標題: Titlebook: Blake on Language, Power, and Self-Annihilation; John H. Jones Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 commun [打印本頁] 作者: collude 時間: 2025-3-21 19:49
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作者: extinguish 時間: 2025-3-21 21:14
Songs of Innocence and of Experience, Swedenborg’s notions of Correspondences and Representatives that help Blake to formulate an idea of individual identity as not an isolated consciousness but as inclusive of its surroundings through imagination (17-18; 87). This continuity and inclusiveness, moreover, is clearly indicated in the dis作者: 額外的事 時間: 2025-3-22 04:19 作者: 激怒某人 時間: 2025-3-22 06:19 作者: DEI 時間: 2025-3-22 09:13
Milton,h memory and the other with inspiration. Memory, as a source of creativity, is, according to Blake, a negative element associated with classical models, theft, and perversion that has gained prominence over inspiration. Blake elaborates on this idea in other writings, indicating the importance it ha作者: GRAVE 時間: 2025-3-22 13:20
Jerusalem, and obscurity” that, by its very obscurity, brings readers into the creative process by requiring them to interpret and to reinvent the system for themselves, thereby delivering “individuals from systems” (Easson 321). Molly Anne Rothenberg describes the illustration on plate . as a “.” since a fig作者: Encoding 時間: 2025-3-22 17:08
Conclusion,hich bright / Redounded from their Tongues in thunderous majesty” . 46.8, E 27; . 98.28-29, E 257). Throughout this search for the dialogic ideal, Blake employs multi-voiced genres—including the lyric collection, the Menippean satire, and an epic form that places renewed emphasis on the invocation a作者: 陶瓷 時間: 2025-3-22 23:31 作者: muffler 時間: 2025-3-23 03:09
Leitfaden Erwachsenenherzchirurgie Swedenborg’s notions of Correspondences and Representatives that help Blake to formulate an idea of individual identity as not an isolated consciousness but as inclusive of its surroundings through imagination (17-18; 87). This continuity and inclusiveness, moreover, is clearly indicated in the dis作者: 傲慢物 時間: 2025-3-23 08:02
https://doi.org/10.1007/978-3-7985-1562-8impossible” are nothing more than unproven “opinions.” Instead of passively accepting the historians’ imposed theories, their “already found, ready-made irrefutable truth,” as Bakhtin would call it . 110), Blake prefers to discover his own version of the truth by responding directly to the events th作者: nitric-oxide 時間: 2025-3-23 13:35 作者: DEAWL 時間: 2025-3-23 17:00 作者: 鋼盔 時間: 2025-3-23 18:59
Susanne Müller-Philipp,Hans-Joachim Gorski and obscurity” that, by its very obscurity, brings readers into the creative process by requiring them to interpret and to reinvent the system for themselves, thereby delivering “individuals from systems” (Easson 321). Molly Anne Rothenberg describes the illustration on plate . as a “.” since a fig作者: 搜尋 時間: 2025-3-24 02:05
Susanne Müller-Philipp,Hans-Joachim Gorskihich bright / Redounded from their Tongues in thunderous majesty” . 46.8, E 27; . 98.28-29, E 257). Throughout this search for the dialogic ideal, Blake employs multi-voiced genres—including the lyric collection, the Menippean satire, and an epic form that places renewed emphasis on the invocation a作者: Notify 時間: 2025-3-24 03:13 作者: Trochlea 時間: 2025-3-24 10:32 作者: 亞麻制品 時間: 2025-3-24 12:41
The Marriage of Heaven And Hell,ut myself, as well as you can, and I will not be fooled by you into opinions, that you please to impose, to disbelieve what you think improbable or impossible” (E 544). In this passage regarding interpretations of history, Blake wants historians to tell him only “the Acts,” the events that have occu作者: 杠桿支點 時間: 2025-3-24 17:49
The [First] Book of Urizen,ts proliferation of self-closed discourse, and the disruption of dialogue. Thus far, we have seen that in the ., Blake explores how individuals struggle to find a place dialogically within the already existing community of discourse, while social institutions impose their own voices on individuals. 作者: tinnitus 時間: 2025-3-24 19:57
Milton, the previous chapter, . considers the possibility of avoiding and undoing those abuses. As the preface to . clearly indicates, Blake is deeply concerned with the creative process and whether inspiration can be restored with the restructuring of communication: “The Stolen and Perverted Writings of H作者: 即席演說 時間: 2025-3-24 23:30 作者: 減少 時間: 2025-3-25 05:23 作者: 強化 時間: 2025-3-25 11:18
https://doi.org/10.1057/9780230106833communication; concept; dialogue; discourse; experience; irony; Jerusalem; language; William Blake; British a作者: Anonymous 時間: 2025-3-25 14:46
978-1-349-38405-1Palgrave Macmillan, a division of Nature America Inc. 2010作者: visual-cortex 時間: 2025-3-25 18:41
http://image.papertrans.cn/b/image/189050.jpg作者: GROWL 時間: 2025-3-25 23:58
Leitfaden Erwachsenenherzchirurgiegures with whom he has conversed, and these conversations, Blake claims, provide him with inspiration for his poems. In a letter to Thomas Butts, dated July 6,1803, he writes about a newly completed poem: “I may praise it since I dare not pretend to be any other than the Secretary the Authors are in作者: ETHER 時間: 2025-3-26 02:36 作者: CARK 時間: 2025-3-26 06:20 作者: 尖叫 時間: 2025-3-26 11:33
,Mechanisc he Kreislaufunterstützung,ts proliferation of self-closed discourse, and the disruption of dialogue. Thus far, we have seen that in the ., Blake explores how individuals struggle to find a place dialogically within the already existing community of discourse, while social institutions impose their own voices on individuals. 作者: 無孔 時間: 2025-3-26 14:54
Leitfaden Erwachsenenherzchirurgie the previous chapter, . considers the possibility of avoiding and undoing those abuses. As the preface to . clearly indicates, Blake is deeply concerned with the creative process and whether inspiration can be restored with the restructuring of communication: “The Stolen and Perverted Writings of H作者: 混雜人 時間: 2025-3-26 20:23 作者: 使困惑 時間: 2025-3-26 22:05
Susanne Müller-Philipp,Hans-Joachim Gorskievident, as we have seen, throughout his work. As W. J. T. Mitchell has noted, the earlier absence of these terms is “a reflection of how much more imaginative exploration [Blake] would have to engage in before” they “could be articulated.” The early work can be seen as “a seed for the later poems, 作者: 平淡而無味 時間: 2025-3-27 03:03 作者: 公理 時間: 2025-3-27 08:39 作者: Canopy 時間: 2025-3-27 09:58
is discourse was open to the viewpoints of others, undermines institutional authority, and restores dialogue. This book not only uncovers the importance of self-annihilation to Blake‘s thinking about language and communication, but it also develops its centrality to Blake‘s poetic practice.978-1-349-38405-1978-0-230-10683-3作者: debouch 時間: 2025-3-27 17:13
Book 2010 Biblical interpretation, and print culture, Blake on Language, Power, and Self-Annihilation breaks new ground in the study of William Blake. This book analyzes the concept of self-annihilation in Blake s work, using the language theories of Mikhail Bakhtin to elucidate the ways in which his discour作者: Ingenuity 時間: 2025-3-27 18:17
9樓作者: 變白 時間: 2025-3-27 23:07
9樓作者: Ingenuity 時間: 2025-3-28 02:31
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10樓作者: dyspareunia 時間: 2025-3-28 22:40
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