標題: Titlebook: Blake: Songs of Innocence and Experience; David W. Lindsay Textbook 1989Latest edition Macmillan Publishers Limited 1989 design.experience [打印本頁] 作者: 無感覺 時間: 2025-3-21 17:36
書目名稱Blake: Songs of Innocence and Experience影響因子(影響力)
書目名稱Blake: Songs of Innocence and Experience影響因子(影響力)學(xué)科排名
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書目名稱Blake: Songs of Innocence and Experience網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Blake: Songs of Innocence and Experience被引頻次
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書目名稱Blake: Songs of Innocence and Experience讀者反饋
書目名稱Blake: Songs of Innocence and Experience讀者反饋學(xué)科排名
作者: 鎮(zhèn)壓 時間: 2025-3-21 21:27
Redemption: ‘To Tirzah’by the selection of ‘The Clod and the Pebble’ as the final plate. Having brought . to this degree of perfection, Blake turned from the production of engraved books to ambitious projects in other visual and literary modes.作者: arrogant 時間: 2025-3-22 02:14 作者: Ingrained 時間: 2025-3-22 06:25 作者: 免費 時間: 2025-3-22 10:14 作者: Interferons 時間: 2025-3-22 16:22 作者: 小臼 時間: 2025-3-22 20:06 作者: Inexorable 時間: 2025-3-23 00:45
A Trilogythe design for ‘Infant Joy’, which are taken up in Experience by the plate for ‘The Sick Rose’. King-Hele (1986, 35–61) relates this flower-imagery to that of Erasmus Darwin’s ., and points out that Blake’s use of floral motifs to interpret human sexuality reverses ‘Darwin’s technique of humanizing the sexual activities of flowers’.作者: chandel 時間: 2025-3-23 04:24
Scripture: ‘The Human Abstract’aimed to have a ‘Bible of Hell’ ready for publication. Like other writers of the nineties, he found Old Testament prophecy an appropriate vehicle for comment on contemporary affairs; and in the visionary extravagance and obscurity of his continental cycle he approached the vehemence of St John’s attacks on Roman imperialism in Revelation.作者: 表被動 時間: 2025-3-23 05:56 作者: ASSET 時間: 2025-3-23 11:38 作者: 誘惑 時間: 2025-3-23 17:35 作者: Largess 時間: 2025-3-23 21:40
Reading the designsof a single artistic statement. Some discussions, however, have laid particular emphasis on the designs, assessing their quality as works of art and examining the various ways in which they enrich and modify the literary impact of the poems. Critics whose commitment is rather to art history than to 作者: 呼吸 時間: 2025-3-23 23:21 作者: Spirometry 時間: 2025-3-24 05:42 作者: 壯觀的游行 時間: 2025-3-24 07:19 作者: 爭吵 時間: 2025-3-24 11:15 作者: Anecdote 時間: 2025-3-24 16:15 作者: Decimate 時間: 2025-3-24 22:39 作者: 悶熱 時間: 2025-3-25 01:46
Novitiate: ‘Holy Thursday’cksteed and Hirsch, the work of Damon and Frye on Blake’s philosophy and symbols, Nurmi’s investigation of the sociohistorical context and Raine’s quest for Swedenborgian and Neoplatonic sources, Gardner’s recreation of Blake’s physical surroundings and Larrissy’s analysis of his ideological stance.作者: languid 時間: 2025-3-25 04:55
Eden: ‘The Ecchoing Green’re reproduced by this process. The earliest known example is a sequence of ten minute and rather clumsy plates with the general title . (Keynes 1966, 98; Erdman 1975, 24–6). The seven ‘Principles’ which contain the main substance of this work identify the primary faculty as the ‘Poetic Genius’, affi作者: 孤獨無助 時間: 2025-3-25 08:59
Generation: ‘The Little Girl Lost’ and ‘The Little Girl Found’ formulated them. Such dissatisfaction expresses itself in self-parody, in the continual re-fashioning of mythical characters, in the ironic use of words previously used unironically, in sequels which reinterpret the works they continue, in the insertion of new material into completed texts, and in 作者: PUT 時間: 2025-3-25 12:59 作者: set598 時間: 2025-3-25 17:42
Scripture: ‘The Human Abstract’hich occupied him from adolescence to old age. The prose-poem entitled ‘Samson’, which appeared in ., was clearly designed as the start of a biblical epic like Gessner’s .. His Swedenborgian period fostered his interest in those books which the New Church acknowledged as ‘the Word’; and it also enco作者: 獨特性 時間: 2025-3-25 23:27 作者: 凝視 時間: 2025-3-26 03:04
Introductiono be aware that this form is entirely different from that in which the work was created. The first step towards intelligent understanding is to envisage the work in its original form, which in most cases can be seen as the form in which it was most truly itself.作者: macabre 時間: 2025-3-26 05:09 作者: Camouflage 時間: 2025-3-26 12:26 作者: POLYP 時間: 2025-3-26 15:06 作者: 嚙齒動物 時間: 2025-3-26 20:27
