標(biāo)題: Titlebook: Bram Stoker and the Gothic; Formations to Transf Catherine Wynne Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 America.bus [打印本頁] 作者: 猛烈抨擊 時間: 2025-3-21 18:48
書目名稱Bram Stoker and the Gothic影響因子(影響力)
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書目名稱Bram Stoker and the Gothic網(wǎng)絡(luò)公開度
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書目名稱Bram Stoker and the Gothic被引頻次學(xué)科排名
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書目名稱Bram Stoker and the Gothic讀者反饋學(xué)科排名
作者: inculpate 時間: 2025-3-21 21:08 作者: famine 時間: 2025-3-22 01:18
https://doi.org/10.1057/9781137465047America; business; culture; eighteenth century; empire; fiction; formation; gothic; industries; labour; litera作者: impale 時間: 2025-3-22 06:49
978-1-349-55468-3The Editor(s) (if applicable) and The Author(s) 2016作者: 虛度 時間: 2025-3-22 10:07
Bram Stoker and the Gothic978-1-137-46504-7Series ISSN 2634-6214 Series E-ISSN 2634-6222 作者: Antagonist 時間: 2025-3-22 13:20 作者: CLAM 時間: 2025-3-22 18:13
Ich Singe, Bis Ich Hundert Bin!,it is well known that the ethnic meaning of ‘Gothic’ originally referred to invasive, eastern Germanic, pagan tribes of the third to the sixth centuries AD (Sowerby, 2000: 15–26), there remains a disconnect between Gothicism as the legacy of Old Norse literature and the use of the term ‘Gothic’ to m作者: assail 時間: 2025-3-22 23:43
https://doi.org/10.1007/978-3-211-49343-4ir characters and their fictional worlds. Both appear as . novels, and their anxieties deal with the stability of society and its institutions. In . these anxieties centre on women’s autonomy, the nature of marriage, and patriarchy’s power. In . they focus on the need to restore Christian belief and作者: Missile 時間: 2025-3-23 01:32
Alexander Kluge, Magazin des Glücksrt story ‘The Squaw’ illustrates this point perfectly. Written by an Irishman living in England, it is set in Europe’s Gothic heart of Germany and concerns a (presumably) English couple and their meeting with an American frontiersman, demonstrating the ‘cross-cultural exchange’ (Elbert and Marshall,作者: Morsel 時間: 2025-3-23 08:03
Alexander Kluge, Magazin des Glücksn of this famous fictional place (Leatherdale, 1987: 97–9, 108–110; Frayling, 1991: 317–20, 331; Goldsworthy, 1998: 77–82; Miller, 2006: 122–7; Cris?an, 2013: 214–26). As Stoker never visited Transylvania, his representation of this space is partially inspired by the sources he consulted on the regi作者: Highbrow 時間: 2025-3-23 10:19
Ich Singe, Bis Ich Hundert Bin!, in AD 867. That reference as well as other frequent references to real and imagined invasions means that . can be described as an invasion narrative, a type of plot that originated with George Chesney’s . in 1871 and produced more familiar novels such as . by H.G. Wells (1898). The invasion narrati作者: ANIM 時間: 2025-3-23 15:38
Ich Singe, Bis Ich Hundert Bin!,igation, it is the stuff of . nightmares. In the wake of Darwin’s . (1859), the prevailing anxiety creeping through the late Victorian period was one of intellectual, physical and moral decline. Britain was haunted by the fear of degeneration at a time when its economic dominance was confronted by a作者: 宮殿般 時間: 2025-3-23 18:13
,Und Wenn Die Welt Voll Teufel W?r?,the skin of the child. Stoker’s lesser-read Gothics express Victorian patriarchal gynaecological anxieties of maternal imprinting, the notion that the pregnant mother’s sensory experiences and traumas would physically mark her unborn child . (1897), of course, notoriously codifies the maternal as co作者: SOB 時間: 2025-3-23 23:05
,?ffentlichkeit und Erfahrung, Faust, should talks break down irretrievably between the negotiating parties.. That the threat of force lay behind the constitutional ‘peace by ordeal’ was never in doubt, but what exactly was meant by terrible and immediate war seems less clear. One likelihood is that it would have involved what was then作者: indices 時間: 2025-3-24 05:25
Alexander Kluge, Magazin des Glückss a sacred space or seat of worship. It was Henry Irving’s temple, with Bram Stoker as his trusted business manager, where he gained a reputation for playing both saints and sinners: the fiendish Mephistopheles in . (1885) and guilt-ridden murderer, Mathias, in . (1871) as well as Oliver Goldsmith’s作者: DUST 時間: 2025-3-24 07:42
,Und Wenn Die Welt Voll Teufel W?r?,and suggesting the obscure wording which all readers now encounter at the beginning of the novel: ‘To my dear friend Hommy-Beg’. Stoker floated the alternative of naming Caine more formally but evidently preferred the idea of using his joke name for his friend, reassuring him that ‘if the book is ev作者: NUDGE 時間: 2025-3-24 11:09 作者: Amylase 時間: 2025-3-24 15:15 作者: Carcinoma 時間: 2025-3-24 22:57 作者: aquatic 時間: 2025-3-25 02:45 作者: 引起 時間: 2025-3-25 04:55
https://doi.org/10.1007/978-3-211-49343-4ury gothic vision is meant to critique traditional views of women and the patriarchy that supports them; whereas Stoker’s later 19th-century tale looks to re-establish the familiar patterns and institutions of a declining religious and gender status quo.作者: Bravado 時間: 2025-3-25 11:19
