標題: Titlebook: Blake, Modernity and Popular Culture; Steve Clark (Visiting Professor),Jason Whittaker ( Book 2007 Palgrave Macmillan, a division of Macmi [打印本頁] 作者: relapse 時間: 2025-3-21 18:02
書目名稱Blake, Modernity and Popular Culture影響因子(影響力)
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書目名稱Blake, Modernity and Popular Culture網(wǎng)絡公開度學科排名
書目名稱Blake, Modernity and Popular Culture被引頻次
書目名稱Blake, Modernity and Popular Culture被引頻次學科排名
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書目名稱Blake, Modernity and Popular Culture讀者反饋
書目名稱Blake, Modernity and Popular Culture讀者反饋學科排名
作者: 廚房里面 時間: 2025-3-21 22:37
https://doi.org/10.1007/978-3-8348-9230-0This is partly owing to the continuing impact of specific negative judgements, partly to commitment to an Anglo-Catholic royalist politics that has gone terminally out of fashion (though when was it ever in?), and partly to the promotion, in both poetry and criticism, of an ideal of elite culture which is now widely regarded as oppressive.作者: debble 時間: 2025-3-22 02:01
Susanne Müller-Philipp,Hans-Joachim Gorskiuld he be understood more literally? And if so, what meaning can plausibly be attached to the experiences he called visions? Should they be considered genuine spiritual intervention? An unusual brain chemistry wired to produce LSD-like effects spontaneously? A mental disorder conducive to hallucination and delusion?作者: Presbyopia 時間: 2025-3-22 06:40
,‘There is no Competition’: Eliot on Blake, Blake in Eliot,This is partly owing to the continuing impact of specific negative judgements, partly to commitment to an Anglo-Catholic royalist politics that has gone terminally out of fashion (though when was it ever in?), and partly to the promotion, in both poetry and criticism, of an ideal of elite culture which is now widely regarded as oppressive.作者: 奇怪 時間: 2025-3-22 09:54 作者: 詞根詞綴法 時間: 2025-3-22 16:00 作者: VERT 時間: 2025-3-22 18:38 作者: Limerick 時間: 2025-3-22 23:32
Queer Bedfellows: William Blake and Derek Jarman,cally to explore a range of the latter perspectives and to elaborate a fuller, more detailed analysis of the ways in which Jarman appropriates Blake as an artist and radical, located in a tradition of cultural dissent.作者: 心神不寧 時間: 2025-3-23 05:24
Fragestellungen der euklidischen Geometrie,ry and its rivals.. While the combination of religious piety and graveyard melancholy contributed most to the popularity of Young’s poem and to Edwards’ interest in it, Blake responded deeply and positively to its eschatological critique of imperial ambition, developing it in his own, more radical directions.作者: expdient 時間: 2025-3-23 08:13 作者: 假設 時間: 2025-3-23 11:02
,Popular Millenarianism and Empire in Blake’s ,ry and its rivals.. While the combination of religious piety and graveyard melancholy contributed most to the popularity of Young’s poem and to Edwards’ interest in it, Blake responded deeply and positively to its eschatological critique of imperial ambition, developing it in his own, more radical directions.作者: CAMP 時間: 2025-3-23 16:18 作者: 起皺紋 時間: 2025-3-23 18:04
Fragestellungen der euklidischen Geometrie,cally to explore a range of the latter perspectives and to elaborate a fuller, more detailed analysis of the ways in which Jarman appropriates Blake as an artist and radical, located in a tradition of cultural dissent.作者: 神圣在玷污 時間: 2025-3-24 01:09
Introduction: Blake, Modernity and Popular Culture,tley notes that the number of obituary notices that appeared were ‘more … than might have been expected’ . 465), those expectations were very low. Although Blake was a minor footnote in the established histories of British literature and art, it is not true, as Richard Holmes (2004) has remarked, th作者: elastic 時間: 2025-3-24 04:30
,Popular Millenarianism and Empire in Blake’s ,Blake’s designs, especially the political dimension of his apocalyptic theology. One context is the widespread popularity of Young’s poem itself, which accounts for the interest of Blake and his publisher, Richard Edwards, in a project that could tap into the lucrative art market of the period. Edwa作者: 同音 時間: 2025-3-24 10:21 作者: Assault 時間: 2025-3-24 12:19 作者: CHECK 時間: 2025-3-24 15:09
