標(biāo)題: Titlebook: Beyond Media Borders, Volume 1; Intermedial Relation Lars Ellestr?m Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 [打印本頁] 作者: Encounter 時間: 2025-3-21 17:08
書目名稱Beyond Media Borders, Volume 1影響因子(影響力)
書目名稱Beyond Media Borders, Volume 1影響因子(影響力)學(xué)科排名
書目名稱Beyond Media Borders, Volume 1網(wǎng)絡(luò)公開度
書目名稱Beyond Media Borders, Volume 1網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Beyond Media Borders, Volume 1被引頻次
書目名稱Beyond Media Borders, Volume 1被引頻次學(xué)科排名
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書目名稱Beyond Media Borders, Volume 1年度引用學(xué)科排名
書目名稱Beyond Media Borders, Volume 1讀者反饋
書目名稱Beyond Media Borders, Volume 1讀者反饋學(xué)科排名
作者: 補(bǔ)助 時間: 2025-3-21 20:26 作者: 黃瓜 時間: 2025-3-22 01:59 作者: 使厭惡 時間: 2025-3-22 05:03
Cyberbullying in the United Statesorms. This chapter pursues Lars Ellestr?m’s notion that theatre is indeed highly multimodal and integrates many basic and qualified media, prompting a recalibration of current definitions of a hypermedium incorporating all arts and media. The author contends that, alongside the significance of mater作者: 使苦惱 時間: 2025-3-22 11:03 作者: painkillers 時間: 2025-3-22 12:55 作者: Asperity 時間: 2025-3-22 19:30 作者: 完成才能戰(zhàn)勝 時間: 2025-3-22 21:39
Katalin Parti,Andrea Schmidt,Bálint Néraythe printed book to being a mass medium in its own right. This chapter takes a context and user perspective on audiobooks and asks the fundamental question: to what extent can one say that one ‘reads’ an audiobook? Based on the Danish author Helle Helle’s novel . (., 2008), the authors discuss how t作者: 焦慮 時間: 2025-3-23 04:23
Trends in Doctoral Education in Australia,igital communication. This transition is barely evident in mobile language learning contexts where top-selling apps present language as a linguistic structure to be drilled, ironically bypassing the complex communicative potential of smart devices. This chapter overviews changing language norms from作者: Acetabulum 時間: 2025-3-23 08:55 作者: Precursor 時間: 2025-3-23 10:10 作者: happiness 時間: 2025-3-23 16:14
Katalin Parti,Andrea Schmidt,Bálint Nérayhe audiobook experience as a whole can be analysed regarding ‘technological framing’, ‘reading situations’ and ‘the performing voice’. They also investigate audiobook reading in relation to the experience of time and depth.作者: Endearing 時間: 2025-3-23 21:22
linary conceptual framework.This open access book?promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and作者: MERIT 時間: 2025-3-24 01:03
https://doi.org/10.1007/978-3-319-95621-3nto media types and the intricate nature of media borders: how they are identified, construed and crossed. Finally, it broadly discusses two general intermedial perspectives: media integration and media transformation.作者: Anticoagulant 時間: 2025-3-24 05:30
Cyberbullying in the United Statesdium. This interplay of modalities creates new forms of hybrid signification through particular ., ., . and ., transporting theatre into new and sometimes challenging relationships with other assertive qualified media types, notably what the author refers to as the ..作者: 討好女人 時間: 2025-3-24 06:36 作者: LEVER 時間: 2025-3-24 11:36
Cyberbullying and Cybervictimizationtualization and cognitive research findings. It also analyzes the various forms of digital mediated images in films over the last two decades and sheds light on how the functions of truthfulness and affective engagement can be closely intertwined rather than in conflict.作者: 終止 時間: 2025-3-24 17:56 作者: 飛鏢 時間: 2025-3-24 21:40
The Modalities of Media II: An Expanded Model for Understanding Intermedial Relationsnto media types and the intricate nature of media borders: how they are identified, construed and crossed. Finally, it broadly discusses two general intermedial perspectives: media integration and media transformation.作者: BARGE 時間: 2025-3-25 02:41 作者: Injunction 時間: 2025-3-25 04:53
