標(biāo)題: Titlebook: Blackpool in Film and Popular Music; Ewa Mazierska Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S [打印本頁(yè)] 作者: Body-Mass-Index 時(shí)間: 2025-3-21 19:18
書目名稱Blackpool in Film and Popular Music影響因子(影響力)
書目名稱Blackpool in Film and Popular Music影響因子(影響力)學(xué)科排名
書目名稱Blackpool in Film and Popular Music網(wǎng)絡(luò)公開(kāi)度
書目名稱Blackpool in Film and Popular Music網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Blackpool in Film and Popular Music被引頻次
書目名稱Blackpool in Film and Popular Music被引頻次學(xué)科排名
書目名稱Blackpool in Film and Popular Music年度引用
書目名稱Blackpool in Film and Popular Music年度引用學(xué)科排名
書目名稱Blackpool in Film and Popular Music讀者反饋
書目名稱Blackpool in Film and Popular Music讀者反饋學(xué)科排名
作者: 方便 時(shí)間: 2025-3-21 23:11 作者: 易碎 時(shí)間: 2025-3-22 01:47
https://doi.org/10.1007/b138539 of a harsher reality that exists beneath the shiny surface. These themes reflect the historical and social significance of the town as a place of English working-class entertainment and recreation? and also the more recent decline in the town’s fortunes. As such they inevitably raise questions of social class and national identity.作者: Radiculopathy 時(shí)間: 2025-3-22 05:42
https://doi.org/10.1007/b138539 leading up to the European Union membership referendum. It discuss similarities between Blackpool grime’s output and that of white rappers such as Eminem and analyses the ways in which Blackpool grime attempted to grow its audience by distancing itself from Blackpool as a place.作者: 完整 時(shí)間: 2025-3-22 12:09 作者: Collar 時(shí)間: 2025-3-22 16:53
Focuses on the most recent developments of Blackpool’s popul.This collection examines Blackpool, Britain’s first and largest working-class seaside resort as a location for the production and consumption of British film and popular music, and the meaning of ‘Blackpool’ in films and songs.? It examine作者: Endometrium 時(shí)間: 2025-3-22 19:05 作者: 膽大 時(shí)間: 2025-3-22 23:32
https://doi.org/10.1007/b138539ey simultaneously suggest that the coastal resort has ceased being attractive in its own right. Something extraordinary has to happen to make the characters and viewers willing to venture there and something equally extraordinary has to happen whilst in Blackpool to have made any visit worthwhile.作者: LUDE 時(shí)間: 2025-3-23 04:49
https://doi.org/10.1007/b138539ishing with the Waterloo Music Bar. It demonstrates that Blackpool was a destination of many of the most popular artists and their performance there became legendary. However, many of Blackpool venues did not survive longer than one-two decades and the town lacks spaces to nurture local talent.作者: Ambiguous 時(shí)間: 2025-3-23 06:14 作者: collagen 時(shí)間: 2025-3-23 12:39
Introduction: The Changing Fortunes of Blackpool,rth of England and of seaside resorts. Onto them is woven a discourse of England as a country in decline, looking backward to its lost imperial glory. Finally, the introduction describes all chapters included in this collection.作者: defenses 時(shí)間: 2025-3-23 16:52 作者: 調(diào)味品 時(shí)間: 2025-3-23 18:14
,Blackpool’s Live Music Rollercoaster: From Uncle Tom’s Cabin to the Waterloo Music Bar,ishing with the Waterloo Music Bar. It demonstrates that Blackpool was a destination of many of the most popular artists and their performance there became legendary. However, many of Blackpool venues did not survive longer than one-two decades and the town lacks spaces to nurture local talent.作者: Hemodialysis 時(shí)間: 2025-3-24 00:34 作者: 亞麻制品 時(shí)間: 2025-3-24 06:13 作者: 向下五度才偏 時(shí)間: 2025-3-24 09:28
