標(biāo)題: Titlebook: Bringing War to Book; Writing and Producin Rachel Woodward,K. Neil Jenkings Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 [打印本頁(yè)] 作者: Objective 時(shí)間: 2025-3-21 17:20
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作者: Insatiable 時(shí)間: 2025-3-21 21:46
What Do Military Memoirs Do?,ities in particular ways. All through this chapter, we are concerned with the work that military memoirs do in arguments about armed conflict, the military activities that make it possible and the military personnel employed and deployed to those tasks.作者: 符合你規(guī)定 時(shí)間: 2025-3-22 03:33
What Is Included and Excluded?, We also explore the less formalised interventions of military institutions. We ask how authors’ accounts of inclusion and exclusion, and the stories behind the publication of particular books where this has been an issue, sit alongside arguments about the validity of these books, and question what 作者: Compassionate 時(shí)間: 2025-3-22 08:16
What Materials and Resources Are Used?,ills is limited or non-existent. Yet, somehow, published memoirists have learned how to write. We use these insights to develop an argument about military literacy which we see as providing a more nuanced explanation of the capabilities of memoirists as writers than is often assumed. We observe that作者: 輕推 時(shí)間: 2025-3-22 10:25 作者: Costume 時(shí)間: 2025-3-22 16:42 作者: abnegate 時(shí)間: 2025-3-22 19:27
Michael Haase,Anja Haase-Fielitzhelp explain the journey so many individuals make, from military operative to published author.?We conclude with an overview of the subsequent chapters, each framed by a specific question about military memoirs.?In answering these questions, we show how accounts of war and military life in preparati作者: 修正案 時(shí)間: 2025-3-22 23:41
Stefano Dell’Atti,Antonia Patrizia Iannuzziities in particular ways. All through this chapter, we are concerned with the work that military memoirs do in arguments about armed conflict, the military activities that make it possible and the military personnel employed and deployed to those tasks.作者: 兇猛 時(shí)間: 2025-3-23 03:42
Stefano Dell’Atti,Annarita Trotta We also explore the less formalised interventions of military institutions. We ask how authors’ accounts of inclusion and exclusion, and the stories behind the publication of particular books where this has been an issue, sit alongside arguments about the validity of these books, and question what 作者: Euthyroid 時(shí)間: 2025-3-23 08:23 作者: CLEAR 時(shí)間: 2025-3-23 13:04 作者: FOIL 時(shí)間: 2025-3-23 16:23
Why Do Military Memoirs Look Like They Do?,hat the cover is so significant for the sales of a book, we then go on to consider how covers and their imagery comprise a visual economy, and in turn how this suggests a relationship to wider narratives about war through which it is given meaning in contemporary public cultural life.作者: 不可救藥 時(shí)間: 2025-3-23 21:27 作者: Simulate 時(shí)間: 2025-3-24 01:51
Managing Requirements Knowledgehat the cover is so significant for the sales of a book, we then go on to consider how covers and their imagery comprise a visual economy, and in turn how this suggests a relationship to wider narratives about war through which it is given meaning in contemporary public cultural life.作者: dowagers-hump 時(shí)間: 2025-3-24 03:57
Managing Requirements Knowledges, and the fictional representations of war and military activities that sit alongside military memoirs but are distinct from that genre. We conclude with observations about how we can recognise contemporary military memoirs not as vectors of militarisation but rather as moral documents about armed conflict and military activities.作者: CLAY 時(shí)間: 2025-3-24 10:13 作者: SPURN 時(shí)間: 2025-3-24 13:29
The Case Study of Lehman Brothersh are sometimes assumed by commentators to be more significant than authors themselves suggest. We then look at the therapeutic effects of writing and post-publication assessments of the catharsis which writing a personal memoir may or may not produce. We conclude by discussing authors’ assertions about the veracity and truth of their work.作者: 搖曳的微光 時(shí)間: 2025-3-24 15:09 作者: overhaul 時(shí)間: 2025-3-24 19:49 作者: jocular 時(shí)間: 2025-3-25 02:01
