標(biāo)題: Titlebook: Brian Friel; Theatre and Politics Anthony Roche Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 bibliography. [打印本頁] 作者: BOUT 時(shí)間: 2025-3-21 18:01
書目名稱Brian Friel影響因子(影響力)
書目名稱Brian Friel影響因子(影響力)學(xué)科排名
書目名稱Brian Friel網(wǎng)絡(luò)公開度
書目名稱Brian Friel網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Brian Friel被引頻次
書目名稱Brian Friel被引頻次學(xué)科排名
書目名稱Brian Friel年度引用
書目名稱Brian Friel年度引用學(xué)科排名
書目名稱Brian Friel讀者反饋
書目名稱Brian Friel讀者反饋學(xué)科排名
作者: Nonporous 時(shí)間: 2025-3-22 00:06
Escaping Containment: The Early Plays of Brian Friel,ht have appeared and as was suggested by most of the reviews. Several of the Dublin theatre critics referred to the fact that he had published a collection of short stories, ., with London publisher Victor Gollancz in 1962. One of them was Frank O’Connor, the greatest Irish short story writer of the作者: 知識(shí)分子 時(shí)間: 2025-3-22 02:26 作者: 鑒賞家 時(shí)間: 2025-3-22 04:44
Fantasy in Friel,s (star athlete, concert performer, fighter pilot) or in the sexual fantasies that the duo construct. Friel’s next play, . goes even further in the direction of fantasy, especially when the rebellious 70-year-old is confined to the institutional Eden House. That development is aided by the deploymen作者: countenance 時(shí)間: 2025-3-22 10:49
Brian Friel and Contemporary British Drama: The Missing Dimension,eth century, even though he has commented positively on many of the key names associated with that movement: ‘I admire […] a lot of English dramatists, [John] Osborne, [John] Arden and [Arnold] Wesker.’. The time is ripe for an act of historic recovery of a necessary and missing context for Friel’s 作者: 憤怒事實(shí) 時(shí)間: 2025-3-22 13:33 作者: detach 時(shí)間: 2025-3-22 18:14 作者: Negligible 時(shí)間: 2025-3-22 22:35 作者: Constant 時(shí)間: 2025-3-23 05:03 作者: 核心 時(shí)間: 2025-3-23 09:30 作者: 古老 時(shí)間: 2025-3-23 10:46
,Pr?ventiv-, Notfall-, K-Fall-Planung,sively throughout both Northern Ireland and the Republic. Throughout his career a significant number of Friel’s plays have ‘broken out’ of Ireland and gone on to worldwide success. This is a relatively rare phenomenon for an Irish playwright and considered in relation to his Field Day involvement li作者: 星星 時(shí)間: 2025-3-23 14:36 作者: manifestation 時(shí)間: 2025-3-23 18:08 作者: Minuet 時(shí)間: 2025-3-23 23:57 作者: DNR215 時(shí)間: 2025-3-24 05:19 作者: constitute 時(shí)間: 2025-3-24 10:35 作者: Budget 時(shí)間: 2025-3-24 11:08
Andreas Schmidt,Saskia Tegtmeyerial grouping, partly because it lies just off Europe. Yet Ireland’s centuries-old political and economic oppression at the hands of the British — and its resistance to such control — fits well within the postcolonial paradigm.’. The second is to stress ‘the connections between form and content which作者: Incorporate 時(shí)間: 2025-3-24 18:14
Johanna M. Hofmann,Alexander Ro?nagelto mind, which I shall later call simple evocation’.. They do so in a purely pictorial way, and ‘memory, in this particular sense, is directly characterized as affection (pathos), which distinguishes it precisely from recollection’ (15). Such is the pathos that suffuses the scene where Gar attempts 作者: 來這真柔軟 時(shí)間: 2025-3-24 23:02 作者: AWRY 時(shí)間: 2025-3-25 02:35 作者: 星星 時(shí)間: 2025-3-25 06:49 作者: fiscal 時(shí)間: 2025-3-25 08:48
Book 2011Friel is recognised as Ireland‘s leading playwright and due to the ability of plays like Translations and Dancing at Lughnasa to translate into other cultures he has made a major impact on world theatre. This study draws on the Friel Archive to deepen our understanding of how his plays were developed.作者: 松果 時(shí)間: 2025-3-25 12:13
https://doi.org/10.1057/9780230305533bibliography; culture; dancing; drama; history; history of literature; inquiry; Ireland; knowledge; play; poli作者: 不怕任性 時(shí)間: 2025-3-25 17:24
978-1-137-27469-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: Harrowing 時(shí)間: 2025-3-25 22:33 作者: 解決 時(shí)間: 2025-3-26 02:42
