標(biāo)題: Titlebook: Beyond a Joke; The Limits of Humour Sharon Lockyer (Lecturer in Media Studies),Michael Book 2005 Palgrave Macmillan, a division of Macmilla [打印本頁(yè)] 作者: 生長(zhǎng)變吼叫 時(shí)間: 2025-3-21 16:05
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作者: 被詛咒的人 時(shí)間: 2025-3-21 20:28 作者: 意見(jiàn)一致 時(shí)間: 2025-3-22 02:43
Parody and Decorum: Permission to Mock,rody of Islam’ (Samuel, 1989), it was ‘a(chǎn) serious parody of militant Islam’ (Calico, 2004), criticised in so far as it ‘paints nauseous grotesque absurd accounts of incoherent events, mostly with cartoons and caricatures’ (Roy, 2002).作者: Ringworm 時(shí)間: 2025-3-22 05:25 作者: Anecdote 時(shí)間: 2025-3-22 08:42
The Ambiguities of Comic Impersonation,then impersonation generally has a positive sense, with the label of impersonator as comic entertainer being regarded as wholly legitimate, but it would certainly carry at least some of these connotations if we regard a particular comic impersonator as trading on a demeaning or derogatory stereotype作者: DEFT 時(shí)間: 2025-3-22 14:58
https://doi.org/10.1007/978-3-540-68295-0es have been ‘doing the rounds’ for years because Italians knew how to laugh about ‘that kind of tragedy’. His attempt at damage limitation only succeeded in causing offence further afield, among Italy’s Jewish community and Jewish people around the world. Even in his own country, the newspaper . pr作者: Reservation 時(shí)間: 2025-3-22 19:48 作者: 旋轉(zhuǎn)一周 時(shí)間: 2025-3-23 01:06 作者: Anecdote 時(shí)間: 2025-3-23 03:32 作者: 掃興 時(shí)間: 2025-3-23 07:25
https://doi.org/10.1007/978-3-540-68295-0then impersonation generally has a positive sense, with the label of impersonator as comic entertainer being regarded as wholly legitimate, but it would certainly carry at least some of these connotations if we regard a particular comic impersonator as trading on a demeaning or derogatory stereotype作者: 獨(dú)行者 時(shí)間: 2025-3-23 10:17 作者: 無(wú)所不知 時(shí)間: 2025-3-23 16:46 作者: ineptitude 時(shí)間: 2025-3-23 20:36
978-0-230-59450-0Palgrave Macmillan, a division of Macmillan Publishers Limited 2005作者: 移植 時(shí)間: 2025-3-23 23:15
Privacy, Embarrassment and Social Power: British Sitcom,y in sight. He positions himself at the corner of the building and raises one arm and one leg. His reflection in the glass looks out at us — a mild-looking chap in spectacles apparently floating like a starfish in mid-air. He titters, and walks on.作者: Meditative 時(shí)間: 2025-3-24 05:04 作者: 步履蹣跚 時(shí)間: 2025-3-24 08:47 作者: 反叛者 時(shí)間: 2025-3-24 13:29 作者: BRAVE 時(shí)間: 2025-3-24 17:16
https://doi.org/10.1007/978-3-540-68295-0ent Athens, democracy was born alongside comedy in the fifth century. Aristophanes’s . was the first in a long line of anti-war comedies. In his handbook ., Cicero offered tips to politicians on when and how to use humour in speeches. He advised them not to make jokes about tyrants, for example, sin作者: 規(guī)范要多 時(shí)間: 2025-3-24 23:00 作者: 有發(fā)明天才 時(shí)間: 2025-3-25 00:39 作者: Inoperable 時(shí)間: 2025-3-25 05:13
https://doi.org/10.1007/978-3-540-68295-0ple use to advertise themselves and request others to have. Attempts to understand such a central aspect of our self-identity date from at least Plato. (c.350 .) and more recently humour has increasingly become the subject of academic research.. This has given rise to attempts to model humour along 作者: 百靈鳥(niǎo) 時(shí)間: 2025-3-25 11:16
https://doi.org/10.1007/978-3-540-68295-0y in sight. He positions himself at the corner of the building and raises one arm and one leg. His reflection in the glass looks out at us — a mild-looking chap in spectacles apparently floating like a starfish in mid-air. He titters, and walks on.作者: 捏造 時(shí)間: 2025-3-25 14:57
https://doi.org/10.1007/978-3-540-68295-0eature the lives of single women. White, professional women are being identified as the source of shifting lifestyles and morals in comedies such as . (HBO and Channel 4), . (BBC TV), ., and . (Fox and Channel 4). These are echoed in films such as . and its sequel which explores anxieties associated作者: Agility 時(shí)間: 2025-3-25 16:32 作者: extrovert 時(shí)間: 2025-3-25 23:00
http://image.papertrans.cn/b/image/185305.jpg作者: 敲詐 時(shí)間: 2025-3-26 01:34
https://doi.org/10.1007/978-3-540-68295-0y in sight. He positions himself at the corner of the building and raises one arm and one leg. His reflection in the glass looks out at us — a mild-looking chap in spectacles apparently floating like a starfish in mid-air. He titters, and walks on.作者: 清楚說(shuō)話(huà) 時(shí)間: 2025-3-26 05:31
