標(biāo)題: Titlebook: Birds in Eighteenth-Century Literature; Reason, Emotion, and Brycchan Carey,Sayre Greenfield,Anne Milne Book 2020 The Editor(s) (if applica [打印本頁] 作者: 凝固 時(shí)間: 2025-3-21 19:28
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作者: Acetaminophen 時(shí)間: 2025-3-21 22:59
Niere und harnableitende Organement of normalised gender stereotypes. Substantial and broad as is the scholarly canon on Fielding and ., a thorough investigation of Fielding’s use of bird imagery is lacking, as is any kind of ecofeminist reading of the text; this chapter offers an opening of that door.作者: Hypomania 時(shí)間: 2025-3-22 03:52 作者: 好忠告人 時(shí)間: 2025-3-22 07:28
Spezielle pathologische Anatomie,udes, combined with his choice of the epistolary form that allowed him to both explore and display his emotional attachment to his subject, in large measure accounts for the unprecedented popularity and longevity of the book.作者: Deject 時(shí)間: 2025-3-22 10:41 作者: 禁止,切斷 時(shí)間: 2025-3-22 15:33 作者: CROW 時(shí)間: 2025-3-22 18:35 作者: finite 時(shí)間: 2025-3-23 00:23 作者: catagen 時(shí)間: 2025-3-23 04:17 作者: GREG 時(shí)間: 2025-3-23 06:07 作者: faultfinder 時(shí)間: 2025-3-23 10:59
2634-6338 elding, Laurence Sterne, Anna Letitia Barbauld, William CowpThis book examines literary representations of birds from across the world in an.age of expanding European colonialism. It offers important new perspectives into.the ways birds populate and generate cultural meaning in a variety of literary作者: NAG 時(shí)間: 2025-3-23 15:56 作者: septicemia 時(shí)間: 2025-3-23 18:52
Book 2020ctives into.the ways birds populate and generate cultural meaning in a variety of literary and.non-literary genres from 1700–1840 as well as throughout a broad range of.ecosystems and bioregions. It considers a wide range of authors, including some.of the most celebrated figures in eighteenth-centur作者: 觀察 時(shí)間: 2025-3-24 01:28
https://doi.org/10.1007/978-3-642-96760-3 with ‘making it new’. Through a focus on Smith, this chapter also illuminates the rich interrelations between literary and natural history, poetry, and science, in the long eighteenth century as manifested in the nightingale—the most versified and also the most mythologised bird in cultural history.作者: 寒冷 時(shí)間: 2025-3-24 05:27
Niere und harnableitende Organeeridge’s poetry in a heated debate regarding non-human animal and particularly avian ‘language’: it explores White’s influence on the early writings of both poets, and argues that the debate foregrounds the fervid dispute which arose between the two poets regarding ‘the best part of human language, properly so called’ (Coleridge, ., 1817).作者: 颶風(fēng) 時(shí)間: 2025-3-24 07:17 作者: 發(fā)電機(jī) 時(shí)間: 2025-3-24 12:47
Unbelebte ?u?ere Krankheitsursacheng new birds with older significance. To create these meanings, poems such as Anna Seward’s ., transforming materials from Cook’s journals (1777), and Coleridge’s ‘Rime of the Ancient Mariner’, adapting ornithological observations from Shelvocke’s . (1726), imaginatively reshape the birds, erasing what is most exotic.作者: pulmonary 時(shí)間: 2025-3-24 16:48
Niere und harnableitende Organel land—thus depriving the pigeons of their mass feeding ground. Indiscriminate slaughter of nestlings and adults seemed reasonable, given the supply. Extinction was the unintended consequence of a limitless human appetite for exploiting and consuming the miraculous natural abundance of the New World.作者: ascetic 時(shí)間: 2025-3-24 20:22 作者: 分開 時(shí)間: 2025-3-25 00:00
