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標(biāo)題: Titlebook: Breast Cancer and the Post-Surgical Body; Recovering the Self Samantha Crompvoets Book 2006 Samantha Crompvoets 2006 cancer.Self.women [打印本頁(yè)]

作者: Reticent    時(shí)間: 2025-3-21 16:53
書目名稱Breast Cancer and the Post-Surgical Body影響因子(影響力)




書目名稱Breast Cancer and the Post-Surgical Body影響因子(影響力)學(xué)科排名




書目名稱Breast Cancer and the Post-Surgical Body網(wǎng)絡(luò)公開(kāi)度




書目名稱Breast Cancer and the Post-Surgical Body網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Breast Cancer and the Post-Surgical Body被引頻次




書目名稱Breast Cancer and the Post-Surgical Body被引頻次學(xué)科排名




書目名稱Breast Cancer and the Post-Surgical Body年度引用




書目名稱Breast Cancer and the Post-Surgical Body年度引用學(xué)科排名




書目名稱Breast Cancer and the Post-Surgical Body讀者反饋




書目名稱Breast Cancer and the Post-Surgical Body讀者反饋學(xué)科排名





作者: 較早    時(shí)間: 2025-3-21 20:21

作者: Coma704    時(shí)間: 2025-3-22 02:19

作者: 遠(yuǎn)足    時(shí)間: 2025-3-22 06:33
Towards Stealthy Malware Detection bottle golden hair. A shadow over her face reveals only that her eyes are downcast. A beige satin nightgown drapes around her lower back and her hands gently cup her new ‘Luxa Contact’ prosthesis. Slightly darker in colour than her own complexion, the device sits closely to her skin with a natural
作者: inflate    時(shí)間: 2025-3-22 10:00
Stelios Sidiroglou,Angelos D. KeromytisAt each step of the breast cancer trajectory women are confronted with choices: extent of surgery, adjuvant treatment options, whether to reshape their post-surgical body, and if so, how. The mastectomized body is framed as something that is to be temporary, existing as a hiatus until breast restoration decisions are made.
作者: condemn    時(shí)間: 2025-3-22 14:58

作者: PLIC    時(shí)間: 2025-3-22 17:06

作者: VEST    時(shí)間: 2025-3-23 00:26
Conclusions,Many assumptions are made about women who have a breast amputated. First, they will want all evidence of their breast cancer concealed. Secondly, they will want breast shape restored as soon as possible. Thirdly, this will be done either by wearing a prosthesis or by having the breast or breasts surgically reconstructed.
作者: 發(fā)起    時(shí)間: 2025-3-23 03:34

作者: 使迷惑    時(shí)間: 2025-3-23 07:25

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作者: 群島    時(shí)間: 2025-3-24 01:01
Narratives of the Self,h varying depths of analysis. I have identified four broad ways that researchers use illness narratives to explore the world of ‘biomedical reality, illness experience and its social and cultural underpinnings’.
作者: 燕麥    時(shí)間: 2025-3-24 02:56
Practices and Prostheses,s gently cup her new ‘Luxa Contact’ prosthesis. Slightly darker in colour than her own complexion, the device sits closely to her skin with a natural drape and just a hint of nipple. The accompanying text reads:
作者: Finasteride    時(shí)間: 2025-3-24 07:07
https://doi.org/10.1007/978-0-387-44599-1cket aside to reveal her right breast. The voice-over continues: ‘we thought showing just one would work better’. Ms Joss then pushes away the other side of her jacket revealing the site of her mastectomy.
作者: 流浪    時(shí)間: 2025-3-24 11:32
An Unacceptable Body,cket aside to reveal her right breast. The voice-over continues: ‘we thought showing just one would work better’. Ms Joss then pushes away the other side of her jacket revealing the site of her mastectomy.
作者: 起皺紋    時(shí)間: 2025-3-24 14:57

作者: 可忽略    時(shí)間: 2025-3-24 21:37
An Unacceptable Body, of the campaign was a commercial featuring a prominent public relations consultant and ex-actress, Barbara Joss, revealing her mastectomy scar. Not wanting to be identified at the time, the images of Ms Joss are from the neck down, her torso covered initially in a pink, lacy bed jacket with a bow a
作者: 鞠躬    時(shí)間: 2025-3-24 23:23

作者: Chagrin    時(shí)間: 2025-3-25 04:47
Practices and Prostheses, bottle golden hair. A shadow over her face reveals only that her eyes are downcast. A beige satin nightgown drapes around her lower back and her hands gently cup her new ‘Luxa Contact’ prosthesis. Slightly darker in colour than her own complexion, the device sits closely to her skin with a natural
作者: 流動(dòng)才波動(dòng)    時(shí)間: 2025-3-25 11:01
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