標題: Titlebook: Bollywood Shakespeares; Craig Dionne (professor of Literary and Cultural T Book 2014 Craig Dionne and Parmita Kapadia 2014 cinema.essay.fi [打印本頁] 作者: 作業(yè) 時間: 2025-3-21 16:53
書目名稱Bollywood Shakespeares影響因子(影響力)
書目名稱Bollywood Shakespeares影響因子(影響力)學科排名
書目名稱Bollywood Shakespeares網(wǎng)絡公開度
書目名稱Bollywood Shakespeares網(wǎng)絡公開度學科排名
書目名稱Bollywood Shakespeares被引頻次
書目名稱Bollywood Shakespeares被引頻次學科排名
書目名稱Bollywood Shakespeares年度引用
書目名稱Bollywood Shakespeares年度引用學科排名
書目名稱Bollywood Shakespeares讀者反饋
書目名稱Bollywood Shakespeares讀者反饋學科排名
作者: 閃光你我 時間: 2025-3-21 20:28
,Die Dosimetrie der R?ntgenstrahlen,... Adaptation has long been considered acceptable in Indian artistic traditions, and is perceived neither as indicative of an embarrassing lack of “originality,” nor as transgressive or revisionary. Discussing the history of Shakespearean performance in India, Poonam Trivedi points out that in the 作者: 證明無罪 時間: 2025-3-22 01:39 作者: FLIT 時間: 2025-3-22 05:05
https://doi.org/10.1007/978-3-642-47822-2wer as a song or fragments of a song,” offering examples of the use of tunes from one film in a separate film, creating an extradiegetic musical world that encompasses both the characters of the films and audience members. .作者: 繁忙 時間: 2025-3-22 10:02 作者: JEER 時間: 2025-3-22 15:00
Shakespeare and Bollywood: The Difference a World Makesdescribe the uncanny feel of the music due to its being sung offstage in a sound stage and “l(fā)ooped” into the performance, you might say “the music seems altogether metatextual, different performers whose popular songs are stitched—or ‘synched’—into the story in a way that provides a frame for the na作者: opprobrious 時間: 2025-3-22 18:04
The Global as Local/Othello as Omkara... Adaptation has long been considered acceptable in Indian artistic traditions, and is perceived neither as indicative of an embarrassing lack of “originality,” nor as transgressive or revisionary. Discussing the history of Shakespearean performance in India, Poonam Trivedi points out that in the 作者: 建筑師 時間: 2025-3-22 23:04
Interrogating “Bollywood Shakespeare”: Reading Rituparno Ghosh’s tragedies, like Vishal Bhardwaj’s . and . (discussed in the previous section of this volume). These distinct kinds of filmic engagement with Shakespeare are posited on different understandings of the bard’s Indian legacy and the politics of adaptation and appropriation. Further, they suggest differ作者: 抵制 時間: 2025-3-23 02:24
The Sounds of India in Supple’s wer as a song or fragments of a song,” offering examples of the use of tunes from one film in a separate film, creating an extradiegetic musical world that encompasses both the characters of the films and audience members. .作者: spondylosis 時間: 2025-3-23 06:18
Afterword: Shakespeare and Bollywoodsign of the times—to negotiate and legitimize this in academic discourse is the task of this collection. While Shakespeare on film has been the fastest growing branch of Shakespeare studies, this is the first time that it has been extended to encompass, in a book length study, another equally fast g作者: Permanent 時間: 2025-3-23 10:29 作者: 排他 時間: 2025-3-23 17:02 作者: 輕浮思想 時間: 2025-3-23 19:23
No Country for Young Women:Empowering Emilia in Vishal Bhardwaj’s 作者: 使閉塞 時間: 2025-3-24 00:42 作者: colostrum 時間: 2025-3-24 05:24 作者: 熱心助人 時間: 2025-3-24 09:02
Comedies of Errors: Shakespeare,Indian Cinema, and the Poetics of Mistaken Identityus to take pleasure in the incongruous and inappropriate emotional responses that are solicited by situations that are erroneously appraised and understood, from mistakenly placed or seemingly inappropriate affection to misplaced anger or rage. 作者: Mindfulness 時間: 2025-3-24 12:56
Bollywood Battles the Bard: The Evolving Relationship between Film and Theater in , Wallahoductions and popular Hindi cinema. . balances Shakespeare’s texts with the cinematic and cultural traditions of the Bollywood industry to comment on, and obliquely critique, the unique historical moment that bridges the colonial period and the emerging postcolonial nation.作者: 俗艷 時間: 2025-3-24 17:28
