作者: occult 時(shí)間: 2025-3-21 20:53
,‘Beneath the Bloody Scourge Laid Bare the Man’: Slavery and Violence,tural landscape. Graphic descriptions of slave atrocities were regarded as a powerful cultural tool for critiquing European ‘civilised’ values. In order to point the finger of blame squarely at the European slave trade, anti-slavery writers developed a highly effective and influential repertoire of 作者: Badger 時(shí)間: 2025-3-22 01:21
,‘Disturbed Imagination’: The French Revolution, Here is one familiar thesis: If the excessive violence of the French revolution had not taken place there would be no British Romanticism. A profound disillusionment with the Jacobin regime of Terror led the first generation of Romantic poets to abandon radical politics and to seek salvation in nat作者: Parallel 時(shí)間: 2025-3-22 07:17 作者: GLIB 時(shí)間: 2025-3-22 09:08
,American ‘Savagery’,ormers of spectacular violence is already extensive but by no means complete. This chapter will look at another prominent player in the grim theatre of bloody Romanticism, the American Indian. However, as the title of the chapter indicates, Indian violence was only one component of bloody conflict i作者: progestin 時(shí)間: 2025-3-22 14:21
Unruly People: The Spectacular Riot,and, this violence has a significantly different character to the atrocities studied so far in this book. First, it is collective violence; second, the target of the violence is property not people. In one sense, therefore, we are dealing with ‘bloodless’ rather than bloody vignettes, but the aim of作者: 盡責(zé) 時(shí)間: 2025-3-22 20:31
Hilbert’s 16th Problem and Its Weak Formure, the literary imagination and the exploration of subjectivity. Romanticism, therefore, was a sublimation, displacement or exorcism of the unbearable violence of history. The personal replaced the public; poetic idealism replaced political idealism.作者: Misgiving 時(shí)間: 2025-3-22 21:49 作者: GUISE 時(shí)間: 2025-3-23 01:48 作者: Inculcate 時(shí)間: 2025-3-23 06:21
,American ‘Savagery’,f bloody Romanticism, the American Indian. However, as the title of the chapter indicates, Indian violence was only one component of bloody conflict in America, and it is essential to place the demonized figure of the ‘savage’ Indian in this wider geopolitical and cultural context.作者: 繁忙 時(shí)間: 2025-3-23 13:17
,‘Disturbed Imagination’: The French Revolution,ure, the literary imagination and the exploration of subjectivity. Romanticism, therefore, was a sublimation, displacement or exorcism of the unbearable violence of history. The personal replaced the public; poetic idealism replaced political idealism.作者: BRIBE 時(shí)間: 2025-3-23 16:45
Chapter 1 Centers and Limit Cyclesng the Indians where he had been well treated’, and that he has persistently evaded press-ganging: ‘he would rather be in hell than be pressed’. The next day, Wordsworth composes another poem ‘The Emigrant Mother’..作者: 高歌 時(shí)間: 2025-3-23 19:26
Introduction: Romantic Agonies,ng the Indians where he had been well treated’, and that he has persistently evaded press-ganging: ‘he would rather be in hell than be pressed’. The next day, Wordsworth composes another poem ‘The Emigrant Mother’..作者: FLEET 時(shí)間: 2025-3-23 22:58 作者: 十字架 時(shí)間: 2025-3-24 05:26
,‘The Most Distressful Country’: The Irish Rebellion of 1798,rce of spectacular violence. But at the same time as Romantic readers consumed the bloody vignettes of the conflict, the proximity of the event must have evoked grave fears and anxieties: if the rebellion succeeded, what next? As Ruan O’Donnell notes, the rebellion was ‘the most serious armed domest作者: ANA 時(shí)間: 2025-3-24 09:40
