標題: Titlebook: British Avant-Garde Theatre; Claire Warden Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 20th century.avan [打印本頁] 作者: 多愁善感 時間: 2025-3-21 17:32
書目名稱British Avant-Garde Theatre影響因子(影響力)
書目名稱British Avant-Garde Theatre影響因子(影響力)學科排名
書目名稱British Avant-Garde Theatre網(wǎng)絡公開度
書目名稱British Avant-Garde Theatre網(wǎng)絡公開度學科排名
書目名稱British Avant-Garde Theatre被引頻次
書目名稱British Avant-Garde Theatre被引頻次學科排名
書目名稱British Avant-Garde Theatre年度引用
書目名稱British Avant-Garde Theatre年度引用學科排名
書目名稱British Avant-Garde Theatre讀者反饋
書目名稱British Avant-Garde Theatre讀者反饋學科排名
作者: Decline 時間: 2025-3-21 23:43 作者: 調整校對 時間: 2025-3-22 02:47 作者: 的是兄弟 時間: 2025-3-22 05:47
Matthew A. Haynes,Birgit Lohmannmade its way to this outpost of artistic creativity, tucked away in a Westminster side street.According to Robert Medley, who made the masks for this production,‘a distinguished and elite audience climbed the precipitous andunsavoury stairs to see it at the time, amongst whom was W. B. Yeats(whom I 作者: 有雜色 時間: 2025-3-22 09:32
https://doi.org/10.1007/978-3-662-08494-6 particular interest as we discuss the issue of structure in the British avant-garde. He went on to say that this plot ‘must connect the various incidents in such a way that the whole will be disjoined and dislocated if any one of them is transposed or removed’ (1969, p. 17). Though by no means univ作者: 寬大 時間: 2025-3-22 15:00 作者: GLOSS 時間: 2025-3-22 19:38
Many-body Approaches at Different Scalesally may seem to be more disagreement than accord with two clear sides forming: the poetic and the political. On the one hand, there were the Group Theatre dramatists; poets or prose writers first and foremost, playwrights like Auden, Isherwood,MacNeice, Eliot and Spender brought a keen sense of syn作者: biosphere 時間: 2025-3-22 23:07
M. Bercx,R. Saniz,B. Partoens,D. Lamoennemployment, transformations in class and gender relations, and an overwhelming sense that the overarching narratives of former times had broken down. The characters of these plays embodied those contemporaneous challenges. In general, there was very little attempt to create illusion and characters 作者: 衍生 時間: 2025-3-23 04:54 作者: ABASH 時間: 2025-3-23 05:40
M. Bercx,R. Saniz,B. Partoens,D. Lamoences mentioned here existed for a time and made some impact, introducing fascinating (at times convoluted, at times remarkably effective) formal and thematic changes. And while the plays analysed are now largely unperformed, diminishing into the vaults of theatre history, the methods and examples sti作者: 博識 時間: 2025-3-23 10:35 作者: BATE 時間: 2025-3-23 16:11 作者: 魔鬼在游行 時間: 2025-3-23 20:40 作者: 管理員 時間: 2025-3-24 01:38
M. Bercx,R. Saniz,B. Partoens,D. Lamoences mentioned here existed for a time and made some impact, introducing fascinating (at times convoluted, at times remarkably effective) formal and thematic changes. And while the plays analysed are now largely unperformed, diminishing into the vaults of theatre history, the methods and examples still remain, residual but ‘still there’.作者: 性行為放縱者 時間: 2025-3-24 04:48 作者: Proclaim 時間: 2025-3-24 07:48 作者: irradicable 時間: 2025-3-24 12:51 作者: Highbrow 時間: 2025-3-24 14:51
Language: Disturbing Words,ally may seem to be more disagreement than accord with two clear sides forming: the poetic and the political. On the one hand, there were the Group Theatre dramatists; poets or prose writers first and foremost, playwrights like Auden, Isherwood,MacNeice, Eliot and Spender brought a keen sense of syn作者: 感染 時間: 2025-3-24 19:31 作者: 發(fā)怨言 時間: 2025-3-25 03:06
Crossing Genres: Movement and Music,ave seen, cinema, radio, print journalism and variety theatre forms impacted poetic and political groups alike, once again contradicting any artificial divisions. But this was, I suggest,a reflection of a larger growing preoccupation with cross-generic forms more generally; surely if the barrier bet作者: Albumin 時間: 2025-3-25 05:07