,‘Esoteric Blakists’ and the ‘Weak Brethren’: How Blake Lovers Kept the Popular out,nburne chief amongst them in many ways, have often been vigorous champions of the poet-artist and pointed the way towards critical understanding and appreciation of the poet. At the same time they have have exercised a damaging influence over critical reception and understanding of him. Blake has al作者: cogitate 時間: 2025-3-24 19:03 作者: extinguish 時間: 2025-3-25 00:02
,‘There is no Competition’: Eliot on Blake, Blake in Eliot,gure in recent years: even the usually courteous and urbane Northrop Frye is moved to describe Eliot’s ideas as ‘fantastic and repellent’ (1963, 10). This is partly owing to the continuing impact of specific negative judgements, partly to commitment to an Anglo-Catholic royalist politics that has go作者: PAEAN 時間: 2025-3-25 04:02
Children of Albion: Blake and Contemporary British Poetry,en of Albion’ are villains (first introduced in ., 1.5, E 146). The critics, for their part, concentrated on the contents and the anthology was actually killed off. Other Penguin anthologies have been repackaged as Modern Classics, but . hasn’t been reprinted and is current only as derisive shorthan作者: BOGUS 時間: 2025-3-25 08:17
Queer Bedfellows: William Blake and Derek Jarman,often than not, such commentary takes the form of brief critical observation or poetic meditation on the affinities connecting Jarman with Blake. However, it is not the goal of this chapter to furnish the complete catalogue of Blake/Jarman references and citations in print. Rather, my aims are criti作者: labyrinth 時間: 2025-3-25 13:41 作者: 厚顏 時間: 2025-3-25 17:08 作者: Overthrow 時間: 2025-3-25 23:54 作者: 取之不竭 時間: 2025-3-26 01:26 作者: 彎曲的人 時間: 2025-3-26 06:32 作者: 完成才會征服 時間: 2025-3-26 09:18
From Hell: Blake and Evil in Popular Culture,d baptised into the church of rebels’ (3), while Georges Bataille (1973) saw the poet as a satanic visionary in whose work ‘evil attains a form of purity’ (9). As one inspiration behind the occult art of Aleister Crowley, the self-styled ‘Great Beast’, and the transformation of Saladin Chamcha into 作者: Amendment 時間: 2025-3-26 15:00 作者: abject 時間: 2025-3-26 18:41 作者: 鋪子 時間: 2025-3-27 00:43
Hans-Joachim Gorski,Susanne Müller-Philipp proximity of the encounter between Blake’s image-making and the local popular culture of the Strand comes in the appropriation in 1822 by the radical William Benbow of Blake’s stipple engraving with mezzotint, ‘Mrs. Q.,’ after Jean Fran?ois Marie Huet-Villiers (Worrall 1998).作者: 易發(fā)怒 時間: 2025-3-27 03:07 作者: 革新 時間: 2025-3-27 05:29
Susanne Müller-Philipp,Hans-Joachim Gorskiany way become; she would be none of these things though you were to bray her in a mortar’ (1867, 90) — has been very much a template for subcultural and ‘boho’ appropriations and readings of Blake, from Aleister Crowley to Chris Ofili.作者: accessory 時間: 2025-3-27 10:10
Fragestellungen der euklidischen Geometrie, discourse that is itself ossified and totalising. The text leaves unanswered the question of how the belief in progression through contraries, expressed in plate 3 (E 34), can be related to the apocalyptic politics declared in the first person on plate 14: ‘this I shall do, by printing in the infer作者: 帶來 時間: 2025-3-27 15:55 作者: 光明正大 時間: 2025-3-27 19:41
Susanne Müller-Philipp,Hans-Joachim Gorskion of their discovery of a ‘rich and vital’ tradition of ‘a(chǎn)ppropriations and misappropriations’ of Blake’s verbal and visual works (., 8, 6). And yet, even the transatlantic triumph of the recent Blake exhibition and the explosion of exemplary critical studies confront a contradiction, an apparent w作者: aspect 時間: 2025-3-28 00:34 作者: 加入 時間: 2025-3-28 02:41
