標(biāo)題: Titlebook: Body and Event in Howard Barker‘s Drama; From Catastrophe to Alireza Fakhrkonandeh Book 2019 The Editor(s) (if applicable) and The Author( [打印本頁] 作者: 不服從 時間: 2025-3-21 16:45
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書目名稱Body and Event in Howard Barker‘s Drama讀者反饋學(xué)科排名
作者: fastness 時間: 2025-3-21 21:05 作者: TIA742 時間: 2025-3-22 02:15 作者: Pillory 時間: 2025-3-22 07:54 作者: Wernickes-area 時間: 2025-3-22 12:13 作者: 老人病學(xué) 時間: 2025-3-22 16:46 作者: Goblet-Cells 時間: 2025-3-22 19:53 作者: insular 時間: 2025-3-22 21:51
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 斜 時間: 2025-3-23 01:39
https://doi.org/10.1007/b104335 drama, in its treatment and conception of history, diverges from various modes/trends of historical representation by developing an “evental”—rather than a linear-progressive or dialectical-teleological—model. This evental model is driven by the aporetic logic of arrivant (Anti-History) and actuali作者: 擦掉 時間: 2025-3-23 06:11 作者: 名字 時間: 2025-3-23 11:23 作者: 羅盤 時間: 2025-3-23 14:58
Accountancy and Book-Keeping (UDC 657),death of God as the condition of possibility of his art of tragedy, and setting death and desire as its ontological premises, Barker’s drama manifests prominent metaphysical dimensions and concerns. This “a-theological”—and not atheist—approach, however, does not make him ignore God and the pivotal 作者: 送秋波 時間: 2025-3-23 18:11
https://doi.org/10.1007/978-3-663-04227-3 of knowledge and (ethical-political) power, along with the competing economies of desire and subjectivation. The body is also discerned as the place of convergence, contestation, and interplay of diverse discursive and non-discursive forces. Body thus features as a conflicted site of self-knowledge作者: MIRTH 時間: 2025-3-24 00:40 作者: Pcos971 時間: 2025-3-24 03:56
Alireza FakhrkonandehRepresents the first book to apply Deleuze‘s ‘philosophy of the event‘ to Barker‘s work.Offers a new re-contextualization of The Castle in the context of post-9/11 and Brexit.Brings feminist theory to作者: 使習(xí)慣于 時間: 2025-3-24 10:01 作者: bile648 時間: 2025-3-24 12:24
https://doi.org/10.1007/b104335f .—where Skinner is depicted as the main tragic protagonist—and posits Ann as the central character. Ann is here argued to embody an alternative (to the matriarchal or patriarchal) economy and ethics (of desire, gender, and subjectivity) thereby instigating the three pivotal events of the play: the作者: Contend 時間: 2025-3-24 17:33 作者: 沒收 時間: 2025-3-24 21:44
https://doi.org/10.1007/978-3-662-25377-9b—both in . and in Barker more generally—as a choratic-chiasmatic space where the idealist paradigm of metaphysics, phallogocentrism, moral rationality, and unified identity are deconstructed; (2) the experience of pregnancy—both in relation to Ann and more generally in Barker—is depicted as an ethi作者: 噴油井 時間: 2025-3-24 23:26 作者: Horizon 時間: 2025-3-25 06:34 作者: Antagonism 時間: 2025-3-25 10:51
General Management (UDC 65.01), modes of sociality and self-conception: a tragic community of those who have nothing in common but their shared experience of loss and its immanent ethics of infinity. Finally, we will see how the tempting offer of the rehabilitation of a revisionary form of governmentality, to wit, the formation o作者: 流逝 時間: 2025-3-25 12:23 作者: FLUSH 時間: 2025-3-25 16:05
and Other Plays,lly phallic/phallocratic structure to its cumulative accrual of circular layers and folds, culminating into its relapsing into an “amorphous” mass of walls, I will argue that the castle in its final form incarnates a chaos (chiasmatic) dynamics. As regards time, critically drawing on Irigaray’s gend作者: Adjourn 時間: 2025-3-25 20:09
Desire, Language and Pregnancy/Maternity in , and Other Plays,b—both in . and in Barker more generally—as a choratic-chiasmatic space where the idealist paradigm of metaphysics, phallogocentrism, moral rationality, and unified identity are deconstructed; (2) the experience of pregnancy—both in relation to Ann and more generally in Barker—is depicted as an ethi作者: HOWL 時間: 2025-3-26 02:49 作者: 騷擾 時間: 2025-3-26 05:12
Disciplinary Apparatus and the Paining of Transgressive Bodies,ess and body of the individual as their target. We will see how a salient instance of such twofold disciplinary practices—confession—reveals the concomitance of the hermeneutics of the subject and discursively produced modes of truth, value, and knowledge. One of the crucial outcomes of this discurs作者: Seizure 時間: 2025-3-26 12:01
The Moment of Con-tactile Aesth-Ethics, modes of sociality and self-conception: a tragic community of those who have nothing in common but their shared experience of loss and its immanent ethics of infinity. Finally, we will see how the tempting offer of the rehabilitation of a revisionary form of governmentality, to wit, the formation o作者: zonules 時間: 2025-3-26 16:02 作者: 起皺紋 時間: 2025-3-26 19:09 作者: 翻動 時間: 2025-3-27 00:07
tical and libidinal economy, at stake in 20 other plays by Barker (including .Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo., among others).??978-3-030-28699-6作者: 領(lǐng)導(dǎo)權(quán) 時間: 2025-3-27 01:32 作者: Clumsy 時間: 2025-3-27 06:23
9樓作者: aviator 時間: 2025-3-27 10:04
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10樓作者: 丑惡 時間: 2025-3-27 23:55
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