派博傳思國(guó)際中心

標(biāo)題: Titlebook: Biographical Theatre; Re-Presenting Real P Ursula Canton Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 auth [打印本頁(yè)]

作者: 遮蔽 時(shí)間: 2025-3-21 17:41
書目名稱Biographical Theatre影響因子(影響力)

書目名稱Biographical Theatre影響因子(影響力)學(xué)科排名

書目名稱Biographical Theatre網(wǎng)絡(luò)公開度

書目名稱Biographical Theatre網(wǎng)絡(luò)公開度學(xué)科排名

書目名稱Biographical Theatre被引頻次

書目名稱Biographical Theatre被引頻次學(xué)科排名

書目名稱Biographical Theatre年度引用

書目名稱Biographical Theatre年度引用學(xué)科排名

書目名稱Biographical Theatre讀者反饋

書目名稱Biographical Theatre讀者反饋學(xué)科排名

作者: 纖細(xì) 時(shí)間: 2025-3-21 23:57

作者: Verify 時(shí)間: 2025-3-22 00:58
Re-Living the Past: Authenticity on Stage,ctoria has had a profound impact on British biographical theatre to this date. A great number of plays performed after the abolition of censorship, perhaps even the majority, follow this model, grounding the presentation of past lives in discourses that are considered to be ‘historically accurate’,

作者: 玩忽職守 時(shí)間: 2025-3-22 06:11
Creating and Undermining Expectations: Forms versus Content,ories in the world outside the theatre. The exclusive or partial reliance on thematic extra-theatricality in . and . is more strongly associated with the intention to reconstruct events from the life world and its inhabitants on stage, but . demonstrates that formal intra-theatricality can also be u

作者: 明確 時(shí)間: 2025-3-22 11:32

作者: 不自然 時(shí)間: 2025-3-22 15:47

作者: Infraction 時(shí)間: 2025-3-22 20:39
Audience Reactions to Biographical Performances,tion process are supported by the reactions of actual audience members. Focusing on three productions, it also addresses questions specific to each of them. For . these aspects are the lack of names and the way in which biographical references are evoked solely through visual means, sounds and descr

作者: DUST 時(shí)間: 2025-3-22 23:16

作者: 評(píng)論者 時(shí)間: 2025-3-23 03:44
https://doi.org/10.1007/978-3-658-33939-5Eberhardt, Darwin, Einstein and Freud. These and other figures from ancient to contemporary history are brought back to life as historical characters in a surprising number of plays. Sometimes the performances speculate about short, decisive moments, such as Oscar Wilde’s visit to a palm reader in .

作者: blackout 時(shí)間: 2025-3-23 09:34

作者: 擴(kuò)大 時(shí)間: 2025-3-23 13:02
https://doi.org/10.1007/978-3-658-33939-5r central figures in a way that echoes generally accepted interpretations of their lives. In Aristotelian terms this means that they are not seen to show ‘what is . according to the rule of probability or necessity’ (Aristotle, 1970, p. 33; italics UC). Instead they promise to present what has actua

作者: obscurity 時(shí)間: 2025-3-23 17:41

作者: 敬禮 時(shí)間: 2025-3-23 19:24

作者: 憤慨一下 時(shí)間: 2025-3-24 01:46
https://doi.org/10.1007/978-3-531-91165-6e, on the other hand, does not facilitate an inquiry into the way in which such performances engage with the world. In order to overcome the schism between the academy’s resulting reluctance to engage with such forms of theatre and their popularity on British stages, I suggested a functional approac

作者: Optic-Disk 時(shí)間: 2025-3-24 03:54

作者: 飛行員 時(shí)間: 2025-3-24 10:13

作者: Feedback 時(shí)間: 2025-3-24 10:48
Re-Living the Past: Authenticity on Stage,r central figures in a way that echoes generally accepted interpretations of their lives. In Aristotelian terms this means that they are not seen to show ‘what is . according to the rule of probability or necessity’ (Aristotle, 1970, p. 33; italics UC). Instead they promise to present what has actua

作者: 有其法作用 時(shí)間: 2025-3-24 17:13
Studying Reception: Theoretical Framework and Methodology,Reception studies on specific plays in Chapter 7 are preceded by the presentation of a model of reception and an introduction to the methodological approach used for these studies. Such groundwork is important in order to predict at which points of the reception process biographical material is most

作者: 并入 時(shí)間: 2025-3-24 21:37
Audience Reactions to Biographical Performances,tra-theatrical reading. Finally, the reactions of spectators’ views on . show whether audiences follow Foursight Theatre and see their highly intra-theatrical musical version of Margaret Thatcher’s life as a contribution to the discourse about her political life and influence, or whether the form cr

作者: 無(wú)脊椎 時(shí)間: 2025-3-25 02:10

作者: Parabola 時(shí)間: 2025-3-25 03:48
Book 2011Marilyn Monroe, Vincent van Gogh or the victims of rendition flights – the number and variety of historical and contemporary figures represented on British stages is amazing. This book develops a new theoretical framework for the representation of real life figures on stage and examines different ways in which they can be included in performances.

作者: Misnomer 時(shí)間: 2025-3-25 08:50
https://doi.org/10.1057/9780230306875authenticity; bibliography; biography; expectation; interview; knowledge; living; methodology; performance; s

作者: 吼叫 時(shí)間: 2025-3-25 13:26
978-1-349-32242-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

作者: 裝勇敢地做 時(shí)間: 2025-3-25 17:56

作者: 冬眠 時(shí)間: 2025-3-25 23:36
https://doi.org/10.1007/978-3-658-33939-5a defining feature of biographical theatre. Reflecting this emphasis on conceptual questions, the point of departure for this discussion is not a number of specific biographical plays, but theoretical concepts from related disciplines that are also concerned with the way in which historical material

作者: 奇怪 時(shí)間: 2025-3-26 01:58
https://doi.org/10.1007/978-3-658-33939-5ctoria has had a profound impact on British biographical theatre to this date. A great number of plays performed after the abolition of censorship, perhaps even the majority, follow this model, grounding the presentation of past lives in discourses that are considered to be ‘historically accurate’,

作者: SLAG 時(shí)間: 2025-3-26 07:25
https://doi.org/10.1007/978-3-658-33939-5ories in the world outside the theatre. The exclusive or partial reliance on thematic extra-theatricality in . and . is more strongly associated with the intention to reconstruct events from the life world and its inhabitants on stage, but . demonstrates that formal intra-theatricality can also be u

作者: Anhydrous 時(shí)間: 2025-3-26 08:29

作者: harpsichord 時(shí)間: 2025-3-26 15:58
https://doi.org/10.1007/978-3-658-04853-2account. The analysis of productions in the previous chapters has identified different patterns of references and has sought to identify their impact on practitioners’ work. This has allowed educated guesses to be made about the elements that can trigger, maintain or contradict a biographical mode o

作者: Feckless 時(shí)間: 2025-3-26 20:08

作者: Brittle 時(shí)間: 2025-3-27 00:11

作者: 鄙視 時(shí)間: 2025-3-27 04:27
nted on British stages is amazing. This book develops a new theoretical framework for the representation of real life figures on stage and examines different ways in which they can be included in performances.978-1-349-32242-8978-0-230-30687-5

作者: Demulcent 時(shí)間: 2025-3-27 05:21