標(biāo)題: Titlebook: Beyond Shakespeare; Film Studies, Perfor Iris H. Tuan Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁] 作者: 機(jī)會 時間: 2025-3-21 17:54
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書目名稱Beyond Shakespeare被引頻次學(xué)科排名
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書目名稱Beyond Shakespeare讀者反饋學(xué)科排名
作者: 話 時間: 2025-3-21 21:38 作者: grovel 時間: 2025-3-22 03:55 作者: COST 時間: 2025-3-22 04:47 作者: 金絲雀 時間: 2025-3-22 11:06 作者: 脾氣暴躁的人 時間: 2025-3-22 15:57
978-981-19-9404-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor作者: gustation 時間: 2025-3-22 18:03 作者: MIME 時間: 2025-3-22 23:15
Professor Hua Loo Keng in Japan, by over-indulging Sir Andrew Ageucheek in Shakespeare’s .. Food/drink consumption, emotions, and obsessions are expressed by the Bard’s language. The scenes of food can also be seen in the Bard’s many plays, such as the libertine character Falstaff says while he has a tankard in his hand and a woma作者: 無效 時間: 2025-3-23 04:56 作者: Interim 時間: 2025-3-23 07:32
https://doi.org/10.1007/978-3-642-95227-2nd .(1999). This chapter interprets the postmodern bizarre spectacle and posthuman zombie images. Shakespeare’s tragedy?.is adapted into the images of the zombies, corpses, and skeletons in the film?.which goes beyond life and death, human and posthuman. The film?. starred by Anthony Hopkins associa作者: 貪婪地吃 時間: 2025-3-23 10:32 作者: 退出可食用 時間: 2025-3-23 14:28
International Symposium on Adriamycins plays. For example, the Green-world play can be exemplified by the natural Arden Forest which is like Eden in Shakespeare’s .. The supernatural power is displayed by the three witches’ prophesies in .. The bad weather as the storm is in the wildness when King Lear gets madness in .. The extreme we作者: 定點 時間: 2025-3-23 21:07
Stephen K. Carter,A. Di Marco,G. Mathéer Stage Director Stan Lai’s six representative works, including . (1986, 1999), . (1987), . (1989), . (1998), . (2005), and . (2021). Using Realism props, Lai ingeniously interweaves inter-referentiality and juxtaposition of postmodernism in .. In ., Chinese traditional culture and Western modernit作者: jaundiced 時間: 2025-3-24 01:29 作者: floodgate 時間: 2025-3-24 03:42
https://doi.org/10.1007/978-3-030-12915-6el. Applying Michel Foucault’s concept of “disciplined body,” power and sexuality, Sean Baudrillard’s postmodern “simulation and simulacra” and “consumption society,” and Lisa Blackman’s . concerning of “immaterial corporality” to explore immaterial conceptions and representations. Like Ridley Scott作者: 條約 時間: 2025-3-24 07:29
Development of Wideband Antennasdirected by Julian Fellowes), the feature film . (2019) (directed by?Michael Engler), and the new heritage film . (2022) (produced by Gareth Neame). Jacques Derrida in his lecture “Of Hospitality” in Paris proclaimed that the hosts ideally “offered an unconditional hospitality” (77). “For to be what作者: CRUC 時間: 2025-3-24 14:12
https://doi.org/10.1007/978-3-030-12915-6é Bazin’s idea of Realism, Sergei Eisenstein’s Theory of Montage, Antonin Artaud’s Theatre of Cruelty, Bertolt Brecht’s Epic Theatre and the Alienation Effect, Jean Baudrillard’s postmodern theoretic treatise ., Hans-Thies Lehmann‘s?book ., to name just a few, from the present to the future, we can 作者: dendrites 時間: 2025-3-24 16:32
tudies on the canon and popular films.Brings together the ex.With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visua作者: 收到 時間: 2025-3-24 21:17
Book 2023e. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas..作者: 懲罰 時間: 2025-3-25 02:03 作者: 盤旋 時間: 2025-3-25 06:40