Of Other, Gendered Spaces: The Presence of Blackpool in ,, , and ,d by the trope of the journey and the focus on female protagonists. Blackpool works in the three films as a prime location for the articulation of female desire and love, as well as frustration and intergenerational conflicts, and this can be observed in the films’ differences as well as in their interconnectedness.作者: 態(tài)學(xué) 時(shí)間: 2025-3-24 12:46
A Weekend in Purgatory: Blackpool in , and ,y draw on the town as a holiday destination to render the space as purgatorial, disrupting expectations of northern realism in the process. Its analysis of the films is supported by theories about time and space within narrative such as Bakhtin’s chronotope. Of specific interest is representation of female characters as angels, rescuing lost men.作者: Ataxia 時(shí)間: 2025-3-24 18:46
Ewa MazierskaPresents Blackpool’s unique place in British culture through examining films and songs about Blackpool and artists connected with this city.Focuses on the most recent developments of Blackpool’s popul作者: 北京人起源 時(shí)間: 2025-3-24 22:20 作者: 蠟燭 時(shí)間: 2025-3-25 00:24 作者: 揮舞 時(shí)間: 2025-3-25 06:07
978-3-030-49937-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: Oafishness 時(shí)間: 2025-3-25 11:30 作者: 安裝 時(shí)間: 2025-3-25 12:09 作者: MOAN 時(shí)間: 2025-3-25 16:00 作者: 消音器 時(shí)間: 2025-3-25 23:40
https://doi.org/10.1007/b138539the location for the fantastical/magical events. It argues that whilst these films promote and prolong the appeal of Blackpool as a holiday resort, they simultaneously suggest that the coastal resort has ceased being attractive in its own right. Something extraordinary has to happen to make the char作者: 集合 時(shí)間: 2025-3-26 02:36
https://doi.org/10.1007/b138539ome songs seem to recall the role of carnival, as described by Mikhail Bakhtin, with its sense of freedom from the restrictions of daily life, others point to the conformity implied by industrialised leisure. The artificiality of Blackpool’s glittering facades is a recurring theme as is the presence作者: 露天歷史劇 時(shí)間: 2025-3-26 07:19 作者: 貴族 時(shí)間: 2025-3-26 09:22 作者: Adulate 時(shí)間: 2025-3-26 13:19 作者: BILK 時(shí)間: 2025-3-26 19:07 作者: 悅耳 時(shí)間: 2025-3-26 21:36 作者: Subdue 時(shí)間: 2025-3-27 05:07
Introduction: The Changing Fortunes of Blackpool,position as the largest British seaside resort and its decline. It also positions Blackpool at the crossing of two discourses: the discourse on the North of England and of seaside resorts. Onto them is woven a discourse of England as a country in decline, looking backward to its lost imperial glory.作者: ULCER 時(shí)間: 2025-3-27 05:20 作者: metropolitan 時(shí)間: 2025-3-27 10:04 作者: Oafishness 時(shí)間: 2025-3-27 16:59
Blackpool Fantasy Narrative in ,, , and ,the location for the fantastical/magical events. It argues that whilst these films promote and prolong the appeal of Blackpool as a holiday resort, they simultaneously suggest that the coastal resort has ceased being attractive in its own right. Something extraordinary has to happen to make the char作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-27 21:50 作者: 削減 時(shí)間: 2025-3-27 23:02 作者: orthopedist 時(shí)間: 2025-3-28 02:43
This Sore and Broken Blackpool Legacy, or the Enduring Appeal of Punk Rock in Blackpool,he punk and post-punk tradition within the town, and the struggles which that scene has had in gaining broader recognition. It argues that the band, Morris’s own mental health-focused musical and literary work, and his ultimate fate, closely reflect the economic, social and cultural history of Black作者: 搏斗 時(shí)間: 2025-3-28 09:06
,‘It’s Grime Up North’: The Phenomenon of Blackpool Grime,9, respectively. It discusses how Blackpool grime differs from grime as a genre rooted in the black British urban experience and its post-internet character. Drawing attention to its initial racism it argues that the scene was reflective of increasing anti-immigration sentiment in the United Kingdom
