標(biāo)題: Titlebook: Beyond Media Borders, Volume 2; Intermedial Relation Lars Ellestr?m Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 [打印本頁] 作者: 債務(wù)人 時間: 2025-3-21 19:25
書目名稱Beyond Media Borders, Volume 2影響因子(影響力)
書目名稱Beyond Media Borders, Volume 2影響因子(影響力)學(xué)科排名
書目名稱Beyond Media Borders, Volume 2網(wǎng)絡(luò)公開度
書目名稱Beyond Media Borders, Volume 2網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Beyond Media Borders, Volume 2被引頻次
書目名稱Beyond Media Borders, Volume 2被引頻次學(xué)科排名
書目名稱Beyond Media Borders, Volume 2年度引用
書目名稱Beyond Media Borders, Volume 2年度引用學(xué)科排名
書目名稱Beyond Media Borders, Volume 2讀者反饋
書目名稱Beyond Media Borders, Volume 2讀者反饋學(xué)科排名
作者: Nomogram 時間: 2025-3-21 23:27 作者: SNEER 時間: 2025-3-22 02:22 作者: 可以任性 時間: 2025-3-22 06:04
https://doi.org/10.1057/9781137340733g in what the author calls intermedial ecocriticism. The chapter sketches out the main theoretical backgrounds of this position and suggests taking an analytical approach. It also compares and discusses two different media products: an online popular science article from CarbonBrief and a Danish novel about climate change.作者: blithe 時間: 2025-3-22 12:16
Transferring Handmaids: Iconography, Adaptation, and Intermedialityticular traits or characteristics over others. The emphasis or disclosure that characterizes each iteration is accompanied by concealment; that is, as an adaptation foregrounds one particular modality, it simultaneously represses another. This tension between disclosing and concealing operates thematically and in terms of its foregrounded media.作者: 熱情贊揚 時間: 2025-3-22 13:49 作者: Exposure 時間: 2025-3-22 19:22
ciplinary conceptual framework.This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate 作者: Flounder 時間: 2025-3-23 00:24
Book‘‘‘‘‘‘‘‘ 2021involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Ellestr?m’s influential article .The Modalities of Media: A Model for Understanding Intermedial Relations. (Palgrave Macmillan, 2010) can 作者: CHECK 時間: 2025-3-23 01:39
Beyond Intercultural Awareness in ELTor purposefully as an aesthetic, social, or cultural intervention. The author argues that these concealments and intermedial “gaps” generate new modes of expression, new artistic experiences for audiences and performers, and new conceptual understandings of existing genres and media.作者: 集中營 時間: 2025-3-23 06:09
https://doi.org/10.1057/9781137340733models, the author also uses Ellestr?m’s model for analyzing media transformations. The four modalities of media, along with their qualifying aspects, are the backbone of an interpretative framework proposed to explore the presence of architecture in literature. The chapter also leans on the notions of embodiment and perspective.作者: Ancestor 時間: 2025-3-23 12:05 作者: zonules 時間: 2025-3-23 17:54 作者: strdulate 時間: 2025-3-23 19:49
Julia Gillen,Catherine Ann Cameronkes it possible to study traditional two-dimensional maps and texts as well as three-dimensional modelling and virtual reality systems. Finally, the authors introduce virtual reality as a new media form in the light of empirical experiments conducted at the University of Cologne.作者: Glycogen 時間: 2025-3-24 00:18
Finding Meaning in Intermedial Gapsor purposefully as an aesthetic, social, or cultural intervention. The author argues that these concealments and intermedial “gaps” generate new modes of expression, new artistic experiences for audiences and performers, and new conceptual understandings of existing genres and media.作者: 轎車 時間: 2025-3-24 05:28 作者: 拖網(wǎng) 時間: 2025-3-24 07:26 作者: set598 時間: 2025-3-24 12:03 作者: 鳴叫 時間: 2025-3-24 17:30 作者: Forehead-Lift 時間: 2025-3-24 22:31
https://doi.org/10.1007/978-3-030-49683-8Intermediality; Transmediality; Multimodality; Semiotics; Media modalities; Transmediation; Hypermediality作者: 沒有希望 時間: 2025-3-25 01:48
978-3-030-49685-2The Editor(s) (if applicable) and The Author(s) 2021作者: 暗指 時間: 2025-3-25 06:58 作者: 鄙視 時間: 2025-3-25 08:30 作者: preservative 時間: 2025-3-25 11:47 作者: CHART 時間: 2025-3-25 19:51 作者: 有危險 時間: 2025-3-25 22:33
Beyond Intercultural Awareness in ELTroducts—and particularly intermedial products—do not always transmit meanings and ideas smoothly. This chapter explores a series of historical and contemporary media objects and performances that do not facilitate “successful” transfers of meaning, partly due to their intermedial configurations. Eac作者: 清真寺 時間: 2025-3-26 03:17
Darren K. LaScotte,Bethany D. Peters. The author begins with a consideration of the intermedial network established within Margaret Atwood’s novel . to show that, even prior to adaptation, the Handmaid is understood as a product of intermedial transfer. The author then surveys the movement of Handmaid iconography in a variety of print作者: monochromatic 時間: 2025-3-26 05:59 作者: Demulcent 時間: 2025-3-26 12:13
Christopher J. Jenks,Paul Seedhouselude media representations of different qualified media types (journalistic report, biography, and autobiography) and of specific media products (such as familiar images of people and places). The article starts with a short history of comics. It then offers a theoretical discussion of intermedialit作者: 有角 時間: 2025-3-26 14:13 作者: miniature 時間: 2025-3-26 16:56
Christopher J. Jenks,Paul Seedhouse the chapter is to analyse the transmediality of metalepsis; that is, its potential to be employed in various media. Based on a number of different specific media products (from the media types of literature and film), the author analyses closely how metalepsis can depend on the modalities of differ作者: integrated 時間: 2025-3-27 00:40
Julia Gillen,Catherine Ann Cameroning texts, maps, and virtual reality to show how they express spatial conceptions. Such a comparison is necessary to understand the mechanisms behind combinations and transformations among different media; hence, it forms a useful basis for analysing media interacting with spaces more generally. Tak作者: Amnesty 時間: 2025-3-27 01:25 作者: 能得到 時間: 2025-3-27 06:02 作者: 輕而薄 時間: 2025-3-27 13:31 作者: Mortar 時間: 2025-3-27 15:37 作者: 容易做 時間: 2025-3-27 20:35
Media Representation and Transmediation: Indexicality in Journalism Comics and Biography Comicslude media representations of different qualified media types (journalistic report, biography, and autobiography) and of specific media products (such as familiar images of people and places). The article starts with a short history of comics. It then offers a theoretical discussion of intermedialit作者: 同義聯(lián)想法 時間: 2025-3-28 00:02
Towards an Intermedial Ecocriticism public, industries, and policymakers. Such communication takes place via a wide array of different media types, from arts and literature to journalism and politics—media types that are, broadly speaking, the objects of environmental humanities. The problem is that it is very difficult to analyse, d作者: AWRY 時間: 2025-3-28 03:01
Metalepsis in Different Media the chapter is to analyse the transmediality of metalepsis; that is, its potential to be employed in various media. Based on a number of different specific media products (from the media types of literature and film), the author analyses closely how metalepsis can depend on the modalities of differ作者: fatty-streak 時間: 2025-3-28 09:08
Seeing the Landscape Through Textual and Graphical Media Productsing texts, maps, and virtual reality to show how they express spatial conceptions. Such a comparison is necessary to understand the mechanisms behind combinations and transformations among different media; hence, it forms a useful basis for analysing media interacting with spaces more generally. Tak
