標(biāo)題: Titlebook: Brian Friel‘s Models of Influence; Zosia Kuczyńska Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to S [打印本頁] 作者: Precise 時間: 2025-3-21 18:05
書目名稱Brian Friel‘s Models of Influence影響因子(影響力)
書目名稱Brian Friel‘s Models of Influence影響因子(影響力)學(xué)科排名
書目名稱Brian Friel‘s Models of Influence網(wǎng)絡(luò)公開度
書目名稱Brian Friel‘s Models of Influence網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Brian Friel‘s Models of Influence被引頻次
書目名稱Brian Friel‘s Models of Influence被引頻次學(xué)科排名
書目名稱Brian Friel‘s Models of Influence年度引用
書目名稱Brian Friel‘s Models of Influence年度引用學(xué)科排名
書目名稱Brian Friel‘s Models of Influence讀者反饋
書目名稱Brian Friel‘s Models of Influence讀者反饋學(xué)科排名
作者: HOWL 時間: 2025-3-21 20:22 作者: 巨碩 時間: 2025-3-22 04:22
Form and Core: Brian Friel and Denis Donoghue,nology derived from Friel’s archives, Kuczyńska suggests that a key component of the ‘how’ of Friel’s process involved the invention of a dramatic form that best expressed what he often called the ‘core’ of a given play. This framework is a useful means of assessing Friel’s successes and failures wh作者: Incorruptible 時間: 2025-3-22 04:58 作者: FICE 時間: 2025-3-22 10:33 作者: Lumbar-Spine 時間: 2025-3-22 14:26 作者: Essential 時間: 2025-3-22 19:44 作者: jaunty 時間: 2025-3-22 23:45 作者: output 時間: 2025-3-23 03:40
https://doi.org/10.1007/978-3-031-17905-1Brian Friel; Denis Donoghue; Influence; Archive; Intertextuality; Practice-based research; Translations; Fa作者: Decibel 時間: 2025-3-23 09:36
978-3-031-17907-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 半身雕像 時間: 2025-3-23 11:50 作者: 不確定 時間: 2025-3-23 14:53
Das Integrierte Projekt Gesellschaft Iw Friel’s sources function as embodied intertexts in the context of theatre as the art of the transformation of space (Herman, 1997). Using archive material from the Brian Friel Papers, Kuczyńska privileges the ‘how’ of influence in an examination of the processes by which Friel combined his sources作者: MOTTO 時間: 2025-3-23 20:36 作者: 胡言亂語 時間: 2025-3-24 01:42
Das Integrierte Projekt Gesellschaft I approaches to Friel’s work. Here, Kuczyńska privileges her own response to Friel’s source materials for . (2003) over the imperative to verify the extent to which Friel engaged with them. Combining Friel’s known engagement with works by George Steiner with his more uncertain engagement with Francin作者: 鬧劇 時間: 2025-3-24 05:47 作者: evasive 時間: 2025-3-24 06:39
https://doi.org/10.1007/978-3-0348-8249-1space in which bodied participants perform ‘live practices of access’ (Schneider, 2011), it is possible to open up a legacy of creative practice that can be engaged with both within and outside the academy. From a scholarly perspective, Kuczyńska emphasises the value of literary archives in generati作者: 泥土謙卑 時間: 2025-3-24 12:43 作者: debris 時間: 2025-3-24 15:12
https://doi.org/10.1007/978-3-0348-8249-1ska stresses the importance of addressing structural issues that create barriers to archival access, and identifies some of the challenges for future archive users working with a digitised version of the Brian Friel Papers.作者: 思想 時間: 2025-3-24 21:30
,‘Don’t Anticipate the Ending’: Towards a Legacy of Artistic Practice,oking back on the project, Kuczyńska posits these new artworks and the process by which they came about as an extension of the significance of Friel’s archive as a piece of cultural heritage, acknowledging the centrality of Friel’s artistic practice to his ongoing legacy.作者: 不易燃 時間: 2025-3-25 00:12
Conclusion: So What Is Surfacing (?),ska stresses the importance of addressing structural issues that create barriers to archival access, and identifies some of the challenges for future archive users working with a digitised version of the Brian Friel Papers.作者: 咯咯笑 時間: 2025-3-25 05:28