Transition and system of resentment, delusion, and prophetic indignation. By 1794 Blake was ready to engrave the title page for this new volume and the frontispiece and title page for its second part; and by about 1795 . was an apparently completed work, although it still lacked ‘To Tirzah’.作者: 分開 時間: 2025-3-26 21:14
Counterpartsey expose include the encouragement of Innocence as an exploitable condition. As the pastoralism of . implied knowledge of a state other than Innocence, so the satiric method of . assumes familiarity with . as statement of an ideal; and in . the poems and designs of each part draw extra meaning from作者: 柔美流暢 時間: 2025-3-27 01:53
Voices of Experience the Fall. An indignant visionary presents a grim drama of human sacrifice, and then invites us to recognise it as an allegory of power-relationships in contemporary Britain. An alienated wanderer observes in the streets of London the horrifying effects of the false ideology which promotes religious作者: 睨視 時間: 2025-3-27 08:41 作者: Anthrp 時間: 2025-3-27 11:12 作者: WAIL 時間: 2025-3-27 15:02 作者: fledged 時間: 2025-3-27 18:18
Christof Schmid,Stephan Hirt,Hans H. Scheldo be aware that this form is entirely different from that in which the work was created. The first step towards intelligent understanding is to envisage the work in its original form, which in most cases can be seen as the form in which it was most truly itself.作者: expunge 時間: 2025-3-27 22:20 作者: 埋伏 時間: 2025-3-28 06:06 作者: LUDE 時間: 2025-3-28 06:22
Nachsorge und Langzeitkomplikationen,extraordinary persons of the age’. Cunningham himself included a text of ‘The Chimney Sweeper’ in the account of Blake which he published in 1830 in his .; and he declared the poem to be ‘rude enough truly, but yet not without pathos’.作者: maculated 時間: 2025-3-28 14:04 作者: depreciate 時間: 2025-3-28 15:41 作者: 寬宏大量 時間: 2025-3-28 21:42
Nachsorge und Langzeitkomplikationen, the Fall. An indignant visionary presents a grim drama of human sacrifice, and then invites us to recognise it as an allegory of power-relationships in contemporary Britain. An alienated wanderer observes in the streets of London the horrifying effects of the false ideology which promotes religious作者: 冥想后 時間: 2025-3-29 02:20 作者: 牽連 時間: 2025-3-29 06:15
Fetale und neonatale Physiologie,rganic thoughts’, and that the ‘Philosophic and Experimental’ character is therefore dependent on the ‘Poetic or Prophetic’. The second affirms that man’s perceptions and desires are not circumscribed by the senses, and draws the conclusion that ‘God becomes as we are, that we may be as he is’. The 作者: 催眠藥 時間: 2025-3-29 11:14
,Transposition der gro?en Arterien,h reference to these Blake claimed to have ‘invented a method of Printing both Letter-press and Engraving in a style more ornamental, uniform, and grand, than any before discovered’. The illuminated books advertised included . and .; and they also included ‘Songs of Innocence … Octavo, with 25 desig作者: FECK 時間: 2025-3-29 15:25 作者: Immobilize 時間: 2025-3-29 16:47
https://doi.org/10.1007/978-3-7985-1873-5r work, therefore, has to begin by considering the origins of the shorter and earlier one. The origins of . have been much discussed by scholars and critics, the discussion taking three principal forms. First, there have been attempts to interpret the various anticipations of . in Blake’s earlier wr作者: JAMB 時間: 2025-3-29 23:40
Indikation zur Herztransplantation,of a single artistic statement. Some discussions, however, have laid particular emphasis on the designs, assessing their quality as works of art and examining the various ways in which they enrich and modify the literary impact of the poems. Critics whose commitment is rather to art history than to 作者: 含鐵 時間: 2025-3-30 01:01 作者: 推崇 時間: 2025-3-30 07:56
Nachsorge und Langzeitkomplikationen,lk, Coleridge expressed himself ‘perplexed’ by this poem while declaring that ‘Night’ and ‘The Little Black Boy’ had given him pleasure ‘in the highest degree’. Hazlitt ‘preferred’ it to the other songs Crabb Robinson read to him, but felt that it showed Blake to have ‘no sense of the ludicrous’ and作者: GUILE 時間: 2025-3-30 08:32
Infektionsprophylaxe und -therapie,ound 1789 and the complex monologues for the little black boy and the chimney sweeper. In some of the lyrics that Blake engraved for the 1789 volume, however, the celebration of Innocence begins to modulate into a more explicit questioning of intellectual error and social injustice. The profound and作者: WAX 時間: 2025-3-30 12:42 作者: fender 時間: 2025-3-30 18:20