,The Language of Birds and the Language of Real Men: Wordsworth, Coleridge and the ‘Best Part’ of Laeridge’s poetry in a heated debate regarding non-human animal and particularly avian ‘language’: it explores White’s influence on the early writings of both poets, and argues that the debate foregrounds the fervid dispute which arose between the two poets regarding ‘the best part of human language, properly so called’ (Coleridge, ., 1817).作者: 緊張過度 時(shí)間: 2025-3-25 03:53 作者: 難理解 時(shí)間: 2025-3-25 07:49 作者: MAL 時(shí)間: 2025-3-25 12:57
The Passenger Pigeon and the New World Myth of Plenitude,l land—thus depriving the pigeons of their mass feeding ground. Indiscriminate slaughter of nestlings and adults seemed reasonable, given the supply. Extinction was the unintended consequence of a limitless human appetite for exploiting and consuming the miraculous natural abundance of the New World.作者: BABY 時(shí)間: 2025-3-25 17:38 作者: Flinch 時(shí)間: 2025-3-25 20:15 作者: guzzle 時(shí)間: 2025-3-26 00:27
Allgemeine Immunologie und Immunpathologieariety of symbolic bird appropriations—by John Jones, Elizabeth Bentley, Robert Anderson, William Lane, Ann Yearsley, Edward Rushton, and John Clare—to show a continuum of attitudes towards author visibility and the conditions of literary reception for working-class authors.作者: cloture 時(shí)間: 2025-3-26 06:46
Innere Krankheitsbedingungen (bzw. Ursachen)hes, representing talking birds as both machine-like copyists and legitimate objects of sympathy, within the same work or sometimes even the same passage. This suggests an affective relationship to mechanical phenomena that cannot be fully accounted for either as a residue of neoclassical rationalism or as an anticipation of Romanticism.作者: Hyaluronic-Acid 時(shí)間: 2025-3-26 11:36 作者: 尖 時(shí)間: 2025-3-26 14:31 作者: 感染 時(shí)間: 2025-3-26 16:51
The Labouring-Class Bird,ariety of symbolic bird appropriations—by John Jones, Elizabeth Bentley, Robert Anderson, William Lane, Ann Yearsley, Edward Rushton, and John Clare—to show a continuum of attitudes towards author visibility and the conditions of literary reception for working-class authors.作者: Dri727 時(shí)間: 2025-3-26 23:52
,‘No Parrot, Either in Morality or Sentiment’: Talking Birds and Mechanical Copying in the Age of Sehes, representing talking birds as both machine-like copyists and legitimate objects of sympathy, within the same work or sometimes even the same passage. This suggests an affective relationship to mechanical phenomena that cannot be fully accounted for either as a residue of neoclassical rationalism or as an anticipation of Romanticism.作者: Postmenopause 時(shí)間: 2025-3-27 04:58
,Bird Metaphors in Racialised Ethnographic Description, c. 1700–1800,f ethnographic literature. In doing so, it offers an insight into the cultural and scientific understandings of birds at this time as expressed by naturalists, travellers, and anatomists. An implicit relationship is revealed between imperialist attitudes and the ongoing eighteenth-century conquest of the natural world.作者: 痛苦一生 時(shí)間: 2025-3-27 06:42 作者: 施加 時(shí)間: 2025-3-27 11:42 作者: 柔聲地說 時(shí)間: 2025-3-27 14:01
,Ortolans, Partridges, and Pullets: Birds as Prey in Henry Fielding’s ,associated with physical and metaphorical birds throughout the novel. Looking at this association through an ecofeminist perspective suggests an equation between the often cruel treatment of birds and the cruel treatment or intended treatment of women, Sophia specifically. In addition to Sophia, Par作者: 催眠藥 時(shí)間: 2025-3-27 18:30
,‘In Clouds Unnumber’d’: Anna Letitia Barbauld’s ‘Birds and Insects’, Speculative Ecology, and the Po place, politics, and empirical inquiry in eighteenth-century ornithology. Analysis of Barbauld’s early poem ‘To Mrs. P[riestley], with some Drawings of Birds and Insects’ in relation to source texts by Thomas Pennant and James Thomson demonstrates her repurposing of these texts’ ornithological det作者: groggy 時(shí)間: 2025-3-27 22:53 作者: patriarch 時(shí)間: 2025-3-28 03:59
