標題: Titlebook: British Crime Film; Subverting the Socia Barry Forshaw Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 21st c [打印本頁] 作者: 烤問 時間: 2025-3-21 19:14
書目名稱British Crime Film影響因子(影響力)
書目名稱British Crime Film影響因子(影響力)學(xué)科排名
書目名稱British Crime Film網(wǎng)絡(luò)公開度
書目名稱British Crime Film網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Crime Film被引頻次
書目名稱British Crime Film被引頻次學(xué)科排名
書目名稱British Crime Film年度引用
書目名稱British Crime Film年度引用學(xué)科排名
書目名稱British Crime Film讀者反饋
書目名稱British Crime Film讀者反饋學(xué)科排名
作者: CRACY 時間: 2025-3-21 23:27 作者: Genistein 時間: 2025-3-22 03:52 作者: Tractable 時間: 2025-3-22 05:47 作者: chuckle 時間: 2025-3-22 09:55 作者: Anterior 時間: 2025-3-22 15:21
Mapping Digital Game Culture in Chinaap operas to comic books have been pressed into service as signifiers of the social and political ethos of individual countries, notably the USA. Needless to say, however much the illusion of verisimilitude is created by such entertainment media as film, in the final analysis the keyword remains ill作者: Spirometry 時間: 2025-3-22 20:07 作者: Insubordinate 時間: 2025-3-23 01:01 作者: Itinerant 時間: 2025-3-23 03:01
Lines on the Map: International Boundariesalogy in more cautious times, and succeeded more recently by head-on attacks on the ethos of the right (as in the presentation of the ferocious Thatcherite protagonist of .), but with similar cynicism for ameliorative leftwing solutions. And the cult of the individual has been thoroughly re-examined作者: ALIEN 時間: 2025-3-23 06:47 作者: 高射炮 時間: 2025-3-23 13:03
https://doi.org/10.1007/978-3-030-23447-8 (in both the popular and serious press, prissily condemning such shock tactics while simultaneously exploiting sensationalism to massage sales). But this manufactured outrage did little harm to the filmmakers’ bottom lines; to some degree, it acted as a useful promotional tool. Such condemnation wa作者: legitimate 時間: 2025-3-23 17:38
https://doi.org/10.1007/978-3-030-23447-8arginalised psychopathic killers moving from periphery to centre stage. Needless to say, the threat (or promise) of violence has long been an integral element of the genre, but its filmic representation has often been circumspect — even in the era when the Kray Twins ruled London’s East End with ext作者: harrow 時間: 2025-3-23 19:15 作者: Measured 時間: 2025-3-24 01:20 作者: 窒息 時間: 2025-3-24 04:50
The City as MetroMap: Envisioning Montrealaspects of British life marginalised by more mainstream British movies: such aspects included the contrast of Southern privilege with Northern joblessness, the breeding grounds of crime-ridden housing estates, a committed treatment of racism and the ideological distance of regional coppers from the 作者: 培養(yǎng) 時間: 2025-3-24 07:24 作者: Resistance 時間: 2025-3-24 13:15
Place as Assemblage: Montreal Garden Mapping dramatic (and violent) possibilities of such conflicts. Another, similar, theme involves the new corporate crime, reluctantly tolerating — then eliminating — those who threaten the status quo (and profits). Variations on this theme have served as metaphors for a larger conflict between bloody-minde作者: groggy 時間: 2025-3-24 15:50 作者: MUT 時間: 2025-3-24 22:12 作者: ineluctable 時間: 2025-3-25 02:03 作者: Thyroid-Gland 時間: 2025-3-25 04:23 作者: Lyme-disease 時間: 2025-3-25 08:39 作者: 歡樂東方 時間: 2025-3-25 15:01 作者: 哪有黃油 時間: 2025-3-25 18:09 作者: 催眠 時間: 2025-3-25 20:18
Between Left and Right: Politics and Individuals,alogy in more cautious times, and succeeded more recently by head-on attacks on the ethos of the right (as in the presentation of the ferocious Thatcherite protagonist of .), but with similar cynicism for ameliorative leftwing solutions. And the cult of the individual has been thoroughly re-examined作者: Thyroiditis 時間: 2025-3-26 00:17
Heritage Britain,first century? One woman might be said to be the . here. Agatha Christie is indirectly the progenitor of a certain heritage view of Britain, in which the upper classes hold the reins of power (however much they may be distracted by murdering each other in ingenious ways — without rupturing social pr作者: Atmosphere 時間: 2025-3-26 07:15 作者: FRAUD 時間: 2025-3-26 11:21
The New Violence: The Loss of Innocence,arginalised psychopathic killers moving from periphery to centre stage. Needless to say, the threat (or promise) of violence has long been an integral element of the genre, but its filmic representation has often been circumspect — even in the era when the Kray Twins ruled London’s East End with ext作者: intricacy 時間: 2025-3-26 15:28 作者: 解開 時間: 2025-3-26 19:54
Metropolitan Murder: London,haracter and colour, as authentic in its vision as it is deceptive. And there is no gainsaying the value of such films as snapshots of a vanished London (such as the two gasometers at the back of King’s Cross station — one remains — or the railway bridges, corpses-for-the-disposal-of, for instance, 作者: 聽寫 時間: 2025-3-26 22:29
The Regions,aspects of British life marginalised by more mainstream British movies: such aspects included the contrast of Southern privilege with Northern joblessness, the breeding grounds of crime-ridden housing estates, a committed treatment of racism and the ideological distance of regional coppers from the 作者: 對待 時間: 2025-3-27 01:49
Breaking Taboos: Sex and the Crime Film,officially licensed to undertake groundbreaking treatments of previously undiscussed sexual themes: paedophilia, miscegenation, homosexuality and sexual obsession. And inevitably, given its recurrent illegality, the oldest profession has been incorporated into many a crime narrative — with astonishi作者: 無關(guān)緊要 時間: 2025-3-27 06:18 作者: 粗俗人 時間: 2025-3-27 12:57 作者: 溫和女孩 時間: 2025-3-27 16:18 作者: flimsy 時間: 2025-3-27 21:25