https://doi.org/10.1007/978-3-540-69007-8t space of time. Most of the reviews were positive; but it was the word of mouth, and in particular the play’s impact on future theatre practitioners, that testified to its importance as a breakthrough in the history of the Irish theatre. Thomas Kilroy, who would make his own theatrical debut four y作者: 殘廢的火焰 時(shí)間: 2025-3-26 06:31 作者: violate 時(shí)間: 2025-3-26 11:51
https://doi.org/10.1007/978-3-658-00676-1 Friel, and yet there is no getting around the prominence of fantasy in the work. Of the pre-. plays, . is the outstanding example, as the title itself suggests. The figure of Willie Logue, the Catholic post office worker in Derry whose latest cultural obsession is for all things French, is merely t作者: 老人病學(xué) 時(shí)間: 2025-3-26 13:58
Schlussbetrachtung und Ausblick,prentice playwright. Irish drama featured single successes like Brendan Behan’s . in 1954 and Sam Thompson’s . in 1960 but nothing sustained.. Samuel Beckett was operating in a different language and culture, at too great a remove to have an immediate influence.. In England in 1956 John Osborne had 作者: 間諜活動(dòng) 時(shí)間: 2025-3-26 17:19 作者: JECT 時(shí)間: 2025-3-27 00:32 作者: 朝圣者 時(shí)間: 2025-3-27 04:28 作者: affinity 時(shí)間: 2025-3-27 05:32
https://doi.org/10.1007/978-3-658-26340-9istory plays and that, however much those plays might have resonated off then-contemporary events in Northern Ireland, there was no explicit engagement with the present in his drama. Such an impression would be misleading. During that period, Friel wrote four original plays which did just that and w作者: slipped-disk 時(shí)間: 2025-3-27 11:44
https://doi.org/10.1007/978-3-658-26340-9cumentary on the playwright, which was released in 2000. It drew on freshly filmed interviews with fellow playwrights, actors, directors, academics and critics, including key members of Field Day (Stephen Rea, Seamus Deane, Seamus Heaney). But what contribution, if any, would this most reticent of p作者: DOTE 時(shí)間: 2025-3-27 15:11
http://image.papertrans.cn/b/image/190731.jpg作者: DUST 時(shí)間: 2025-3-27 17:56 作者: 出生 時(shí)間: 2025-3-28 00:31
Escaping Containment: The Early Plays of Brian Friel,t space of time. Most of the reviews were positive; but it was the word of mouth, and in particular the play’s impact on future theatre practitioners, that testified to its importance as a breakthrough in the history of the Irish theatre. Thomas Kilroy, who would make his own theatrical debut four y作者: chuckle 時(shí)間: 2025-3-28 02:31
Friel and the Director: Tyrone Guthrie and Hilton Edwards,res, to honour the achievement of Ireland’s greatest living playwright. Friel broke his customary silence and contributed to the festival booklet a series of single lengthy paragraphs outlining his views on seven key elements of the theatrical process: words, great actors, amateurs, music, directors作者: Pepsin 時(shí)間: 2025-3-28 07:03
Fantasy in Friel, Friel, and yet there is no getting around the prominence of fantasy in the work. Of the pre-. plays, . is the outstanding example, as the title itself suggests. The figure of Willie Logue, the Catholic post office worker in Derry whose latest cultural obsession is for all things French, is merely t作者: flamboyant 時(shí)間: 2025-3-28 14:02 作者: 無節(jié)奏 時(shí)間: 2025-3-28 16:55 作者: 連累 時(shí)間: 2025-3-28 22:19
,Friel’s ,: An Inquiry into the Disappearance of Lieutenant George Yolland,ation itself to show the dynamics of power operative throughout the play. But their dramatic analysis is confined to Act 1 and the burden of the argument centres on the go-between Owen’s ‘overtly skewed rendition of Captain Lancey’s speech to the Irish villagers’.. There is no mention of how the pla作者: Obloquy 時(shí)間: 2025-3-29 01:02 作者: ethnology 時(shí)間: 2025-3-29 05:30 作者: 2否定 時(shí)間: 2025-3-29 08:54 作者: 通便 時(shí)間: 2025-3-29 14:17
10樓作者: 和平 時(shí)間: 2025-3-29 16:47
10樓