Unruly People: The Spectacular Riot,pular politics. It is this tension between pathologization and politicization which generated what I am calling the ‘spectacular’ mob, the spectre of popular insurrection which haunted bourgeois culture until well into the nineteenth century. This is another topic which needs to be more integrated i作者: Colonoscopy 時(shí)間: 2025-3-24 12:23
Abelian Integrals and Limit Cyclesect of violation. But the central thrust of these representations was not just a damning portrait of the reality of the slave system (in which the facts would speak for themselves) but the conversion of the slave into an archetypal victim who was the responsibility of the reader. It was necessary to作者: 自作多情 時(shí)間: 2025-3-24 15:49 作者: Infinitesimal 時(shí)間: 2025-3-24 20:21
Monodromy of Hyperelliptic Abelian Integralspular politics. It is this tension between pathologization and politicization which generated what I am calling the ‘spectacular’ mob, the spectre of popular insurrection which haunted bourgeois culture until well into the nineteenth century. This is another topic which needs to be more integrated i作者: ILEUM 時(shí)間: 2025-3-25 02:22 作者: strdulate 時(shí)間: 2025-3-25 05:31 作者: 強(qiáng)化 時(shí)間: 2025-3-25 09:05
Abelian Integrals and Limit Cyclestural landscape. Graphic descriptions of slave atrocities were regarded as a powerful cultural tool for critiquing European ‘civilised’ values. In order to point the finger of blame squarely at the European slave trade, anti-slavery writers developed a highly effective and influential repertoire of 作者: 燦爛 時(shí)間: 2025-3-25 14:59
Hilbert’s 16th Problem and Its Weak Form Here is one familiar thesis: If the excessive violence of the French revolution had not taken place there would be no British Romanticism. A profound disillusionment with the Jacobin regime of Terror led the first generation of Romantic poets to abandon radical politics and to seek salvation in nat作者: aerobic 時(shí)間: 2025-3-25 17:46
https://doi.org/10.1007/978-3-7643-8410-4of Romanticism. One reason for this neglect could be the apparent absence of Romantic literary texts which represent the rebellion, a gap which this chapter should begin to fill. A further reason could be the ameliorative shape of the course of events: the defeat of the rebellion and the Act of Unio作者: defile 時(shí)間: 2025-3-25 22:47 作者: 狂怒 時(shí)間: 2025-3-26 02:35
Monodromy of Hyperelliptic Abelian Integralsand, this violence has a significantly different character to the atrocities studied so far in this book. First, it is collective violence; second, the target of the violence is property not people. In one sense, therefore, we are dealing with ‘bloodless’ rather than bloody vignettes, but the aim of作者: intuition 時(shí)間: 2025-3-26 05:56
2634-6516 nt events including the revolutions in America and France and the Irish rebellion of 1798. Authors covered include Coleridge, Wordsworth, Scott, Byron, Fennimore Cooper, Equiano, and Helen Maria Williams.978-0-230-59679-5Series ISSN 2634-6516 Series E-ISSN 2634-6524 作者: 橫條 時(shí)間: 2025-3-26 09:01 作者: Minuet 時(shí)間: 2025-3-26 12:52 作者: 我沒(méi)有強(qiáng)迫 時(shí)間: 2025-3-26 18:34
https://doi.org/10.1057/9780230596795Coleridge; Imagination; Romanticism; Samuel Taylor Coleridge; William Wordsworth; Wordsworth; British and 作者: Largess 時(shí)間: 2025-3-26 21:23 作者: Conclave 時(shí)間: 2025-3-27 04:56
9樓作者: 怒目而視 時(shí)間: 2025-3-27 06:21
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9樓作者: 偉大 時(shí)間: 2025-3-27 14:46
9樓作者: Flounder 時(shí)間: 2025-3-27 17:46
10樓作者: enormous 時(shí)間: 2025-3-28 00:21
10樓作者: EXULT 時(shí)間: 2025-3-28 06:04
10樓作者: 要素 時(shí)間: 2025-3-28 08:59
10樓
