標題: Titlebook: Britain and the Cinema in the Second World War; Philip M. Taylor (Lecturer in International Histor Book 1988 Palgrave Macmillan, a divisio [打印本頁] 作者: TINGE 時間: 2025-3-21 18:19
書目名稱Britain and the Cinema in the Second World War影響因子(影響力)
書目名稱Britain and the Cinema in the Second World War影響因子(影響力)學(xué)科排名
書目名稱Britain and the Cinema in the Second World War網(wǎng)絡(luò)公開度
書目名稱Britain and the Cinema in the Second World War網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Britain and the Cinema in the Second World War被引頻次
書目名稱Britain and the Cinema in the Second World War被引頻次學(xué)科排名
書目名稱Britain and the Cinema in the Second World War年度引用
書目名稱Britain and the Cinema in the Second World War年度引用學(xué)科排名
書目名稱Britain and the Cinema in the Second World War讀者反饋
書目名稱Britain and the Cinema in the Second World War讀者反饋學(xué)科排名
作者: needle 時間: 2025-3-21 20:27 作者: botany 時間: 2025-3-22 00:32
The British Film Industry: Audiences and Producers,ng the war years it was only 42. The industry had suffered a serious slump in 1937, resulting in numerous bankruptcies, severe cutbacks and a considerable reduction in the number of films made. But there was another reason for the decline in output. The 1927 Films Act had imposed on the American com作者: 戰(zhàn)役 時間: 2025-3-22 04:53
The People as Stars: Feature Films as National Expression,xample, who sincerely hoped and believed that war would finally push British cinema through some final barriers by inspiring the writing of better stories and the production of sharper, tougher and, above all, more realistic films. The twelve months before the actual outbreak of hostilities gave amp作者: 野蠻 時間: 2025-3-22 10:36
,Creative Tensions: ,, the Army Film Unit and Anglo-American Rivalry, 1943–5,nto three showcase venues for its West End run and was given a general release throughout Britain ten days later. It was first screened in New York on 31 March at the Twentieth Century Fox Building and by the end of April some 400 copies were in circulation across America. The film proved to be far 作者: etiquette 時間: 2025-3-22 15:09 作者: 一加就噴出 時間: 2025-3-22 18:23 作者: BAN 時間: 2025-3-22 22:31
The People as Stars: Feature Films as National Expression,. There was certainly a new pride and a new sense of anticipation in the British film industry but, in order fully to appreciate the situation when war began, we need to remind ourselves of the terms in which British films hitherto had generally been discussed.作者: 兇殘 時間: 2025-3-23 03:14 作者: 國家明智 時間: 2025-3-23 09:26 作者: grovel 時間: 2025-3-23 12:30 作者: 間接 時間: 2025-3-23 14:10 作者: 勤勞 時間: 2025-3-23 20:28
http://image.papertrans.cn/b/image/190896.jpg作者: IVORY 時間: 2025-3-24 01:50 作者: 允許 時間: 2025-3-24 05:49 作者: perjury 時間: 2025-3-24 08:33
https://doi.org/10.1007/978-1-349-19317-2America; Britain; cinema; Great Britain; identity; Nation; society; women作者: agenda 時間: 2025-3-24 13:17 作者: monologue 時間: 2025-3-24 15:12
Hoover: The Press and Presidential Failure,ained a vital source of ‘evidence’ for providing substance to the oral history on which they were weaned. For such people, in their formative years, moving pictures provided direct access to the past, the nearest they could get to the experience which had done so much to shape the world into which t作者: Pamphlet 時間: 2025-3-24 20:32 作者: 惡意 時間: 2025-3-24 23:10
Managing the Psychological Contractng the war years it was only 42. The industry had suffered a serious slump in 1937, resulting in numerous bankruptcies, severe cutbacks and a considerable reduction in the number of films made. But there was another reason for the decline in output. The 1927 Films Act had imposed on the American com作者: 駁船 時間: 2025-3-25 05:48
https://doi.org/10.1007/978-1-4939-0560-7xample, who sincerely hoped and believed that war would finally push British cinema through some final barriers by inspiring the writing of better stories and the production of sharper, tougher and, above all, more realistic films. The twelve months before the actual outbreak of hostilities gave amp作者: Narrative 時間: 2025-3-25 07:47
https://doi.org/10.1057/9780230294189nto three showcase venues for its West End run and was given a general release throughout Britain ten days later. It was first screened in New York on 31 March at the Twentieth Century Fox Building and by the end of April some 400 copies were in circulation across America. The film proved to be far 作者: 小丑 時間: 2025-3-25 14:32 作者: 協(xié)議 時間: 2025-3-25 17:12 作者: FISC 時間: 2025-3-25 23:44 作者: 馬具 時間: 2025-3-26 01:39 作者: Maximize 時間: 2025-3-26 07:13 作者: Infantry 時間: 2025-3-26 12:28
Introduction: Film, the Historian and the Second World War, war, together with post-war films about the war, confirmed the stereotypes. Perhaps such stereotyping was the inevitable consequence of victory. However, set against the backdrop of cold war, the traumas of decolonisation and the threat of atomic annihilation, culminating in a Cuban missile crisis 作者: Paradox 時間: 2025-3-26 16:20 作者: 最低點 時間: 2025-3-26 20:02
,Creative Tensions: ,, the Army Film Unit and Anglo-American Rivalry, 1943–5,943’.. Moreover . has withstood the test of time well. It is celebrated in most standard histories of the British cinema and is frequently included in retrospective seasons of British films on television and in cinemas. The Services Kinema Corporation holds it in sufficient esteem to retain it, stil作者: Lignans 時間: 2025-3-26 22:46
,Cinematic Support for the Anglo-American Détente, 1939–43,作者: Mosaic 時間: 2025-3-27 05:05
Philip M. Taylor (Lecturer in International Histor作者: Infirm 時間: 2025-3-27 06:42 作者: ineluctable 時間: 2025-3-27 12:14
Managing the Psychological Contractcost provision and by allowing a double or triple quota qualification for films which cost more than the minimum. This made it possible for American companies to carry out their obligations by making fewer, but more expensive, films. Metro-Goldwyn-Mayer (MGM), for example, which had been responsible作者: thalamus 時間: 2025-3-27 15:15
https://doi.org/10.1057/9780230294189943’.. Moreover . has withstood the test of time well. It is celebrated in most standard histories of the British cinema and is frequently included in retrospective seasons of British films on television and in cinemas. The Services Kinema Corporation holds it in sufficient esteem to retain it, stil作者: 暗語 時間: 2025-3-27 18:57
8樓作者: 鴿子 時間: 2025-3-27 23:26
8樓作者: 強制性 時間: 2025-3-28 05:19
8樓作者: 接觸 時間: 2025-3-28 06:46
9樓作者: fastness 時間: 2025-3-28 13:55
9樓作者: hyperuricemia 時間: 2025-3-28 15:57
9樓作者: 彩色 時間: 2025-3-28 21:22
9樓作者: Muscularis 時間: 2025-3-28 23:40
10樓作者: blight 時間: 2025-3-29 04:02
10樓作者: 匍匐前進 時間: 2025-3-29 09:39
10樓作者: commute 時間: 2025-3-29 13:10
10樓