Conclusion: A British Theatrical Avant-Garde?,ces mentioned here existed for a time and made some impact, introducing fascinating (at times convoluted, at times remarkably effective) formal and thematic changes. And while the plays analysed are now largely unperformed, diminishing into the vaults of theatre history, the methods and examples sti作者: 不能約 時間: 2025-3-25 07:56 作者: 沒血色 時間: 2025-3-25 13:04
https://doi.org/10.1007/978-3-662-08494-6de play’ and the London productions of plays from the Continent (particularly Ibsen)1 and from Shaw (Irish but situationally British), but also by a new commitment to constructing British plays in their image and to creating a local naturalist tradition. Writers such as John Galsworthy explored this genre at length.作者: 雄辯 時間: 2025-3-25 17:46
Many-body Approaches at Different Scalesdivisions have so far been seen to be arbitrary at best, but one might expect total opposition where language is concerned, with the poetic dramatists revelling in innovative experiments in verse while the political playwrights explored declamation and everyday speech patterns. Actually, such assumptions are again proved to be wholly inaccurate.作者: 微枝末節(jié) 時間: 2025-3-25 22:13 作者: Trypsin 時間: 2025-3-26 01:47
Language: Disturbing Words,divisions have so far been seen to be arbitrary at best, but one might expect total opposition where language is concerned, with the poetic dramatists revelling in innovative experiments in verse while the political playwrights explored declamation and everyday speech patterns. Actually, such assumptions are again proved to be wholly inaccurate.作者: 圖畫文字 時間: 2025-3-26 04:41
Introduction: A British Theatrical Avant-Garde,was personally detailed to help up the stairs) and Virginia Woolf, brought by Eliot and a party of friends’ (Medley 1983, p. 151).Indeed, Woolf referred to this event in her diary entry of Monday 12 November:作者: calumniate 時間: 2025-3-26 08:48 作者: Creditee 時間: 2025-3-26 13:37 作者: 漂白 時間: 2025-3-26 16:58
Matthew A. Haynes,Birgit Lohmannwas personally detailed to help up the stairs) and Virginia Woolf, brought by Eliot and a party of friends’ (Medley 1983, p. 151).Indeed, Woolf referred to this event in her diary entry of Monday 12 November:作者: photopsia 時間: 2025-3-26 23:12
Staging: Platforms and Constructions,come so inextricably linked. With the agitational message at the forefront of the modern theatrical experience, the platform stage became prominent, and was almost universally implemented by these experimental companies, regardless of specific political or artistic alignments. At this early stage in作者: 就職 時間: 2025-3-27 04:15
Character: The Screaming Man and the Talking Feet,lised or psychonaturalistic characters, thereby reflecting Auden’s manifesto proposition, ‘the drama is not suited to the analysis of character, which is the province of the novel. Dramatic characters are simplified, easily recognisable and over life-size’ (1986, p. 273).作者: 真 時間: 2025-3-27 06:39 作者: 越自我 時間: 2025-3-27 10:06
M. Bercx,R. Saniz,B. Partoens,D. Lamoenlised or psychonaturalistic characters, thereby reflecting Auden’s manifesto proposition, ‘the drama is not suited to the analysis of character, which is the province of the novel. Dramatic characters are simplified, easily recognisable and over life-size’ (1986, p. 273).作者: 分貝 時間: 2025-3-27 15:19
Book 2018r human companions) at very high accuracy, while supporting the efficient storage ofmobility data in data warehouses, which this handbook illustrates. This has provided the means to collect, store and process mobility data of an unprecedented quantity, quality and timeliness. As ubiquitous computing作者: GLEAN 時間: 2025-3-27 20:55 作者: 強所 時間: 2025-3-27 22:29 作者: occurrence 時間: 2025-3-28 03:12