Multimodal Acting and Performingineates a technical infrastructure that suggests new insights into the actor’s work. Is the actor’s mode of performing expressed, shaped or constrained by the shifting media modalities in which her or his work is conveyed? The chapter examines instances of performances in theatre, in film, in ‘reality trend’ events and online.作者: 描述 時間: 2025-3-25 09:56
Truthfulness and Affect via Digital Mediation in Audiovisual Storytellingtualization and cognitive research findings. It also analyzes the various forms of digital mediated images in films over the last two decades and sheds light on how the functions of truthfulness and affective engagement can be closely intertwined rather than in conflict.作者: MARS 時間: 2025-3-25 12:15 作者: Fibroid 時間: 2025-3-25 18:39 作者: Suppository 時間: 2025-3-25 22:38
Book‘‘‘‘‘‘‘‘ 2021involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Ellestr?m’s influential article .The Modalities of Media: A Model for Understanding Intermedial Relations. (Palgrave Macmillan, 2010) can 作者: hemorrhage 時間: 2025-3-26 04:10 作者: invulnerable 時間: 2025-3-26 07:31 作者: Eeg332 時間: 2025-3-26 10:05 作者: 有節(jié)制 時間: 2025-3-26 16:27
The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations It suggests an elaborated theoretical framework for distinguishing the multimodal character of media products, which are understood as those entities and phenomena that make inter-human communication possible. It offers a foundational model for describing and analysing the most basic similarities, 作者: 完成才會征服 時間: 2025-3-26 20:42
A Recalibration of Theatre’s Hypermedialityorms. This chapter pursues Lars Ellestr?m’s notion that theatre is indeed highly multimodal and integrates many basic and qualified media, prompting a recalibration of current definitions of a hypermedium incorporating all arts and media. The author contends that, alongside the significance of mater作者: Pamphlet 時間: 2025-3-27 00:31 作者: frozen-shoulder 時間: 2025-3-27 03:42 作者: JUST 時間: 2025-3-27 09:17
Truthfulness and Affect via Digital Mediation in Audiovisual Storytellingr screen—achieve story truthfulness and affective engagement in the viewer’s narrative interpretation process. The pursuit of truthful storytelling is to demonstrate objective facts, while mediated images in film are predominantly subjective. The chapter starts by reviewing the perennial paradox of 作者: calamity 時間: 2025-3-27 12:19 作者: Inordinate 時間: 2025-3-27 14:09
Language in Digital Motion: From ABCs to Intermediality and Why This Matters for Language Learningigital communication. This transition is barely evident in mobile language learning contexts where top-selling apps present language as a linguistic structure to be drilled, ironically bypassing the complex communicative potential of smart devices. This chapter overviews changing language norms from作者: 聲音刺耳 時間: 2025-3-27 21:46 作者: OPINE 時間: 2025-3-28 00:16
Andrew Bettany,Mike Halseyto develop a playful and creative learning. The proposed approach is a play-based learning using the Montessori pedagogical principal as a core of the method that is implanted in several types of serious games. This paper proposes a Montessori’s Method based on serious games solution. We developed s作者: craving 時間: 2025-3-28 04:49
Book 1965Latest edition h?ltnisse bestimmte Zweckm??igkeit gelten l??t. Manche Beobachter der Sowjetunion, die sich eine so lang anhaltende Unver- ?nderlichkeit der Ziele und Methoden schwer vorstellen k?nnen, ziehen gerne Beispiele aus der Geschichte heran.作者: 粗糙 時間: 2025-3-28 09:33 作者: 巧思 時間: 2025-3-28 14:15 作者: Credence 時間: 2025-3-28 14:52
alia. We the authors belong to one of many mobs who are First Nations Australians, our voices are one of many voices. Throughout the book we aim to privilege Indigenous voices and perspectives while drawing on both cultural and mainstream knowledge systems. Our style of sharing knowledge is through