Why Are Military Memoirs Written?,h are sometimes assumed by commentators to be more significant than authors themselves suggest. We then look at the therapeutic effects of writing and post-publication assessments of the catharsis which writing a personal memoir may or may not produce. We conclude by discussing authors’ assertions about the veracity and truth of their work.作者: Fortify 時(shí)間: 2025-3-25 06:08 作者: 刺耳的聲音 時(shí)間: 2025-3-25 09:45
Who Is Involved in Writing and Production?,bering; the roles of readers and editors of the manuscript; and the roles of publishers and editors and others working professionally on the book. We also discuss how, for all that they are collaboratively produced, authors identify their books as their own.作者: 出汗 時(shí)間: 2025-3-25 12:00
Michael Haase,Anja Haase-Fielitzts twin goals of telling stories rooted in factual information about military participation, and presenting narratives which prioritise the individual, lived experience of that participation in texts which claim authenticity on the basis of the witnessing of events recounted.?We continue this introd作者: nocturia 時(shí)間: 2025-3-25 16:32
Stefano Dell’Atti,Antonia Patrizia Iannuzzif ways in which these books are used in order to consider the purposes they can be seen to serve. We review how military memoirs have informed the writing of histories of armed conflicts, and their utility in exploring the socio-cultural understandings of war and the sociology of military personnel.作者: forthy 時(shí)間: 2025-3-25 21:55 作者: narcissism 時(shí)間: 2025-3-26 00:26 作者: 灰心喪氣 時(shí)間: 2025-3-26 06:46 作者: BUST 時(shí)間: 2025-3-26 09:24 作者: 偽造 時(shí)間: 2025-3-26 14:03
Walid Maalej,Anil Kumar Thurimellariting and production of a book is always a collaborative process, involving the named author working with others. We look first at published texts to assess how authors acknowledge their collaborators and collaborative practices, explicitly and implicitly. We then discuss what our authors had to sa作者: 熱心助人 時(shí)間: 2025-3-26 20:52
Managing Requirements Knowledgean existing literature on paratext. We examine in detail some of the key paratextual features of the covers of military memoirs, looking at the titles of books, the way in which an author’s name is presented, and the overall design of the cover, including the imagery and other features used. Given t作者: 圓桶 時(shí)間: 2025-3-26 22:31 作者: 匯總 時(shí)間: 2025-3-27 03:25 作者: legacy 時(shí)間: 2025-3-27 08:21 作者: BALE 時(shí)間: 2025-3-27 09:27 作者: 角斗士 時(shí)間: 2025-3-27 14:43 作者: Defiance 時(shí)間: 2025-3-27 18:12 作者: glowing 時(shí)間: 2025-3-28 01:22
What Do Military Memoirs Do?,f ways in which these books are used in order to consider the purposes they can be seen to serve. We review how military memoirs have informed the writing of histories of armed conflicts, and their utility in exploring the socio-cultural understandings of war and the sociology of military personnel.作者: bromide 時(shí)間: 2025-3-28 04:37 作者: 噱頭 時(shí)間: 2025-3-28 07:06
Who Are Military Memoirs Written For?,se and the dedications that appear in many published memoirs. We discuss the different groups which authors consider whilst writing and editing—family members, friends (including military colleagues), military readerships, and unknown others constituting a broader civilian public. We examine the con作者: 水土 時(shí)間: 2025-3-28 10:32
What Is Included and Excluded?,on of ‘truth’, but rather, taking our authors’ lead, we explore how these claims to truth which all memoirs make sit in relation to an awareness all military memoirists share about the demands of convention and genre. We discuss self-censorship, and the efforts authors make to balance a need for ver作者: 實(shí)施生效 時(shí)間: 2025-3-28 16:30 作者: Default 時(shí)間: 2025-3-28 22:17