Professor Hua Loo Keng in Japan,ween food and control. In ., it associates food with sex. In ., Prospero uses the magic to let Ariel display a banquet of food as hallucination (III. iii. 19 stage direction). This chapter explores the scenes of food/drink consumption, emotions, and obsessions in Shakespeare’s plays and art in visualization of food/drink/aesthetics.作者: 傻 時間: 2025-3-25 08:00 作者: 辭職 時間: 2025-3-25 12:46
Metaphors of Plagues in Shakespeare’s Playsvides an informative overview of Shakespeare’s life in the shadow of plague and his references to the disease in his plays. This chapter argues that plagues and pandemics can work as metaphors to symbolize diseases, moral decadence, and lovesickness.作者: 拔出 時間: 2025-3-25 19:37
Food/Drink Consumption, Emotions, and Obsessions in Shakespeare’s Plays and Artween food and control. In ., it associates food with sex. In ., Prospero uses the magic to let Ariel display a banquet of food as hallucination (III. iii. 19 stage direction). This chapter explores the scenes of food/drink consumption, emotions, and obsessions in Shakespeare’s plays and art in visualization of food/drink/aesthetics.作者: constitutional 時間: 2025-3-25 21:28 作者: 不透明性 時間: 2025-3-26 00:58
Book 2023al theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with th作者: mastopexy 時間: 2025-3-26 07:06
Metaphors of Plagues in Shakespeare’s Playsmic. Plagues and pandemics also happened several times in Shakespeare’s time. The situation of bubonic plague is found to be reflected in the Bard’s plays, for example, ., ., ., .,?., ., and?.. Besides, the widely discussed lawsuit occurred in late 1603 might have influenced Shakespeare’s writing ab作者: 擴(kuò)張 時間: 2025-3-26 08:34
Food/Drink Consumption, Emotions, and Obsessions in Shakespeare’s Plays and Art by over-indulging Sir Andrew Ageucheek in Shakespeare’s .. Food/drink consumption, emotions, and obsessions are expressed by the Bard’s language. The scenes of food can also be seen in the Bard’s many plays, such as the libertine character Falstaff says while he has a tankard in his hand and a woma作者: 一大塊 時間: 2025-3-26 16:00
Women and the “Feminine” by Quoting Shakespeare’s Sonnets and Image Change in Screenel of the narrative and reinforce characterization. Cleverly, the BBC film . (2005) inserts Shakespeare‘s Sonnet 116 into the bedroom scene as the love metaphor for Benedick and Beatrice to enhance the chemistry between them. Moreover, in Director Ang Lee’s film . (1995), the adaptation from Jane Au作者: indices 時間: 2025-3-26 17:59 作者: 我的巨大 時間: 2025-3-27 00:04 作者: 起來了 時間: 2025-3-27 02:39
Theatre Ecology, Nature, and Politics in Shakespeare’s Plays and s plays. For example, the Green-world play can be exemplified by the natural Arden Forest which is like Eden in Shakespeare’s .. The supernatural power is displayed by the three witches’ prophesies in .. The bad weather as the storm is in the wildness when King Lear gets madness in .. The extreme we作者: 移植 時間: 2025-3-27 06:53
History Intertwined with Memory: In-between Stan Lai’s , and er Stage Director Stan Lai’s six representative works, including . (1986, 1999), . (1987), . (1989), . (1998), . (2005), and . (2021). Using Realism props, Lai ingeniously interweaves inter-referentiality and juxtaposition of postmodernism in .. In ., Chinese traditional culture and Western modernit作者: 手銬 時間: 2025-3-27 13:17
