Synergy and Songs in Films: , (1990) and , (1996),ects (the film’s images, dialogue and narrative development or the diegetic world on screen). Yet plenty of films seem to contradict this notion to a greater or lesser extent. These two films, released six years apart, are good illustrations of developments in British films, if not elsewhere. One ha作者: 創(chuàng)作 時間: 2025-3-25 04:57 作者: headway 時間: 2025-3-25 07:59
,The Perpetual Busman’s Holiday: Sir Cliff Richard and the British Pop Musical,ain since the 1950s was confirmed by his knighthood in 1996, which was an almost unprecedented acknowledgment of the power of pop music and a confirmation of Cliff’s cultural status. In the light of his popularity, it seems timely to reassess the earliest period of his career and the part that films作者: Congestion 時間: 2025-3-25 15:38
Monographs in Mathematical Economicsction line that characterized American film production from the 1930s to the 1950s, which exerted a prescriptive effect on the music in British films. Rather than being a standardized element that was produced communally and to a strong blueprint, British film music often was more modest in sound an作者: 察覺 時間: 2025-3-25 17:29 作者: 輕推 時間: 2025-3-25 21:13 作者: 有毒 時間: 2025-3-26 01:49
The Finite-Dimensional Setting IIesses for Andrew Lloyd Webber’s stage musicals, not only in London’s West End but also on Broadway and elsewhere abroad, and yet these have not yet been exploited by British cinema to the degree that might have been expected, although Hollywood has cashed in on a few of them.作者: 存在主義 時間: 2025-3-26 05:54 作者: Fretful 時間: 2025-3-26 11:22 作者: squander 時間: 2025-3-26 13:38 作者: 幻想 時間: 2025-3-26 16:52
Wicked Sounds and Magic Melodies: Music in Gainsborough Melodramas,ly neglected part of cinema history. While it has been easier for film music historians to weave a narrative around a personage, this approach is invalid in terms of Gainsborough’s music as there were no “great composers” about which to wax lyrical. There was something else: a communal production of作者: 攝取 時間: 2025-3-27 00:03 作者: MITE 時間: 2025-3-27 01:38 作者: endure 時間: 2025-3-27 06:26
History of British Film Musicals,he British musical film, has become something of an occasional treat rather than a consistently productive film genre. The 1930s were a particularly rich decade for the British film musical. In fact, British cinema was buoyant on and off throughout this decade and held its own in the home market aga作者: 嚴厲譴責(zé) 時間: 2025-3-27 13:09 作者: Trypsin 時間: 2025-3-27 13:40
,The Perpetual Busman’s Holiday: Sir Cliff Richard and the British Pop Musical, film, Cliff Richard plays a mechanic who with some co-workers borrows a bus from their workplace and drives across Europe, serving up a number of wholesome songs along the way. Adorno’s rather catchy phrase underlines what he saw as the conservative nature and function of popular music, and Cliff R作者: 蛤肉 時間: 2025-3-27 18:06
The Musical Revolution: The Beatles in ,the presales of soundtrack LPs.. . was the first of the two film vehicles for The Beatles and has to be seen as a significant point for the development of the relationship between music and cinema. The Beatles’s film displaced the model of the classical film musical and offered a distinct alternativ作者: Neonatal 時間: 2025-3-28 00:59 作者: inveigh 時間: 2025-3-28 03:48 作者: Explosive 時間: 2025-3-28 09:22
Constrained Marginal Space Learning,lid in terms of Gainsborough’s music as there were no “great composers” about which to wax lyrical. There was something else: a communal production of music, a production line of sorts, under the aegis of Gainsborough and Gaumont-British musical director Louis Levy.作者: 效果 時間: 2025-3-28 10:48
Quantization-Based Numerical Schemest of the relationship between music and cinema. The Beatles’s film displaced the model of the classical film musical and offered a distinct alternative: rough and ready action and fast-paced excitement, all to the staunch beat of pop music rather than the smooth sophistication of show music.作者: 使增至最大 時間: 2025-3-28 15:04
Optimal and Stationary Quantizersn “seriously”, and this is further compounded by the regular association of the spectacular with commercialism. . (1985) seems interested in ebullient and uplifting songs and dances, yet it is also concerned with American and Caribbean imports to Britain, while pursuing a format of making “history” along commercial lines.作者: GILD 時間: 2025-3-28 21:05
Wicked Sounds and Magic Melodies: Music in Gainsborough Melodramas,lid in terms of Gainsborough’s music as there were no “great composers” about which to wax lyrical. There was something else: a communal production of music, a production line of sorts, under the aegis of Gainsborough and Gaumont-British musical director Louis Levy.作者: 能得到 時間: 2025-3-29 01:33
The Musical Revolution: The Beatles in ,t of the relationship between music and cinema. The Beatles’s film displaced the model of the classical film musical and offered a distinct alternative: rough and ready action and fast-paced excitement, all to the staunch beat of pop music rather than the smooth sophistication of show music.作者: 邊緣 時間: 2025-3-29 05:58 作者: 津貼 時間: 2025-3-29 07:45
The Finite-Dimensional Setting Imilar trajectory to the Hollywood film musical, in that it was a successful genre that has been in a consistent decline. In both cases, they developed from being a staple of the film industry in the 1930s to being sporadic productions from the 1970s onwards.作者: Genetics 時間: 2025-3-29 12:07 作者: dowagers-hump 時間: 2025-3-29 16:47
Ivana Anton Mlinar,Ricardo F. Crespo apparently, been something of a resurgence of local campaigning, with significantly greater resources being poured into the constituencies by all of the major parties, and this has been matched by a renewed interest in this aspect of electoral politics on the part of academics.作者: convulsion 時間: 2025-3-29 21:58
Book 1972s, but in health, pathology is not the only area of concern to neurochemists, but it is an area that urgently needs neurochemical contributions. Progress in this field has been slower than in other areas of neurochemistry, and it seems that solutions in this field are very elusive. The reason for th作者: Neolithic 時間: 2025-3-30 02:39
Michaela Beer,Christine Hartmannng erforderlich werden. Ist man in das Knochenmark eingedrungen, wird der Mandrin entfernt und eine gut ziehende Rekordspritze von 10 oder 20 cm. Inhalt, die luftdicht an die Nadel angeschlossen werden kann, auf die Punktionsnadel aufgesetzt und damit etwa 0,5–1 cm. Knochenmarkssaft aspiriert. Das A作者: 修飾語 時間: 2025-3-30 06:25 作者: hair-bulb 時間: 2025-3-30 11:18
