標題: Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin; Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author [打印本頁] 作者: 使委屈 時間: 2025-3-21 19:05
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin影響因子(影響力)
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin影響因子(影響力)學科排名
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin網絡公開度
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin網絡公開度學科排名
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin被引頻次
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin被引頻次學科排名
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin年度引用
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin年度引用學科排名
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin讀者反饋
書目名稱Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin讀者反饋學科排名
作者: 決定性 時間: 2025-3-21 22:43
2662-9364 n American cinema since 2001.Examines shared strategies of r.Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and 作者: 聽寫 時間: 2025-3-22 01:32
Topics in Language and Linguisticsication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.作者: PRISE 時間: 2025-3-22 08:29
,The Lesbian Utopia of Albertina Carri’s , (2018),ication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.作者: 樹木心 時間: 2025-3-22 08:57
Book 20226), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..作者: defendant 時間: 2025-3-22 15:58 作者: 報復 時間: 2025-3-22 19:14
978-3-030-84560-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 聚集 時間: 2025-3-22 22:51 作者: 要控制 時間: 2025-3-23 02:19 作者: 敬禮 時間: 2025-3-23 06:28 作者: 時間等 時間: 2025-3-23 11:55 作者: craven 時間: 2025-3-23 14:21 作者: 不舒服 時間: 2025-3-23 20:19
Topics in Language and Linguisticseminist, lesbian pornographic film disrupts heteronormative optics to present a utopian, queer vision of corporeal independence and pleasure. Re-visioning lesbian feminist spectatorship, . narrates from the margins of the margin by including not only lesbian characters but also diverse body types, d作者: Hemodialysis 時間: 2025-3-24 01:28
Reflective Practice in the Arts(Dir. Julia Solomonoff, 2009), and . (Dir. Patricia Ortega, 2018). The first three films use narratives of childhood to destabilize sex and gender binaries. . constructs liminal spaces in which gender and sexual dichotomies are loosened and new paradigms emerge. . reveals the harmful effects of stri作者: Deference 時間: 2025-3-24 06:00 作者: GRILL 時間: 2025-3-24 10:19
Reflective Practice in the Artsroles. The Chilean film . (Dir. Sebastián Lelio, 2017) and the Brazilian documentary . (Dir. Claudia Priscilla and Kiko Goifman, 2018) use embodiment of the subject for progressive sociopolitical advocacy along lines of sex, gender, race, and ethnicity. Starring trans actress Daniela Vega, . pushes 作者: 偏見 時間: 2025-3-24 14:20
2662-9364 he establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..978-3-030-84560-5978-3-030-84558-2Series ISSN 2662-9364 Series E-ISSN 2662-9372 作者: 某人 時間: 2025-3-24 16:54
Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin作者: LIKEN 時間: 2025-3-24 22:16 作者: grudging 時間: 2025-3-25 02:25 作者: 好開玩笑 時間: 2025-3-25 07:11 作者: Engaging 時間: 2025-3-25 11:27 作者: Tailor 時間: 2025-3-25 14:06 作者: Ornament 時間: 2025-3-25 19:27 作者: 吞沒 時間: 2025-3-25 22:39
The Development of Bilingual Literacy Skillsprogression from (1) positing the problematics of lesbian desire and heterosexual motherhood in . to (2) exploring strategies for resisting heteronormative optics and being positioned as a passive object of the male gaze (Laura Mulvey) in . and (3) activating the viewer’s own capabilities of critica作者: fiction 時間: 2025-3-26 00:19 作者: Anhydrous 時間: 2025-3-26 06:47 作者: 不出名 時間: 2025-3-26 12:32 作者: OTTER 時間: 2025-3-26 14:44 作者: 暫停,間歇 時間: 2025-3-26 20:14
,Lesbian Pathology and Monstrous Maternity in Lucrecia Martel’s Salta Trilogy, sexuality via unconventional imagery and signifying practice. This includes defying classical Hollywood conventions, acoustic effects that disorient the viewer, and haptic/tactile emphases on characters’ minute bodily contacts and sensations. This combination of methods scaffolds the Salta Trilogy’作者: Plaque 時間: 2025-3-27 00:12 作者: Indicative 時間: 2025-3-27 01:31
Non-Binary: Gender Trouble and Intersex Bodies in Latin American Cinema,(Dir. Julia Solomonoff, 2009), and . (Dir. Patricia Ortega, 2018). The first three films use narratives of childhood to destabilize sex and gender binaries. . constructs liminal spaces in which gender and sexual dichotomies are loosened and new paradigms emerge. . reveals the harmful effects of stri作者: Lobotomy 時間: 2025-3-27 09:00 作者: 煉油廠 時間: 2025-3-27 12:06 作者: 脫落 時間: 2025-3-27 15:31
Robert A. Gastaldo,Marion Bamford,John Calder,William A. DiMichele,Roberto Iannuzzi,André Jasper,Hant a knowledge base for relations extracted from Chinese encyclopedias. The experimental results show the effectiveness of our approach to extract relations with reasonable domain, range, and path pattern restrictions, as well as high-quality triples.作者: 古董 時間: 2025-3-27 19:06 作者: microscopic 時間: 2025-3-27 22:56
Book 2020escriptive psychology or “descriptive phenomenology” and some of his most innovative developments, for instance in the theory of emotions. The final section examines metaphysical issues and applications of his mereology. His reism takes here an important place...The intended readership of this book 作者: 過渡時期 時間: 2025-3-28 05:11
Introduction to Part In a way that ensures the firm bears only the risks its management and board want exposure to (Stulz, 2008: 58f.), produces its own risks, generated through an inadequate notion of risk which lacks a proper systemic viewpoint. A culture has emerged in theory (economics and finance) and practice (fina作者: Vital-Signs 時間: 2025-3-28 08:12 作者: 小口啜飲 時間: 2025-3-28 12:32
Book 2016cope of comparison includes liability regimes in general and in detail, the correlation between pecuniary remedies available under international law and under domestic law, and special (alternative) compensation systems. All sources of human rights violations are embraced, including historical injus
