標(biāo)題: Titlebook: Brazilian Bodies and Their Choreographies of Identification; Swing Nation Cristina F. Rosa Book 2015 The Editor(s) (if applicable) and The [打印本頁(yè)] 作者: implicate 時(shí)間: 2025-3-21 18:07
書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification影響因子(影響力)
書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification讀者反饋
書(shū)目名稱(chēng)Brazilian Bodies and Their Choreographies of Identification讀者反饋學(xué)科排名
作者: exceptional 時(shí)間: 2025-3-21 23:21
Nuclear Plant Pressure Transmitters,th-century daily life of that former colony. Containing over 100 images, Rugendas’ ethnography houses the earliest known visual record of a capoeira game in Brazil. Briefly, the lithograph . (1835) depicts a lively gathering of black men and women watching a central wrestling match on the streets of Rio de Janeiro (Figure 4.1).作者: 惡心 時(shí)間: 2025-3-22 03:02
https://doi.org/10.1007/978-3-540-33704-1ically” sells Afro-Brazilian food on the streets of urban centers. Miranda’s impersonation of this market woman within a modern casino show illustrates, more importantly, the enduring popularity of this character-type within Rio de Janeiro’s entertainment industry. Accompanied by a group of samba musicians, ., Miranda sings:作者: SOB 時(shí)間: 2025-3-22 06:57
Investigating the Articulation of Ginga in Capoeira Angolath-century daily life of that former colony. Containing over 100 images, Rugendas’ ethnography houses the earliest known visual record of a capoeira game in Brazil. Briefly, the lithograph . (1835) depicts a lively gathering of black men and women watching a central wrestling match on the streets of Rio de Janeiro (Figure 4.1).作者: Kindle 時(shí)間: 2025-3-22 12:27
What is it about the Baiana?ically” sells Afro-Brazilian food on the streets of urban centers. Miranda’s impersonation of this market woman within a modern casino show illustrates, more importantly, the enduring popularity of this character-type within Rio de Janeiro’s entertainment industry. Accompanied by a group of samba musicians, ., Miranda sings:作者: Gum-Disease 時(shí)間: 2025-3-22 13:05
https://doi.org/10.1007/978-3-540-33704-1d on her body, the mulata Globeleza re-emerges to usher Brazilian telespectators into the carnival season. She entices them to watch Globo’s exclusive transmission of Rio’s world-famous samba school parades.作者: 挑剔為人 時(shí)間: 2025-3-22 17:02 作者: thrombus 時(shí)間: 2025-3-22 22:10 作者: forebear 時(shí)間: 2025-3-23 05:28
https://doi.org/10.1057/9781137462275Contemporary dance; international performance; Brazilian dance; body; Brazil; corpus; dance; nation; perform作者: oracle 時(shí)間: 2025-3-23 07:01 作者: 侵略者 時(shí)間: 2025-3-23 11:15 作者: 誘惑 時(shí)間: 2025-3-23 14:16 作者: JOT 時(shí)間: 2025-3-23 18:46 作者: 尾隨 時(shí)間: 2025-3-23 23:09 作者: SPASM 時(shí)間: 2025-3-24 05:39
https://doi.org/10.1007/978-1-84882-575-8ginga, connecting this sinuous and offbeat way of moving to the African presence in Brazilian culture and society. While I argued that anyone may, theoretically, step into the “Brazilian” swagger, I also postulated that the continuous deployment of the ginga aesthetic through movement shapes how peo作者: 言外之意 時(shí)間: 2025-3-24 10:22 作者: Atrium 時(shí)間: 2025-3-24 12:53
Nuclear Plant Pressure Transmitters,diately after Brazil’s proclamation of independence from Portugal, resulted in the publication of one of the most comprehensive portrayals of nineteenth-century daily life of that former colony. Containing over 100 images, Rugendas’ ethnography houses the earliest known visual record of a capoeira g作者: 束縛 時(shí)間: 2025-3-24 16:52
https://doi.org/10.1007/978-3-540-33704-1“O Que é Que a Baiana Tem?” (“What is it about the Baiana?”).. Briefly, the song pays homage to the . (i.e. a black female ambulatory vendor) who “typically” sells Afro-Brazilian food on the streets of urban centers. Miranda’s impersonation of this market woman within a modern casino show illustrate作者: antedate 時(shí)間: 2025-3-24 20:15