Alexander Kluge, Magazin des Glücks would suggest, for Poe. This is an aspect of Stoker’s fiction that has not been widely discussed, but provides a revealing lens through which to read his earlier fiction, which demonstrates this influence strongly.作者: 草率女 時間: 2025-3-25 13:36
Alexander Kluge, Magazin des GlücksMazuchelli], ‘. (1881), Major E.C. . (1885) – and an article, ‘Transylvanian Superstitions’ by Emily Gerard, published in . (1885) and included in the volume . (1888). However, there is no doubt that it is Stoker’s originality which created the successful image of the fictional Transylvania.作者: sleep-spindles 時間: 2025-3-25 18:46 作者: 禍害隱伏 時間: 2025-3-25 20:51 作者: wall-stress 時間: 2025-3-26 02:41 作者: Accessible 時間: 2025-3-26 04:48
2634-6214 genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic‘s preoccupation with the supernatural, decayed aristocracy and incarceration作者: 英寸 時間: 2025-3-26 09:32
,Und Wenn Die Welt Voll Teufel W?r?,ternative of naming Caine more formally but evidently preferred the idea of using his joke name for his friend, reassuring him that ‘if the book is ever worth remembering it will be well understood what is meant’..作者: 遺忘 時間: 2025-3-26 16:38
https://doi.org/10.1007/978-3-030-01003-4gnificant but traumatic incidents of Stoker’s life, from his mysterious childhood illness to the alleged syphilis which supposedly hastened his death. As Barbara Belford asserts in the Introduction to her . (1996),作者: 顛簸下上 時間: 2025-3-26 17:39 作者: Reservation 時間: 2025-3-26 22:39
The Un-Death of the Author: The Fictional Afterlife of Bram Stoker,gnificant but traumatic incidents of Stoker’s life, from his mysterious childhood illness to the alleged syphilis which supposedly hastened his death. As Barbara Belford asserts in the Introduction to her . (1996),作者: Nonflammable 時間: 2025-3-27 01:40 作者: 喚起 時間: 2025-3-27 07:12 作者: 饒舌的人 時間: 2025-3-27 11:01 作者: 偽造者 時間: 2025-3-27 15:21
Introduction,agined through folklore and literature finding its ‘fullest expression’ in literature produced in the mid-19th century (Wallis, 2005: 2). By the time of its bicentenary in 1866, the Eyam plague was firmly embedded in cultural heritage and Eyam itself became, and remains to this day, a sombre tourist site.作者: Sciatica 時間: 2025-3-27 19:08
,Invasions Real and Imagined: Stoker’s Gothic Narratives, even those that are not Gothic, are unusually dominated by references to invasions. His most Gothic works – . (1897), . (1903), . (1909), and . (1911) – all centre on real or imagined invasions, and references to actual historical invasions loom in the background of . (1890), . (1902), . (1905), and ‘The Squaw’ (1893).作者: Budget 時間: 2025-3-28 00:06
Gallants, Ghosts, and Gargoyles: Illustrating the Gothic Tale,c works including my illustrations for a 2012 edition of Stoker’s . (1909). I begin by explaining how I conceive the processes of illustration; I will include example images from my own work in graphite and oil later in the chapter.作者: chance 時間: 2025-3-28 04:29
Book 2016e the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic‘s preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy作者: 吞沒 時間: 2025-3-28 09:06
Introduction,leashing of the bubonic plague in this small community. The disease allegedly killed 260 of Eyam’s residents before it abated over a year later. Although having little knowledge of the spread of infection, the villagers sealed off their community and this self-imposed quarantine prevented the diseas作者: Inscrutable 時間: 2025-3-28 12:52 作者: 單挑 時間: 2025-3-28 15:05 作者: 女歌星 時間: 2025-3-28 22:48
,Stoker, Poe, and American Gothic in ‘The Squaw’,rt story ‘The Squaw’ illustrates this point perfectly. Written by an Irishman living in England, it is set in Europe’s Gothic heart of Germany and concerns a (presumably) English couple and their meeting with an American frontiersman, demonstrating the ‘cross-cultural exchange’ (Elbert and Marshall,作者: 使厭惡 時間: 2025-3-29 00:22
Bram Stoker and Gothic Transylvania,n of this famous fictional place (Leatherdale, 1987: 97–9, 108–110; Frayling, 1991: 317–20, 331; Goldsworthy, 1998: 77–82; Miller, 2006: 122–7; Cris?an, 2013: 214–26). As Stoker never visited Transylvania, his representation of this space is partially inspired by the sources he consulted on the regi作者: 阻擋 時間: 2025-3-29 05:29 作者: infringe 時間: 2025-3-29 08:23 作者: adumbrate 時間: 2025-3-29 12:42 作者: 罵人有污點 時間: 2025-3-29 15:41 作者: ciliary-body 時間: 2025-3-29 21:04 作者: 駕駛 時間: 2025-3-30 01:00 作者: 斗爭 時間: 2025-3-30 04:28 作者: alleviate 時間: 2025-3-30 10:28
The Un-Death of the Author: The Fictional Afterlife of Bram Stoker, of the critical drive to interpret . through the biography of its author, to trace its origins in what have been conventionally interpreted as the significant but traumatic incidents of Stoker’s life, from his mysterious childhood illness to the alleged syphilis which supposedly hastened his death.作者: 疼死我了 時間: 2025-3-30 14:42 作者: 農(nóng)學(xué) 時間: 2025-3-30 17:54 作者: 前面 時間: 2025-3-30 20:47