Introduction: The Ethics and Aesthetics of Humour and Comedy,coni, the Italian prime minister and billionaire media magnate, had begun his term as president of the European parliament in Strasbourg with an ill-judged and highly offensive remark. He had rounded accusingly on the German MEP, Martin Schulz, with the suggestion that he should take a part as a gua作者: 逢迎春日 時(shí)間: 2025-3-26 11:48
Comic Racism and Violence,clever wittiness of jokes, but, as Freud argued, our pleasure may derive from less creditable sources that we do not care to acknowledge. Otherwise why should there be so many sexual and aggressive jokes? If, as Freud supposed, an element of self-deception surrounds much humour, then this would be e作者: 蛤肉 時(shí)間: 2025-3-26 14:10
Race and Ethnicity in Popular Humour,h. Racism dictates, explains and justifies who does what to whom, where, when, why and how. Caucasians claim the right to treat other ‘races’ in whatever manner they see fit, including disparagement in the form of jokes. Black people are commonly patronised or insulted under the pretext of humour. H作者: BALK 時(shí)間: 2025-3-26 17:43
Humour and the Conduct of Politics,ent Athens, democracy was born alongside comedy in the fifth century. Aristophanes’s . was the first in a long line of anti-war comedies. In his handbook ., Cicero offered tips to politicians on when and how to use humour in speeches. He advised them not to make jokes about tyrants, for example, sin作者: Amenable 時(shí)間: 2025-3-26 22:05
Parody and Decorum: Permission to Mock,ah. The biblical reference is obvious, and the story contains clear allusions to events recorded in the Testaments, such as the Sermon on the Mount, as well as the Crucifixion itself. On its release the film was accused of blasphemous parody by Christian and Jewish organisations; in the UK, various 作者: Glucose 時(shí)間: 2025-3-27 02:50 作者: 政府 時(shí)間: 2025-3-27 05:21 作者: 擁護(hù)者 時(shí)間: 2025-3-27 10:26
Privacy, Embarrassment and Social Power: British Sitcom,y in sight. He positions himself at the corner of the building and raises one arm and one leg. His reflection in the glass looks out at us — a mild-looking chap in spectacles apparently floating like a starfish in mid-air. He titters, and walks on.作者: 山崩 時(shí)間: 2025-3-27 16:00 作者: 膠狀 時(shí)間: 2025-3-27 18:04 作者: Hiatal-Hernia 時(shí)間: 2025-3-28 01:31 作者: 得罪人 時(shí)間: 2025-3-28 03:21
Comedies of Sexual Morality and Female Singlehood,ched’, working in a masculine profession, non-marital sex, lone parenthood and cohabitation are delved into from the perspective of heterosexual urban women in their thirties and forties. Focusing on the independence and sexuality of the single woman, these comedies are morality plays structured by a comedic engagement with gendered identity.作者: Initiative 時(shí)間: 2025-3-28 07:42 作者: meretricious 時(shí)間: 2025-3-28 12:56
tolerance, misunderstanding or even hatred. This book brings together, for the first time, contributions that consider the ethics as well as the aesthetics of humour. The book focuses on the abuses and limits of humour, some of which excite considerable social tension and controversy. Beyond a Joke 作者: 薄膜 時(shí)間: 2025-3-28 16:17 作者: adj憂(yōu)郁的 時(shí)間: 2025-3-28 21:47
Breaking the Mould: Conversations with Omid Djalili and Shazia Mirza,humour from an ethnic minority perspective, have been firmly placed on the comedy landscape. Both Omid and Shazia have been described as original and groundbreaking comics, helping to move British comedy forward in innovative and progressive ways.作者: 狂熱文化 時(shí)間: 2025-3-28 23:43
https://doi.org/10.1007/978-3-540-68295-0irty. Those in the shop joined in the denial of racism: ‘it’s only a joke’, they said, almost in unison. One of them actually counselled him (the victim) to cultivate a sense of humour in order to ‘get on in this world’. This is not a hypothetical example. The incident involved one of the authors of this chapter.作者: 冷淡周邊 時(shí)間: 2025-3-29 07:04 作者: Watemelon 時(shí)間: 2025-3-29 08:38
Race and Ethnicity in Popular Humour,irty. Those in the shop joined in the denial of racism: ‘it’s only a joke’, they said, almost in unison. One of them actually counselled him (the victim) to cultivate a sense of humour in order to ‘get on in this world’. This is not a hypothetical example. The incident involved one of the authors of this chapter.作者: anticipate 時(shí)間: 2025-3-29 14:45
Humour and the Conduct of Politics,y, Rowlandson, Daumier and Nast. Around the world, political jokes are a standard part of conversation. In the United States, political jokes on television are monitored by politicians to gauge the success or failure of their campaigns.作者: 1FAWN 時(shí)間: 2025-3-29 19:19