Susanne Müller-Philipp,Hans-Joachim Gorskihe engraved heads are identified on the buttons and come with buckles carrying the words: ‘Britain Grand Jubilee 1809’ (Epstein and Saffro, 60). According to Epstein and Saffro, the eighteenth century is ‘without doubt the golden age of the button’ (24). From the 1730s onwards, buttons provide perso作者: surrogate 時間: 2025-3-28 09:13 作者: 新娘 時間: 2025-3-28 14:06 作者: NORM 時間: 2025-3-28 16:10
Emanations and Negations of Blake in Victorian Art Criticism,eedom he imagines — or where the associative plentitude of imaginative life sustains the illusion that to . ideas into being is to . art, or the conditions for the production of a total art work. In other words, the poem battles to make the unknown painter something more than an unknowable subject.作者: 斷言 時間: 2025-3-28 21:17 作者: 滔滔不絕地講 時間: 2025-3-29 01:44
,‘This Angel, who is now become a Devil, is my particular Friend’: Diabolic Friendships and Oppositi discourse that is itself ossified and totalising. The text leaves unanswered the question of how the belief in progression through contraries, expressed in plate 3 (E 34), can be related to the apocalyptic politics declared in the first person on plate 14: ‘this I shall do, by printing in the infer作者: 誘使 時間: 2025-3-29 06:41 作者: Ataxia 時間: 2025-3-29 11:17
Blake beyond Postmodernity,on of their discovery of a ‘rich and vital’ tradition of ‘a(chǎn)ppropriations and misappropriations’ of Blake’s verbal and visual works (., 8, 6). And yet, even the transatlantic triumph of the recent Blake exhibition and the explosion of exemplary critical studies confront a contradiction, an apparent w作者: angiography 時間: 2025-3-29 14:20
The Silence of the Lamb and the Tyger: Harris and Blake, Good and Evil,f . owned by a character in this novel. Harris uses these Blake references, both explicit and implicit, to underline and emphasise a particular philosophy regarding Good and Evil, namely that the two are intertwined and coexist, and that it is foolish to try to see them simply as opposing binaries.作者: 有其法作用 時間: 2025-3-29 17:55
,Fit Audience Tho Many: Pullman’s Blake and the Anxiety of Popularity,he engraved heads are identified on the buttons and come with buckles carrying the words: ‘Britain Grand Jubilee 1809’ (Epstein and Saffro, 60). According to Epstein and Saffro, the eighteenth century is ‘without doubt the golden age of the button’ (24). From the 1730s onwards, buttons provide perso作者: Anticoagulant 時間: 2025-3-29 22:08
Steve Clark (Visiting Professor),Jason Whittaker (作者: Projection 時間: 2025-3-30 01:29
https://doi.org/10.1007/978-3-658-23378-5tley notes that the number of obituary notices that appeared were ‘more … than might have been expected’ . 465), those expectations were very low. Although Blake was a minor footnote in the established histories of British literature and art, it is not true, as Richard Holmes (2004) has remarked, th作者: 確保 時間: 2025-3-30 07:12
Fragestellungen der euklidischen Geometrie,Blake’s designs, especially the political dimension of his apocalyptic theology. One context is the widespread popularity of Young’s poem itself, which accounts for the interest of Blake and his publisher, Richard Edwards, in a project that could tap into the lucrative art market of the period. Edwa作者: 影響 時間: 2025-3-30 09:48 作者: 修剪過的樹籬 時間: 2025-3-30 15:09
Hans-Joachim Gorski,Susanne Müller-Philippreplenishes art to create a benign fullness of presence, a perfect expression of aesthetic life. And yet this image of graceful and harmonious completion is forced into place and momentarily glimpsed through the thicket of fragments at work in the self-cancelling structure of a poem where the operat作者: conceal 時間: 2025-3-30 16:53 作者: dandruff 時間: 2025-3-30 21:49
Susanne Müller-Philipp,Hans-Joachim Gorskie surprised one may be by the extent and pervasiveness of that influence. On the one hand, he is now regarded as one of the great canonical literary artists of the Romantic period, and he is rightly seen in relation to then current modes, such as the sublime. On the other, Blake’s popularity may hav