czyńska reveals how an approach to literary archives grounded in artistic practice might provide the tools for setting a major creative legacy not in stone but rather in motion.?.978-3-031-17907-5978-3-031-17905-1作者: 博識 時間: 2025-3-25 08:54 作者: Counteract 時間: 2025-3-25 13:47
Book 2023t over a period spanning more than fifty years. This book is the first of its kind in its attempt to interrogate the role of the Brian Friel Papers in Friel’s legacy as a working artist with a richly developed creative practice. By means of an unprecedented focus on Friel’s artistic process, Kuczyńs作者: 兒童 時間: 2025-3-25 18:39
ive practice-based research.Uncovers forgotten source materi.The Brian Friel Papers at the National Library of Ireland are a record of a life’s work in progress. They represent a way of working and of making art over a period spanning more than fifty years. This book is the first of its kind in its 作者: correspondent 時間: 2025-3-25 20:48
https://doi.org/10.1007/978-3-0348-8249-1m that best expressed what he often called the ‘core’ of a given play. This framework is a useful means of assessing Friel’s successes and failures when attempting to incorporate secondary material into his work. In this way, Kuczyńska opens a window onto a vital part of Friel’s praxis whilst recovering a significant source for his work.作者: 混亂生活 時間: 2025-3-26 00:50 作者: follicular-unit 時間: 2025-3-26 04:32
Grundlagen zum Efficient Consumer Response,gement that is grounded in artistic practice might provide the tools for setting a major creative legacy not in stone but rather in motion. This opening material also contains an overview of the work, a guide to the Brian Friel Papers, and an introduction to some of the idiosyncrasies of Friel’s creative process.作者: 具體 時間: 2025-3-26 10:47
Das Integrierte Projekt Gesellschaft Iy become speakable lines. The chapter also makes a case for the importance to the play of a long neglected work by George Steiner, . (1971). In addition to original archival research, Kuczyńska’s lines of inquiry are underpinned by ideas of embodiment combining Vimala Herman’s cognitive poetics with Diana Taylor’s performance studies scholarship.作者: 媽媽不開心 時間: 2025-3-26 16:03 作者: Immunization 時間: 2025-3-26 16:56
,Introduction: ‘Don’t embalm me in pieties’,gement that is grounded in artistic practice might provide the tools for setting a major creative legacy not in stone but rather in motion. This opening material also contains an overview of the work, a guide to the Brian Friel Papers, and an introduction to some of the idiosyncrasies of Friel’s creative process.作者: Contend 時間: 2025-3-26 23:33 作者: Blatant 時間: 2025-3-27 03:11 作者: Musket 時間: 2025-3-27 08:07
Fabrizio Ferrari,Licia Lugli,Elisabetta Garetti,Isotta Guidotti,Marisa Pugliese,Laura Lucaccionift für das bü?en, was an Denk-, Realisierungs- und Implementierungsfehlern von den Software-Herstellern verursacht worden ist. Daher stellt sich die Frage nach der Verantwortung für Fehler und Unf?lle, welche die Produktivit?t der anwendenden Unternehmen beeintr?chtigen oder gar deren Existenz gef?h作者: Connotation 時間: 2025-3-27 12:04
Michael Roberts,Anita Milman,William Blomquist the "cross fertilization" of ideas would lead to new approaches and activity in this area. The editors trustthat this collection of papers will stimu~ late interest and research in the tissue culture and improvement of crop plants everywhere. v ACKNOWLEDGEMENTS The symposium from which the papers in this boo978-1-4684-4381-3978-1-4684-4379-0作者: Aspiration 時間: 2025-3-27 17:04 作者: 食料 時間: 2025-3-27 20:29 作者: giggle 時間: 2025-3-27 23:09 作者: 滲透 時間: 2025-3-28 04:05
Atemkurven und respiratorisches Monitoringiebe gezwungen, ihre Produktionstechnik st?ndig zu überprüfen und zu verbessern, um im Wettbewerb bestehen und die Chancen wahrnehmen zu k?nnen, die ihnen eine entwickelte Industriegesellschaft mit sich wandelnder Nachfrage bietet.