The Labouring-Class Bird,n life and poetic sensitivity and to demonstrate a variety of patron-client relationships characterised by an admixture of dependence and independence. It argues that plebeian bird poetry is one literary strategy among many that foregrounds social position, exposes political relations, cooperates wi作者: Daily-Value 時(shí)間: 2025-3-28 10:12
,The Language of Birds and the Language of Real Men: Wordsworth, Coleridge and the ‘Best Part’ of Laseers and ‘viziers’ of old. White’s comments on the ‘viziers’ of ancient fables may be said to inform Wordsworth and Coleridge’s shared concern with the poet’s tendency to make the sounds of nature, in Coleridge’s phrase, ‘tell back the tale/Of his own sorrows’ (‘The Nightingale’, 1798). But White a作者: 先鋒派 時(shí)間: 2025-3-28 12:37
,‘No Parrot, Either in Morality or Sentiment’: Talking Birds and Mechanical Copying in the Age of Sein the mid-eighteenth century. Texts and images aligned with the culture of sensibility tend to invoke these creatures alternately as emblems of automatism or as figures for the close bonds between humans and animals. These two modes of representation can seem incompatible, and even to point in oppo作者: Peculate 時(shí)間: 2025-3-28 16:02 作者: Tonometry 時(shí)間: 2025-3-28 21:51 作者: Jogging 時(shí)間: 2025-3-28 23:06
When Poet Meets Penguin: British Verse Confronts Exotic Avifauna, nature’ and suggests that most productive of novelty would be attention to ‘the polar and tropical parts of the globe’. The incorporation of such exotic birds into British poetry proves difficult precisely because these birds do not come pre-loaded with meanings that can be efficiently evoked withi作者: vascular 時(shí)間: 2025-3-29 04:44 作者: 假裝是我 時(shí)間: 2025-3-29 09:28
,‘The Incomparable Curiosity of Every Feather!’: Cotton Mather’s Birds, his sermons, it argues that Mather’s bird writing reveals a relatively easy and harmonious merging of scientific and religious approaches. His thinking, reading and writing about both scriptural and actual birds was interwoven and mutually reinforcing. This ‘refusal to restrict himself to one mode 作者: 善于騙人 時(shí)間: 2025-3-29 11:25
The Passenger Pigeon and the New World Myth of Plenitude,ists observed their mass flights in search of forage and breeding grounds, a striking instance of New World natural bounty. From discovery to campaigns to promote settlement, the providential abundance of natural resources, especially food—game animals, fish, fowl, fruit, vegetables, and native grai作者: 發(fā)展 時(shí)間: 2025-3-29 16:56 作者: 多山 時(shí)間: 2025-3-29 23:32 作者: AVANT 時(shí)間: 2025-3-30 01:39 作者: anus928 時(shí)間: 2025-3-30 06:54
https://doi.org/10.1007/978-3-642-96760-3o place, politics, and empirical inquiry in eighteenth-century ornithology. Analysis of Barbauld’s early poem ‘To Mrs. P[riestley], with some Drawings of Birds and Insects’ in relation to source texts by Thomas Pennant and James Thomson demonstrates her repurposing of these texts’ ornithological det作者: Nonflammable 時(shí)間: 2025-3-30 11:30
https://doi.org/10.1007/978-3-642-96760-3r children . (1807) includes a section on the nightingale. This chapter considers the significance of the nightingale for Smith, showing how Smith’s experience of the natural world was bound up with her sense of literary tradition. In turn, it clarifies Smith’s own place in both literary tradition a作者: ANTI 時(shí)間: 2025-3-30 13:25
Allgemeine Immunologie und Immunpathologien life and poetic sensitivity and to demonstrate a variety of patron-client relationships characterised by an admixture of dependence and independence. It argues that plebeian bird poetry is one literary strategy among many that foregrounds social position, exposes political relations, cooperates wi作者: 斥責(zé) 時(shí)間: 2025-3-30 16:49 作者: NICHE 時(shí)間: 2025-3-30 22:37