Race and Identity in David Henry Hwang’s Plays and Musicalss today are being falsely blamed for COVID-19. The impact of COVID-19 on anti-Asian hate crime was foreshadowed in Hwang‘s recent plays and musicals, as well as in his personal lived experience. Hwang’s revised . dramatizes ambiguous sexual identity and white people’s cultural misunderstanding of As作者: gangrene 時間: 2025-3-27 14:19
Immaterial Representations in ,: Sex, Body, and Memoriesel. Applying Michel Foucault’s concept of “disciplined body,” power and sexuality, Sean Baudrillard’s postmodern “simulation and simulacra” and “consumption society,” and Lisa Blackman’s . concerning of “immaterial corporality” to explore immaterial conceptions and representations. Like Ridley Scott作者: Inveterate 時間: 2025-3-27 19:18 作者: 雕鏤 時間: 2025-3-27 22:10
Conclusioné Bazin’s idea of Realism, Sergei Eisenstein’s Theory of Montage, Antonin Artaud’s Theatre of Cruelty, Bertolt Brecht’s Epic Theatre and the Alienation Effect, Jean Baudrillard’s postmodern theoretic treatise ., Hans-Thies Lehmann‘s?book ., to name just a few, from the present to the future, we can 作者: CLOT 時間: 2025-3-28 03:57
the dreadful diseases like the plagues in Shakespeare’s time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas..978-981-19-9404-3978-981-19-9402-9作者: cataract 時間: 2025-3-28 08:14
International Symposium on Adriamycin’s Sonnets to strengthen Bard’s language power embedded with patriarchy and sexuality. I argue that quoting Shakespeare can elevate the literature value of the films and women’s “feminine” images change in the four films adapted from Shakespeare’s ..作者: 錫箔紙 時間: 2025-3-28 12:42
https://doi.org/10.1007/978-3-642-95227-2 the dead in Shakespeare’s .by the zombie’s eating the man to get the replaced memory and coming back to live with loving hearts and warm bodies to redeem cannibalism. Besides, the postmodern bizarre, bloody, and violent scenes in Taymor’s .vividly express Shakespeare’s language power via the big si作者: Processes 時間: 2025-3-28 14:50
https://doi.org/10.1007/978-3-642-95227-2esigns and setting for the contemporary Zoom digital performance . (March 17–21, 2021), a revenge reversal radically adapted from Shakespeare’s .. It is directed by Beatrice Casagran and produced by Ophelia’s Jump. The new play, written by Carol Sorgenfrei, lets Jessica, the Jew Shylock’s daughter, 作者: airborne 時間: 2025-3-28 19:41 作者: 公司 時間: 2025-3-29 01:40
Stephen K. Carter,A. Di Marco,G. Mathé in the performance . (with the length of eight hours) inspired by Lai’s religious belief in Tibetan Buddhism. The focus of this chapter is also to explore the dramatic structure/theatrical expression/historical reflections in ., the sequel to Lai’s well-known play ...Since its premiere in 1986, ., 作者: 下級 時間: 2025-3-29 05:31 作者: 事先無準(zhǔn)備 時間: 2025-3-29 08:19
https://doi.org/10.1007/978-3-030-12915-6ic revolution, a person’s consciousness (memories, personal histories, thoughts, and experiences) is digitalized and stored in a small device called the “cortical stack,” located at the back of the skull spine. The intertextuality is present in this Netflix TV drama in which literature tradition—Edg作者: Budget 時間: 2025-3-29 11:40 作者: defile 時間: 2025-3-29 18:59 作者: 觀察 時間: 2025-3-29 21:23 作者: Peculate 時間: 2025-3-30 01:20
Travelling Images and Visual Culture in Shakespeare’s Plays: Through and Beyond Repetitionesigns and setting for the contemporary Zoom digital performance . (March 17–21, 2021), a revenge reversal radically adapted from Shakespeare’s .. It is directed by Beatrice Casagran and produced by Ophelia’s Jump. The new play, written by Carol Sorgenfrei, lets Jessica, the Jew Shylock’s daughter, 作者: Relinquish 時間: 2025-3-30 04:10