Nuclear Plant Temperature Instrumentation,chado de Assis. There, the founder of Brazil’s Academy of Literature (.) told the story of Porfílio, a working-class man who falls in love with a ballroom dancer named Gloria. Porfílio is enchanted, Machado de Assis tells us, by Gloria’s way of dancing, not by her looks. This tropical version of the作者: 冰雹 時(shí)間: 2025-3-25 00:45
https://doi.org/10.1007/978-3-540-33704-1ission, the company premiered its latest work. Each piece consisted of almost 45 minutes of uninterrupted dancing. Though the company’s innovative way of moving on stage touched me deeply, leaving a long-lasting impression in my young mind, I was equally moved to see Shell’s logo splashed all over t作者: enlist 時(shí)間: 2025-3-25 04:23 作者: 橢圓 時(shí)間: 2025-3-25 08:15 作者: Lacunar-Stroke 時(shí)間: 2025-3-25 11:48
Brazilian Bodies and Their Choreographies of Identification978-1-137-46227-5Series ISSN 2730-9266 Series E-ISSN 2730-9274 作者: placebo-effect 時(shí)間: 2025-3-25 19:17 作者: 不愛(ài)防注射 時(shí)間: 2025-3-25 22:40 作者: 石墨 時(shí)間: 2025-3-26 02:49
Maintenance for Industrial Systemse bodily swing — i.e. the ginga — present in Afro-Brazilian practices such as samba and capoeira have “contaminated” that European recreation in Brazil, transforming the Apollonian sport into a Dionysian dance or “foot-ball mulato” (see the Introduction).作者: bioavailability 時(shí)間: 2025-3-26 06:26
https://doi.org/10.1007/978-1-84882-575-8ds, the (multiple) way(s) we choose or are coerced to both conceptualize and utilize our moving bodies, our individual and collective corporealities, inform and are formed by how we make sense of the world around us, how we walk around, and what happens when we move that way.作者: Herpetologist 時(shí)間: 2025-3-26 10:15
Nuclear Plant Temperature Instrumentation,t sort of imaginary interpolation could resonate with the offspring of a horned ruminant known for its lively and frisky behavior with a typically all-white water bird notorious for its phallic neck? And, furthermore, what kind of daring acrobatic feat would this “crossbreed” idea have to execute in作者: aesthetician 時(shí)間: 2025-3-26 15:09
https://doi.org/10.1007/978-3-540-33704-1clusion). As I walked out of the theater that night, I also remember thinking to myself, and later sharing with my dance teachers and fellow students, that I had never seen a professional dance company in Brazil moving “l(fā)ike that.” Shortly after that performance, the dance critic Helena Katz propose作者: ICLE 時(shí)間: 2025-3-26 18:37
Brazilian Bodies and Their Choreographies of IdentificationSwing Nation作者: 想象 時(shí)間: 2025-3-26 21:55 作者: Horizon 時(shí)間: 2025-3-27 04:40
Decoding the Ginga Aesthetice bodily swing — i.e. the ginga — present in Afro-Brazilian practices such as samba and capoeira have “contaminated” that European recreation in Brazil, transforming the Apollonian sport into a Dionysian dance or “foot-ball mulato” (see the Introduction).作者: 加入 時(shí)間: 2025-3-27 06:38 作者: coalition 時(shí)間: 2025-3-27 12:19
Brazilian Bodies and Nationalism in Dancet sort of imaginary interpolation could resonate with the offspring of a horned ruminant known for its lively and frisky behavior with a typically all-white water bird notorious for its phallic neck? And, furthermore, what kind of daring acrobatic feat would this “crossbreed” idea have to execute in作者: 催眠藥 時(shí)間: 2025-3-27 17:02
What is it about Grupo Corpo?clusion). As I walked out of the theater that night, I also remember thinking to myself, and later sharing with my dance teachers and fellow students, that I had never seen a professional dance company in Brazil moving “l(fā)ike that.” Shortly after that performance, the dance critic Helena Katz propose作者: PHAG 時(shí)間: 2025-3-27 18:37 作者: 可以任性 時(shí)間: 2025-3-27 22:40 作者: 箴言 時(shí)間: 2025-3-28 04:48 作者: endocardium 時(shí)間: 2025-3-28 07:13 作者: metropolitan 時(shí)間: 2025-3-28 14:22 作者: 占線 時(shí)間: 2025-3-28 14:54 作者: NICE 時(shí)間: 2025-3-28 20:33
Brazilian Bodies and Nationalism in Dancechado de Assis. There, the founder of Brazil’s Academy of Literature (.) told the story of Porfílio, a working-class man who falls in love with a ballroom dancer named Gloria. Porfílio is enchanted, Machado de Assis tells us, by Gloria’s way of dancing, not by her looks. This tropical version of the