Twenty-First-Century Hybrids,es making periodic reappearances (after a suitable interval) for new audiences who — in many cases — will be unfamiliar with the material or its presentation. If a cursory examination of the crime field suggests that it is now tougher and colder than it has ever been, with a rock-hard carapace that 作者: faddish 時間: 2025-3-27 22:02
Massimiliano Nuccio,Sofia Mognomportant film producers such as the Presbyterian J. Arthur Rank, famous for insisting on outward rectitude. In light of these attitudes, the (hidden) subversive nature of some of the films is provocative.作者: Hyperlipidemia 時間: 2025-3-28 05:05 作者: 額外的事 時間: 2025-3-28 06:48
https://doi.org/10.1007/978-3-030-23447-8lements: certain non-heritage (and less respectable) facets of the capital were utilised only in the crime genre (such as the seedy subculture of pornographic photo studios and bookshops in Michael Powell’s ., as discussed above). More specifically, the genre has afforded a vision of the compact district of Soho as a microcosm of Britain.作者: PET-scan 時間: 2025-3-28 12:48
Miriam Godoy Penteado,Ole Skovsmoseor massively cruel, stone-faced psychopathic killers (often in the same films, the former relentlessly pursued by the latter). It’s a film trend which is still producing a variety of examples today, but the kind of acclaim and audience enthusiasm which accompanied the early work in the field now largely seems a distant memory.作者: 亞麻制品 時間: 2025-3-28 15:00 作者: 輕觸 時間: 2025-3-28 22:47 作者: THROB 時間: 2025-3-29 00:48 作者: perpetual 時間: 2025-3-29 05:17
Mockney Menace: The New Wave,or massively cruel, stone-faced psychopathic killers (often in the same films, the former relentlessly pursued by the latter). It’s a film trend which is still producing a variety of examples today, but the kind of acclaim and audience enthusiasm which accompanied the early work in the field now largely seems a distant memory.作者: OVER 時間: 2025-3-29 07:25
https://doi.org/10.1007/978-3-030-23447-8Michael Curtiz’s . prompted the stern edict ‘There must be no suggestion of a sexual relationship between Humphrey Bogart and Ingrid Bergman’), until iconoclastic filmmakers such as Otto Preminger began to challenge such censorship in the 1950s with films that treated their audiences as adults.作者: beta-carotene 時間: 2025-3-29 14:04
Scourging the Unacceptable: Censorship Battles,Michael Curtiz’s . prompted the stern edict ‘There must be no suggestion of a sexual relationship between Humphrey Bogart and Ingrid Bergman’), until iconoclastic filmmakers such as Otto Preminger began to challenge such censorship in the 1950s with films that treated their audiences as adults.作者: 條約 時間: 2025-3-29 16:45
2947-8340 ding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.978-1-137-00503-8978-1-137-27459-5Series ISSN 2947-8340 Series E-ISSN 2947-8359 作者: Herpetologist 時間: 2025-3-29 21:20 作者: 影響帶來 時間: 2025-3-30 00:13 作者: Ossification 時間: 2025-3-30 05:51
Class and Crime: Social Divisions,he classes in society. A new meritocracy of crime began to emerge, along with a carefully maintained, class-bound social order that was still maintained (even within the context of criminal enterprise).作者: MORPH 時間: 2025-3-30 10:48 作者: sclera 時間: 2025-3-30 15:52
Heritage Britain,otocol), while the lower orders know their place (usually as forelock-tugging domestics). The middle class has its function in the Christie universe: doctors and other facilitators for the famously ingenious plots.作者: 財主 時間: 2025-3-30 20:03
Corporate Crime: Curtains for the Maverick,d, solitary protagonists and establishment interests. The complex reaction (attraction/disapproval) inspired in audiences regarding these anti-heroes is instructive, particularly when the filmmakers have refused to make moral judgements, disingenuously or otherwise, on such figures.作者: 孵卵器 時間: 2025-3-30 22:46 作者: 重疊 時間: 2025-3-31 02:27
Lines on the Map: International Boundaries in the crime film, with iconoclastic or criminal egotists both celebrated and criticised by filmmakers (often in the same film). For the doomed, (momentarily) high-achieving protagonists of these bloody dramas, hubris is customarily identified as the fatal flaw, a trend often tied in with the now-standard notion of the gangster as tragic hero.作者: Facilities 時間: 2025-3-31 08:31
John Davies,Alexander James Kentotocol), while the lower orders know their place (usually as forelock-tugging domestics). The middle class has its function in the Christie universe: doctors and other facilitators for the famously ingenious plots.作者: Expurgate 時間: 2025-3-31 12:53 作者: 稀釋前 時間: 2025-3-31 16:00
Mapping Digital Game Culture in Chinapolitically informed analysis of British society from the 1920s onwards than more overtly respectable ‘heritage’ cinema is something of a hostage to fortune — but there is a great deal of evidence to support this thesis, as I will attempt to show.作者: 決定性 時間: 2025-3-31 18:03 作者: overweight 時間: 2025-3-31 23:18
The City as MetroMap: Envisioning Montrealnerating conflict. In fact, the level of sophistication in addressing these areas was more often to be found in genre product than in more overtly socially conscious fare. And filmic crime in British society was illuminated by a marked movement away from the most favoured location, London, to the pr
