標(biāo)題: Titlebook: British Experimental Women’s Fiction, 1945—1975; Slipping Through the Andrew Radford,Hannah Van Hove Book 2021 The Editor(s) (if applicable [打印本頁] 作者: 回憶錄 時(shí)間: 2025-3-21 18:14
書目名稱British Experimental Women’s Fiction, 1945—1975影響因子(影響力)
作者: 起草 時(shí)間: 2025-3-21 22:56 作者: 搖擺 時(shí)間: 2025-3-22 02:09 作者: FLEET 時(shí)間: 2025-3-22 05:34 作者: 帳單 時(shí)間: 2025-3-22 12:44 作者: 大量殺死 時(shí)間: 2025-3-22 15:37
Astrophysics and Space Science Library marked resurgence of interest. Looking back from the twenty-first century, Sweeney asks what reasons we can pinpoint for the historical neglect of the authors discussed in this volume and what key factors are at play in “rediscovering” them in the present moment.作者: forestry 時(shí)間: 2025-3-22 17:44
Theoretical Frameworks and Beginnings,dscape, evaluating their body of work in historical, conceptual and critical terms. In doing so, it hopes to offer a new and vibrant take on twentieth-century literary history, refusing the familiar trajectory of aesthetic modernism, late-modernism, social realism (anti-modernism), postmodernism, th作者: 嘲弄 時(shí)間: 2025-3-23 00:05 作者: 天然熱噴泉 時(shí)間: 2025-3-23 04:19 作者: MORT 時(shí)間: 2025-3-23 05:42 作者: DAMP 時(shí)間: 2025-3-23 13:38
General Definitions and Notation,t cultural networks in postwar Britain: on the one hand the members of the Austrian–German diaspora that emerged in the wake of fascism, and on the other hand the group of late modernist writers exemplified by figures such as B. S. Johnson and Ann Quin. Both Figes’s . (1969), and Tucker’s . (1966) r作者: Keshan-disease 時(shí)間: 2025-3-23 16:41
,R?ntgenanatomie in der Elektrophysiologie,?numerous journalists and scholars have interpreted her writing as having very few obvious literary ancestors or successors, Radford proposes that Compton-Burnett provides a radical reimagining of the “country-house novel”, synonymous with male authors like Henry James, E. M. Forster, Ford Madox For作者: 杠桿 時(shí)間: 2025-3-23 20:47
Groundless Fictions: Writing Irish Spaceice age resulting from human action. Taking this as impetus and drawing from archival evidence of Kavan’s political and ethical outlook in the immediate postwar period, this chapter reads the novel alongside recent political and geological challenges to the concept of the Anthropocene. By considerin作者: 一致性 時(shí)間: 2025-3-23 23:34
Introduction: The Cartographic Transaction. (1958), and the violent backlash she encountered as a result of it. In this chapter, the experimental qualities of the collection are explored including the key themes of celebrity, subject formation and urban alienation. Her use of deficient speech as a technique is analysed as well as her innova作者: 禁止,切斷 時(shí)間: 2025-3-24 05:51 作者: 明確 時(shí)間: 2025-3-24 06:34 作者: Analogy 時(shí)間: 2025-3-24 12:39 作者: intoxicate 時(shí)間: 2025-3-24 16:42 作者: Buttress 時(shí)間: 2025-3-24 19:37 作者: cumulative 時(shí)間: 2025-3-25 02:18 作者: 寬容 時(shí)間: 2025-3-25 03:37
Introduction: (Re)Mapping the Post-War British Literary Landscape,dscape, evaluating their body of work in historical, conceptual and critical terms. In doing so, it hopes to offer a new and vibrant take on twentieth-century literary history, refusing the familiar trajectory of aesthetic modernism, late-modernism, social realism (anti-modernism), postmodernism, th作者: locus-ceruleus 時(shí)間: 2025-3-25 10:55
Feeling “The High-Voltage Current of the General Pass”: Experiments in Subjectivity in British Womeng to contribute to recent work concerned with nuancing accounts of mid-twentieth-century literature. Focusing in particular on the differing ways in which women authors negotiated the tension between the particular and the general in their works, this chapter puts forward a reading of experimental w作者: conception 時(shí)間: 2025-3-25 14:55 作者: 過剩 時(shí)間: 2025-3-25 19:16
Whose Sister? “Convenient Pigeonholes”, Peter Owen and the Publishing of Anna Kavanllers’ and critics’ reliance on “convenient pigeonholes” when responding to experimental writing. It has been the “convenient pigeonholes” used by critics which have been the focus of much of the recent feminist literary critical return to the post-war decades. However, Kavan’s complaint is an indic作者: bibliophile 時(shí)間: 2025-3-25 21:30
Contacts, Landings: The Holocaust and Late Modernist Form in Eva Figes and Eva Tuckert cultural networks in postwar Britain: on the one hand the members of the Austrian–German diaspora that emerged in the wake of fascism, and on the other hand the group of late modernist writers exemplified by figures such as B. S. Johnson and Ann Quin. Both Figes’s . (1969), and Tucker’s . (1966) r作者: ALERT 時(shí)間: 2025-3-26 00:15
No Country for Old Maids? Housing Ivy Compton-Burnett’s Mid-Century Fiction?numerous journalists and scholars have interpreted her writing as having very few obvious literary ancestors or successors, Radford proposes that Compton-Burnett provides a radical reimagining of the “country-house novel”, synonymous with male authors like Henry James, E. M. Forster, Ford Madox For作者: Abrupt 時(shí)間: 2025-3-26 07:55
Anna Kavan’s ,: Postwar Experimentalism and the Fiction of the Anthropoceneice age resulting from human action. Taking this as impetus and drawing from archival evidence of Kavan’s political and ethical outlook in the immediate postwar period, this chapter reads the novel alongside recent political and geological challenges to the concept of the Anthropocene. By considerin作者: 壯麗的去 時(shí)間: 2025-3-26 10:36 作者: Cumulus 時(shí)間: 2025-3-26 13:21
