標題: Titlebook: Black Masculinity and the Cinema of Policing; Jared Sexton Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 representations [打印本頁] 作者: Tamoxifen 時間: 2025-3-21 17:16
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作者: 枯燥 時間: 2025-3-21 22:21
History and Power: On ,,wimmers for the US Olympic Team. It discusses the film’s favorable portrayal of Ellis within the history of racially segregated swimming, and the exploitation of African swimming skills under slavery, in order to comprehend the construction of the stereotype that “blacks can’t swim.” Although Ellis 作者: Debrief 時間: 2025-3-22 02:51 作者: confederacy 時間: 2025-3-22 05:04 作者: 合法 時間: 2025-3-22 10:39
Comedy and Romance: On , and ,,ntary on the racial politics of kinship. It takes Bernie Kukoff and Jeff Harris’s . (1978–1986) and Stu Silver’s . (1983–1989) as prime examples. It traces black man-child characters of 1970s and 1980s primetime programming to Buckwheat of the . film series (1922–1944) and to Topsy of Harriet Beeche作者: 愛國者 時間: 2025-3-22 16:35
Shadow and Myth: On , and ,, transferring to a higher security facility. It explores . within the context of Dunye’s meditation on the psycho-politics of black kinship as a matrix of disinheritance. Black female masculinity here questions the relation between a state-sanctioned interdiction of black kinship and the willingness作者: hieroglyphic 時間: 2025-3-22 19:02 作者: implore 時間: 2025-3-22 22:05 作者: 你敢命令 時間: 2025-3-23 04:02 作者: semiskilled 時間: 2025-3-23 05:36
http://image.papertrans.cn/b/image/188959.jpg作者: 悶熱 時間: 2025-3-23 10:33 作者: 委托 時間: 2025-3-23 15:02
https://doi.org/10.1007/978-3-642-91310-5wimmers for the US Olympic Team. It discusses the film’s favorable portrayal of Ellis within the history of racially segregated swimming, and the exploitation of African swimming skills under slavery, in order to comprehend the construction of the stereotype that “blacks can’t swim.” Although Ellis 作者: congenial 時間: 2025-3-23 21:03
https://doi.org/10.1007/978-3-662-01286-4g men’s education and allegorizes economic prospects in the contemporary United States. The former is set in a predominantly white working-class rural community in 1980s West Texas and the latter in a predominantly black working-class urban community in 1990s Northern California. Both films feature 作者: 生銹 時間: 2025-3-23 22:48 作者: Airtight 時間: 2025-3-24 04:08 作者: Kinetic 時間: 2025-3-24 07:40 作者: 敏捷 時間: 2025-3-24 12:20
https://doi.org/10.1007/978-3-642-91310-5challenges government bureaucracy for the opportunity to help his team, his bid for patriarchal protection requires him to call directly upon the state’s police powers. Ellis, not unlike his own white male coach before him, counsels young black men to stand up to racist assault by refusing to fight back in their own defense.作者: 草率男 時間: 2025-3-24 18:49
https://doi.org/10.1007/978-3-662-01286-4individual salvation for the community’s young men tutored by a tough-loving patriarch and pivot on the masculine ambition to flee dead-end lives. However, these two films are not two versions of the same story. Rather, the success and possibility of . is premised on the failure and impossibility of ..作者: hair-bulb 時間: 2025-3-24 20:20 作者: 表被動 時間: 2025-3-25 01:19
https://doi.org/10.1007/978-3-662-01286-4r Stowe’s . (1852). These characters betray forms of indiscernible difference linked to a general crisis of categories. The ongoing struggle to politicize black family preservation against attempts by state and civil society to shatter bonds between black parents and children returns symptomatically in the sitcom’s performance and reception.作者: adduction 時間: 2025-3-25 04:37 作者: gangrene 時間: 2025-3-25 07:52 作者: armistice 時間: 2025-3-25 12:59
Chaos and Opportunity: On ,,otherwise monopolize the signification of racial blackness. Antoine Fuqua’s . (2001) provides a case study and the director’s broader professional career articulates the structural conditions for an antiblack black visibility on a global scale.作者: 新義 時間: 2025-3-25 18:50
Shadow and Myth: On , and ,,set any normative striving for coherent social identity, a point explored further in Barry Jenkins’s . (2016). The book closes with a critical reading of this Oscar-winning film that draws out its philosophical, even mythical qualities.作者: 眉毛 時間: 2025-3-25 22:04 作者: Hemiplegia 時間: 2025-3-26 02:54
Book 2017esident George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the main作者: 厚臉皮 時間: 2025-3-26 07:50
Book 2017oine Fuqua’s .Training Day. to John Lee Hancock’s .The Blind Side.?to Barry Jenkin‘s .Moonlight.—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture..作者: colostrum 時間: 2025-3-26 09:13
History and Power: On ,,challenges government bureaucracy for the opportunity to help his team, his bid for patriarchal protection requires him to call directly upon the state’s police powers. Ellis, not unlike his own white male coach before him, counsels young black men to stand up to racist assault by refusing to fight back in their own defense.作者: 可忽略 時間: 2025-3-26 13:53 作者: Digitalis 時間: 2025-3-26 20:11 作者: 對手 時間: 2025-3-27 00:44 作者: urethritis 時間: 2025-3-27 03:01
light.—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture..978-3-319-66169-8978-3-319-66170-4作者: 捕鯨魚叉 時間: 2025-3-27 08:12
9樓作者: isotope 時間: 2025-3-27 10:30
9樓作者: GLEAN 時間: 2025-3-27 14:29
9樓作者: 允許 時間: 2025-3-27 20:33
9樓作者: white-matter 時間: 2025-3-27 23:08
10樓作者: Assault 時間: 2025-3-28 02:34
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10樓作者: irreducible 時間: 2025-3-28 12:33
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