,Schlussbetrachtung und Resümee,oductions and popular Hindi cinema. . balances Shakespeare’s texts with the cinematic and cultural traditions of the Bollywood industry to comment on, and obliquely critique, the unique historical moment that bridges the colonial period and the emerging postcolonial nation.作者: cuticle 時間: 2025-3-24 19:40 作者: airborne 時間: 2025-3-25 00:36 作者: 虛構(gòu)的東西 時間: 2025-3-25 05:30 作者: 衰老 時間: 2025-3-25 09:06 作者: 畫布 時間: 2025-3-25 11:45 作者: 執(zhí)拗 時間: 2025-3-25 16:15 作者: 管理員 時間: 2025-3-25 21:02
Comedies of Errors: Shakespeare,Indian Cinema, and the Poetics of Mistaken Identity. By creating a plot around two sets of twins, Shakespeare self-consciously draws attention to the role of the twin conceit in generating misrecognition. For Aristotle, tragedy was based on . or recognition that arises from a failure of understanding or misrecognition that can be tragic in its conse作者: enchant 時間: 2025-3-26 01:00
Afterword: Shakespeare and Bollywoodg increasingly naturalized. While both Shakespeare and Bollywood can be said to constitute cultural capitals of a kind—Shakespeare the millennial poet whose worldwide performance and publication bespeaks a global presence, and Bollywood, the largest film industry in the world, whose audiences are sa作者: magnanimity 時間: 2025-3-26 08:04 作者: Evocative 時間: 2025-3-26 11:33
https://doi.org/10.1057/9781137375568cinema; essay; film; poetics; postcolonialism; theatre; William Shakespeare; world cinema; British and Irish作者: ANTI 時間: 2025-3-26 14:10 作者: 確定 時間: 2025-3-26 20:14
2730-9304 to Bollywood‘s representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.978-1-349-48148-4978-1-137-37556-8Series ISSN 2730-9304 Series E-ISSN 2730-9312 作者: 洞察力 時間: 2025-3-27 00:59
,Wissenschaften und die Künste,e its roots in specific cultural types of theaters or genres. For instance, instead of saying “it is indebted to Parsi theater,” you would have to say “it borrows from the an age-old theatre based in feudal romance and its tropes—realism and fantasy, snide humor, catchy folk songs, feats of daring o作者: patriarch 時間: 2025-3-27 01:56 作者: inhumane 時間: 2025-3-27 06:41 作者: Interferons 時間: 2025-3-27 13:21
H. Guhrauer,L. Halberstaedter,P. Wichmannlm, .. A serious art-house movie, it pays a nostalgic tribute to the traditional Shakespearean stage even as it launches a powerful critique of popular Indian cinema. However, the film also deploys the biggest stars of the mainstream commercial Bombay film industry and their popular appeal. As such,作者: JEER 時間: 2025-3-27 16:32
https://doi.org/10.1007/978-3-642-47822-2 numbers have been interpolated, a hybrid film of dramatic and musical performance that appeals to multiple audiences. Two recent examples include director/writer/composer Vishal Bhardwaj’s . (2006) and . (2003), adaptations of . and . set in the Indian criminal underworld. While these two films fol作者: mastopexy 時間: 2025-3-27 19:43 作者: Oratory 時間: 2025-3-27 23:56 作者: Incorporate 時間: 2025-3-28 02:40
Bollywood Shakespeares978-1-137-37556-8Series ISSN 2730-9304 Series E-ISSN 2730-9312 作者: 美色花錢 時間: 2025-3-28 09:30 作者: Ingrained 時間: 2025-3-28 11:44 作者: 畏縮 時間: 2025-3-28 16:02
British Romanticism and the Edinburgh Reviewe demonstrated whilst retaining the capability of a high performance parallel implementation of GP. Indeed, a 74% improvement in the speed of GP is achieved with a peak rate of 96 billion GPop/s for classification type problems.作者: 新義 時間: 2025-3-28 22:42 作者: 有發(fā)明天才 時間: 2025-3-29 00:41
Iztok Fister Jr.,Iztok Fistererface, current transport in the MESFET is fluctuated by the capture and release of free carriers at these surface states. As a result, the MESFET has a higher noise level than the JFET. The major difference between the MESFET and the metal—oxide semiconductor field-effect transistor (MOSFET), which作者: 移植 時間: 2025-3-29 06:01
Gerald A. EpsteinTo the best of our knowledge, multivariate EMD within a compressive sensing framework is the first attempt for the LiDAR point clouds of forests. We compare our results based on the Canopy Height Model (CHM) derived from the reconstructed LiDAR point clouds.作者: embolus 時間: 2025-3-29 10:57
Book 2015obile multi-agent system with very simple individual behaviours is employed. It is shown their interactions yield emergent behaviour showing complex self-organised pattern formation with material-like evolution. The presented model reproduces the biological behaviour of Physarum; the formation, grow作者: Decline 時間: 2025-3-29 14:11 作者: Narcissist 時間: 2025-3-29 19:35 作者: Benign 時間: 2025-3-29 22:56