“Designing Its Own Shadow”: Ann Quin’s Reiterative Experimental Processesacross its different forms; letters, short stories, an autobiographical piece, Quin’s favourite of her books . (1969). Williams’s method of reading across different textual material demonstrates the pleasures of Quin’s highly allusive, suggestive, playful prose, and shows how her archive material en作者: VAN 時(shí)間: 2025-3-26 19:57
“Simply as an Instrument”: The Female Characters of Christine Brooke-Roseself to be an active feminist, she often writes intelligent, complex, detailed female characters who are aware of the gulf between themselves and their academic male counterparts. In . and ., Brooke-Rose dissects and plays with the passive/active dynamic in terms of female character and illuminates 作者: 考古學(xué) 時(shí)間: 2025-3-27 00:10 作者: 樂章 時(shí)間: 2025-3-27 04:30
Experimenting in the Ditch: Buchi Emecheta’s Early Novels of Transformationr autobiographically-inspired debut . (1972) and its prequel . (1974), published in a single volume as . (1983), have been praised especially for their gendered insider’s perspective on the demographic diversification of early post-Windrush Britain. This chapter seeks to contribute to an aesthetic t作者: 溫和女孩 時(shí)間: 2025-3-27 09:14
Afterword: I’m a Woman Experimental Writer … Get Me Out of Here! marked resurgence of interest. Looking back from the twenty-first century, Sweeney asks what reasons we can pinpoint for the historical neglect of the authors discussed in this volume and what key factors are at play in “rediscovering” them in the present moment.作者: 修改 時(shí)間: 2025-3-27 09:28
Whose Sister? “Convenient Pigeonholes”, Peter Owen and the Publishing of Anna Kavanation that our analysis of this labelling needs to include the role of the publisher too. An examination of the correspondence between Kavan and Peter Owen, her publisher between the late 1950s and her death in 1968, and of Owen’s posthumous publication of Kavan, suggests that it is publishers too which rely on those “convenient pigeonholes”.作者: GRAVE 時(shí)間: 2025-3-27 16:43
No Country for Old Maids? Housing Ivy Compton-Burnett’s Mid-Century Fictiond and Evelyn Waugh.?Radford uses her 1947 novel?.?to scrutinize Compton-Burnett’s distinctive contribution to this “country-house” tradition, especially her satirical debunking of post-war patriarchal values and nostalgic fantasies of Englishness.作者: NIP 時(shí)間: 2025-3-27 19:26
Anna Kavan’s ,: Postwar Experimentalism and the Fiction of the Anthropoceneg how the novel’s temporal perversity and perspective of impossibility enact a similar conceptual experiment, it suggests that . might be Anthropocene fiction not in its midcentury foundations, nor in its representation of climatic change and planetary apocalypse, but in its experimental narrative form.作者: hauteur 時(shí)間: 2025-3-27 22:58 作者: Explosive 時(shí)間: 2025-3-28 03:31
“Designing Its Own Shadow”: Ann Quin’s Reiterative Experimental Processesriches our reading of her fiction. Williams shows how Quin’s reiterative processes exemplify genuinely “experimental” post-war fiction, which is interested in . over outcome. In this way, Williams claims, Quin’s playful, complex, frustrating texts make a good case for the energy and value of post-war experimental British fiction by women writers.作者: podiatrist 時(shí)間: 2025-3-28 07:53 作者: 離開真充足 時(shí)間: 2025-3-28 10:37
Brigid Brophy’s ,, or the Post-war Novel’s Transition from an “Exhausted” to a “Replenished” Formject formation and the ability of art to speak to a changing world. By drawing a parallel with the arguments about the supposed “Exhaustion of literature” made by John Barth in his 1967 and 1980 essays, this chapter argues that . may very well delineate the contours of the postmodern novel ..作者: esculent 時(shí)間: 2025-3-28 17:55 作者: 種族被根除 時(shí)間: 2025-3-28 22:35 作者: installment 時(shí)間: 2025-3-29 00:20
Proper Actions of Groups on C*-Algebras, into one of the defining features of post-war women’s short stories, in writing that sought the compensations of dream, memory, phantasm, hope and illusion to set out an alternative reality. Placing particular emphasis on the short stories of Elizabeth?Bowen and Anna?Kavan, this chapter explores the hallucinatory as an emancipatory literary?mode.作者: 機(jī)密 時(shí)間: 2025-3-29 06:55 作者: PRE 時(shí)間: 2025-3-29 11:12
A Precarious Vision: Hallucination and the Short Story in Post-War Britain into one of the defining features of post-war women’s short stories, in writing that sought the compensations of dream, memory, phantasm, hope and illusion to set out an alternative reality. Placing particular emphasis on the short stories of Elizabeth?Bowen and Anna?Kavan, this chapter explores the hallucinatory as an emancipatory literary?mode.作者: 我悲傷 時(shí)間: 2025-3-29 12:31
Book 2021tes the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelistsat least as diverse as recent and longer established work in the domain of modernist studies.作者: LAITY 時(shí)間: 2025-3-29 19:27 作者: apiary 時(shí)間: 2025-3-29 22:41 作者: 槍支 時(shí)間: 2025-3-30 03:01 作者: absorbed 時(shí)間: 2025-3-30 07:46
Introduction: The Cartographic Transactiontions in the use of found materials. It argues for a reconsideration of Delaney’s legacy; reading her as an early experimentalist rather than a late addition to the movement popularly labelled the “Angry Young Men”.作者: Frequency-Range 時(shí)間: 2025-3-30 10:40
